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commit e0d8a89a76dc736b53192f916430c13034119c1c
Merge: 5519d94 e05f4a6
Author: Robin Lee Powell
Date: Sat Jan 29 18:28:43 2011 -0800
Merge commit 'e05f4a6c34635238e6fc8959734ade107b38e53d' into gh-pages
commit 5519d947fcbff94319b1f3a2d10651a3e03805a9
Merge: a67e27b bbf5da6
Author: Robin Lee Powell
Date: Sat Jan 29 18:16:06 2011 -0800
Merge commit 'bbf5da6a5b61b4365dc055215f9fa1b411a10c4c' into gh-pages
commit e05f4a6c34635238e6fc8959734ade107b38e53d
Author: Eitan Postavsky
Date: Wed Jan 5 16:17:46 2011 -0500
Chapter 3: removed redundant s. Chapter 6: s =
to s and a variablelist to orderedlist.
diff --git a/todocbook/3.xml b/todocbook/3.xml
index 348dc8e..30a227d 100644
--- a/todocbook/3.xml
+++ b/todocbook/3.xml
@@ -1,21 +1,15 @@
The Hills Are Alive With The Sounds Of Lojban
Orthography
- orthographyrelation to pronunciation pronunciationrela=
tion to orthography audio-visual isomorphism isomorphismaudio-vi=
sual Lojban is designed so that any properly spoken=
Lojban utterance can be uniquely transcribed in writing, and any properly =
written Lojban can be spoken so as to be uniquely reproduced by another per=
son. As a consequence, the standard Lojban orthography must assign to each =
distinct sound, or phoneme, a unique letter or symbol. Each letter or symbo=
l has only one sound or, more accurately, a limited range of sounds that ar=
e permitted pronunciations for that phoneme. Some symbols indicate stress (=
speech emphasis) and pause, which are also essential to Lojban word recogni=
tion. In addition, everything that is represented in other languages by pun=
ctuation (when written) or by tone of voice (when spoken) is represented in=
Lojban by words. These two properties together are known technically as=20
- =20
- =20
- audio-visual isomorphism
.
- =20
- =20
- =20
+ orthographyrelation to pronunciation pronunciationrela=
tion to orthography audio-visual isomorphism isomorphismaudio-vi=
sual Lojban is designed so that any properly spoken=
Lojban utterance can be uniquely transcribed in writing, and any properly =
written Lojban can be spoken so as to be uniquely reproduced by another per=
son. As a consequence, the standard Lojban orthography must assign to each =
distinct sound, or phoneme, a unique letter or symbol. Each letter or symbo=
l has only one sound or, more accurately, a limited range of sounds that ar=
e permitted pronunciations for that phoneme. Some symbols indicate stress (=
speech emphasis) and pause, which are also essential to Lojban word recogni=
tion. In addition, everything that is represented in other languages by pun=
ctuation (when written) or by tone of voice (when spoken) is represented in=
Lojban by words. These two properties together are known technically as audio-visual isomorphism
.
=20
alphabetLojban Lojban alphabet Latin alphabet Lojban uses a=
variant of the Latin (Roman) alphabet, consisting of the following letters=
and symbols:
'
,
.
a
b
c
d
@@ -351,34 +345,34 @@
r (discussed later). Commas a=
re never required: no two Lojban words differ solely because of the presenc=
e or placement of a comma.
periodexample of Here is a somewhat artificia=
l example of the difference in pronunciation between periods, commas and ap=
ostrophes. In the English song about Old MacDonald's Farm, the vowel string=
which is written as=20
ee-i-ee-i-o
in English could be Lojbanized with periods=
as:
Old McDonaldexample
.i.ai.i.ai.o
- [=CA=94i =CA=94aj =CA=94i =CA=94aj =CA=
=94o]
+ [=CA=94i =CA=94aj =CA=94i =CA=94aj =CA=94o]
Ee! Eye! Ee! Eye! Oh!
However, this would sound clipped, staccato, and unmusical compa=
red to the English. Furthermore, although=20
is a string of meaningful L=
ojban words, as a sentence it makes very little sense. (Note the use of per=
iods embedded within the written word.)
commaexample of If commas were used instead of =
periods, we could represent the English string as a Lojbanized name, ending=
in a consonant:
.i,ai,i,ai,on.
- [=CA=94i jaj ji jaj jon=CA=94]<=
/ipa>
+ [=CA=94i jaj ji jaj jon=CA=94]
commavariant of The commas represent new syllab=
le breaks, but prohibit the use of pauses or glottal stop. The pronunciatio=
n shown is just one possibility, but closely parallels the intended English=
pronunciation.
=20
However, the use of commas in this way is risky to unambiguous i=
nterpretation, since the glides might be heard by some listeners as diphtho=
ngs, producing something like
@@ -388,21 +382,21 @@
which is technically a different Lojban name. Since the intent w=
ith Lojbanized names is to allow them to be pronounced more like their nati=
ve counterparts, the comma is allowed to represent vowel glides or some non=
-Lojbanic sound. Such an exception affects only spelling accuracy and the a=
bility of a reader to replicate the desired pronunciation exactly; it will =
not affect the recognition of word boundaries.
apostropheas preferable over comma in names Sti=
ll, it is better if Lojbanized names are always distinct. Therefore, the ap=
ostrophe is preferred in regular Lojbanized names that are not attempting t=
o simulate a non-Lojban pronunciation perfectly. (Perfection, in any event,=
is not really achievable, because some sounds simply lack reasonable Lojba=
nic counterparts.)
If apostrophes were used instead of commas in=20
, it would appear as:
.i'ai'i'ai'on.
- [=CA=94i hai hi hai hon=CA=94]<=
/ipa>
+ [=CA=94i hai hi hai hon=CA=94]
apostropheexample of which preserves the rhythm=
and length, if not the exact sounds, of the original English.
Diphthongs and Syllabic Consonants
diphthongsdefinition of There exist 16 diphthon=
gs in the Lojban language. A diphthong is a vowel sound that consists of tw=
o elements, a short vowel sound and a glide, either a labial (IPA=20
[w]) or palatal (IPA=20
[j]) glide, that either precedes (an on-=
glide) or follows (an off-glide) the main vowel. Diphthongs always constitu=
te a single syllable.
vowels<=
secondary>contrasted with consonants consonantscontrasted =
with vowels For Lojban purposes, a vowel sound is a=
relatively long speech-sound that forms the nucleus of a syllable. Consona=
nt sounds are relatively brief and normally require an accompanying vowel s=
ound in order to be audible. Consonants may occur at the beginning or end o=
f a syllable, around the vowel, and there may be several consonants in a cl=
uster in either position. Each separate vowel sound constitutes a distinct =
syllable; consonant sounds do not affect the determination of syllables.
@@ -546,23 +540,23 @@
l,=20
m,=20
n, or=20
r that is not syllabic, it ma=
y not be clear which is which:
brlgan.
- [br=CC=A9l gan]
+ [br=CC=A9l gan]
or
- [brl=CC=A9 gan]
+ [brl=CC=A9 gan]
is a hypothetical Lojbanized name with more than one valid pronu=
nciation; however it is pronounced, it remains the same word.
Earlexample syllab=
ic consonantsfinal in word Syl=
labic consonants are treated as consonants rather than vowels from the stan=
dpoint of Lojban morphology. Thus Lojbanized names, which are generally req=
uired to end in a consonant, are allowed to end with a syllabic consonant. =
An example is=20
=20
rl., which is an approximation of the English n=
ame=20
Earl
, and has two syllabic consonants.
=20
=20
syllabic consonan=
tseffect on stress stresseffect of sy=
llabic consonants on Syllables with syllabic conson=
ants and no vowel are never stressed or counted when determining which syll=
ables to stress (see=20
@@ -767,21 +761,21 @@
yuse in avoiding forbidden consonant pairs Th=
ese rules apply to all kinds of words, even Lojbanized names. If a name wou=
ld normally contain a forbidden consonant pair, a=20
y can be inserted to break up=
the pair:
Jamesexample
djeimyz.
- [d=CA=92=C9=9Bj m=C9=99z=CA=94]=
+ [d=CA=92=C9=9Bj m=C9=99z=CA=94]
James
The regular English pronunciation of=20
James
, which is=20
[d=CA=92=C9=9Bjmz], would Lojbanize as=
=20
djeimz., which contains a forbi=
dden consonant pair.
Initial Consonant Pairs
@@ -1019,127 +1013,127 @@
[=C9=A8],=20
[=CA=8A], or even=20
[=CA=8F], but there probably is no unive=
rsally acceptable buffer sound. When using a consonant buffer, the sound sh=
ould be made as short as possible. Two examples showing such buffering (we =
will use=20
[=C9=AA] in this chapter) are:
vrusi
- [=CB=88vru si]
+ [=CB=88vru si]
or
- [v=C9=AA =CB=88ru si]
+ [v=C9=AA =CB=88ru si]
Amsterdam<=
secondary>example
.AMsterdam. =20
- [=CA=94am ster dam=CA=94]
+ [=CA=94am ster dam=CA=94]
or
- [=CB=88=CA=94a m=C9=AA s=C9=AA t=C9=9B r=
=C9=AA da m=C9=AA=CA=94]
+ [=CB=88=CA=94a m=C9=AA s=C9=AA t=C9=9B r=C9=AA da m=C9=AA=CA=
=94]
stresseffect of buffer vowel on buffer voweland stre=
ss When a buffer vowel is used, it splits each buff=
ered consonant into its own syllable. However, the buffering syllables are =
never stressed, and are not counted in determining stress. They are, in eff=
ect, not really syllables to a Lojban listener, and thus their impact is ig=
nored.
=20
Here are more examples of unbuffered and buffered pronunciations=
:
klama =20
- [=CB=88kla ma]
- [k=C9=AA =CB=88la ma]
+ [=CB=88kla ma]
+ [k=C9=AA =CB=88la ma]
xapcke =20
- [=CB=88xap =CA=83k=C9=9B]
- [=CB=88xa p=C9=AA =CA=83k=C9=9B]
- [=CB=88xa p=C9=AA =CA=83=C9=AA k=C9=9B]<=
/phrase>
+ [=CB=88xap =CA=83k=C9=9B]
+ [=CB=88xa p=C9=AA =CA=83k=C9=9B]
+ [=CB=88xa p=C9=AA =CA=83=C9=AA k=C9=9B]
In=20
, we see that buffering vowe=
ls can be used in just some, rather than all, of the possible places: the s=
econd pronunciation buffers the=20
pc consonan=
t pair but not the=20
ck. The third pronunciation=
buffers both.
ponyni'u
- [po n=C9=99 'ni hu]
+ [po n=C9=99 'ni hu]
y soundcontrasted with vowel buffer vowel buffercont=
rasted with y sound=20
cannot contain any buffer=
ing vowel. It is important not to confuse the vowel=20
y, which is pronounced=20
[=C9=99], with the buffer, which has a v=
ariety of possible pronunciations and is never written. Consider the contra=
st between
bone bread=
example
bongynanba
- [bo=C5=8B g=C9=99 =CB=88nan ba]=
+ [bo=C5=8B g=C9=99 =CB=88nan ba]
an unlikely Lojban compound word meaning=20
bone bread
(note the use of=20
=20
[=C5=8B] as a representative of=20
n before=20
g) and
bongnanba
- [bo=C5=8B =CB=88gnan ba]
+ [bo=C5=8B =CB=88gnan ba]
a possible borrowing from another language (Lojban borrowings ca=
n only take a limited form). If=20
=20
=20
were pronounced with buffer=
ing, as
- [bo=C5=8B g=C9=AA =CB=88nan ba]=
+ [bo=C5=8B g=C9=AA =CB=88nan ba]
it would be very similar to=20
. Only a clear distinction b=
etween=20
y and any buffering vowel wou=
ld keep the two words distinct.
buffer vowelshortening of vowelslength of<=
/indexterm> Since buffering is done for the benefit of the speaker in order=
to aid pronounceability, there is no guarantee that the listener will not =
mistake a buffer vowel for one of the six regular Lojban vowels. The buffer=
vowel should be as laxly pronounced as possible, as central as possible, a=
nd as short as possible. Furthermore, it is worthwhile for speakers who use=
buffers to pronounce their regular vowels a bit longer than usual, to avoi=
d confusion with buffer vowels. The speakers of many languages will have tr=
ouble correctly hearing any of the suggested buffer vowels otherwise. By th=
is guideline,=20
=20
would be pronounced
- [bo=CB=90=C5=8B g=C9=AA =CB=88na=CB=90n =
ba=CB=90]
+ [bo=CB=90=C5=8B g=C9=AA =CB=88na=CB=90n ba=CB=90]
with lengthened vowels.
Syllabication And Stress
syllabicationdefinition of A Lojban word has on=
e syllable for each of its vowels, diphthongs, and syllabic consonants (ref=
erred to simply as=20
=20
vowels
for the purposes of this section.) Syllabication=
rules determine which of the consonants separating two vowels belong to th=
e preceding vowel and which to the following vowel. These rules are convent=
ional only; the phonetic facts of the matter about how utterances are sylla=
bified in any language are always very complex.
syllabicationrules for A single consonant alway=
s belongs to the following vowel. A consonant pair is normally divided betw=
een the two vowels; however, if the pair constitute a valid initial consona=
nt pair, they are normally both assigned to the following vowel. A consonan=
t triple is divided between the first and second consonants. Apostrophes an=
d commas, of course, also represent syllable breaks. Syllabic consonants us=
ually appear alone in their syllables.
@@ -1253,43 +1247,43 @@
This is a Lojbanized version of the name=20
Armstrong
. The final=20
=20
g must be explicitly pronounc=
ed. With full buffering, the name would be pronounced:
- [=CB=88=CA=94a r=C9=AA m=C9=AA s=C9=AA t=
=C9=AA ro n=C9=AA g=C9=AA=CA=94]
+ [=CB=88=CA=94a r=C9=AA m=C9=AA s=C9=AA t=C9=AA ro n=C9=AA g=
=C9=AA=CA=94]
However, there is no need to insert a buffer in every possible p=
lace just because it is inserted in one place: partial buffering is also ac=
ceptable. In every case, however, the stress remains in the same place: on =
the first syllable.
-ngLojban contrasted with English The English p=
ronunciation of=20
Armstrong
, as spelled in English, is not correct by Loj=
ban standards; the letters=20
=20
ng
in English represent a velar nasal (IPA=20
[=C5=8B]) which is a single consonant. I=
n Lojban,=20
ng represents two separate =
consonants that must both be pronounced; you may not use=20
[=C5=8B] to pronounce Lojban=20
ng, although=20
[=C5=8Bg] is acceptable. English speaker=
s are likely to have to pronounce the ending with a buffer, as one of the f=
ollowing:
- [=CB=88=CA=94arm stron g=C9=AA=CA=94]
+ [=CB=88=CA=94arm stron g=C9=AA=CA=94]
or
- [=CB=88=CA=94arm stro=C5=8B g=C9=AA=CA=
=94]
+ [=CB=88=CA=94arm stro=C5=8B g=C9=AA=CA=94]
or even
- [=CB=88=CA=94arm stro n=C9=AAg=CA=94]
+ [=CB=88=CA=94arm stro n=C9=AAg=CA=94]
The normal English pronunciation of the name=20
Armstrong
could be Lojbanized as:
=20
@@ -1879,21 +1873,21 @@
English Analogues For Lojban Diphthongs
diphthongsEnglish analogues of Here is a list o=
f English words that contain diphthongs that are similar to the Lojban diph=
thongs. This list does not constitute an official pronunciation guide; it i=
s intended as a help to English-speakers.
-
+
Lojban
English
ai =
=20
pie
diff --git a/todocbook/6.xml b/todocbook/6.xml
index 0c79316..7c1a208 100644
--- a/todocbook/6.xml
+++ b/todocbook/6.xml
@@ -14,64 +14,49 @@
pro-sumticontrasted with description In=20
,=20
mi and=20
le zarci are the sumti. It is easy to see that =
these two sumti are not of the same kind:=20
mi is a pro-sumti (the Lojban analogue of a pro=
noun) referring to the speaker, whereas=20
le zarci is a description which refers to somet=
hing described as being a market.
sumtikinds of There are five kinds of simple su=
mti provided by Lojban:
=20
-
-
- 1)
-
- le gadridefinition sumtidescriptions as descriptions like=20
- le zarci, which usually begin with a desc=
riptor (called a=20
- gadri in Lojban) such as=20
- =20
- le
;
-
-
-
- 2)
-
- mi sumtipro-sumti as pro-sumti, such as=20
- mi;
-
-
-
- 3)
-
- la sumtinames as names, such as=20
- la lojban., which usually begin with=20
- la
;
-
-
-
- 4)
-
- zoi zo le'u=
l=
u sumt=
iquotations as quotations, whi=
ch begin with=20
- lu,=20
- le'u
,=20
- zo
, or=20
- zoi
;
-
-
-
- 5)
-
- li sumtinumbers as pure numbers, which usua=
lly begin with=20
- li
.
-
-
-
+
+
+ le gadridefinition sumtidescriptions as<=
/indexterm> descriptions like=20
+ le zarci, which usually begin with a descri=
ptor (called a=20
+ gadri in Lojban) such as=20
+ =20
+ le;
+
+
+ mi sumtipro-sumti as pro-sumti, such as=20
+ mi;
+
+
+ la sumtinames as names, such as=20
+ la lojban., which usually begin with=20
+ la;
+
+
+ zoi zo le'u=
primary> lu<=
/primary> sumti<=
/primary>quotations as quotations, which=
begin with=20
+ lu,=20
+ le'u,=20
+ zo, or=20
+ zoi;
+
+
+ li sumtinumbers as pure numbers, which usuall=
y begin with=20
+ li.
+
+
Here are a few examples of each kind of sumti:
e'osai ko sarji la lojban.
Please support Lojban!
@@ -147,30 +132,30 @@
le zarci
one-or-more-specific-things-each-of-which-I-describe-as bei=
ng-a-market
the market
lecompared with English the The long gloss for=
=20
- le
is of course far too long to use most of the time, a=
nd in fact=20
+ le is of course far too long to use most of the=
time, and in fact=20
=20
- le
is quite close in meaning to English=20
+ le is quite close in meaning to English=20
the
. It has particular implications, however, which=20
the
does not have.
descriptionsimportance of selbri first place in=
descriptorspurpose of The general purpose of all descript=
ors is to create a sumti which might occur in the x1 place of the selbri be=
longing to the description. Thus=20
le zarci conveys something which might be found=
in the x1 place of=20
zarci, namely a market.
leand truth of selbri leand specificity leimplications of The specific purpose of=20
- le
is twofold. First, it indicates that the speaker has=
one or more specific markets in mind (whether or not the listener knows wh=
ich ones they are). Second, it also indicates that the speaker is merely de=
scribing the things he or she has in mind as markets, without being committ=
ed to the truth of that description.
+ le is twofold. First, it indicates that the spe=
aker has one or more specific markets in mind (whether or not the listener =
knows which ones they are). Second, it also indicates that the speaker is m=
erely describing the things he or she has in mind as markets, without being=
committed to the truth of that description.
le zarci cu barda
One-or-more-specific-things-which-I-describe as=20
markets
is/are-big.
The market is big.
The markets are big.
@@ -195,63 +180,63 @@
=20
lein false-to-fact descriptions=20
is not self-contradictory i=
n Lojban, because=20
le nanmu merely means something or other which,=
for my present purposes, I choose to describe as a man, whether or not it =
really is a man. A plausible instance would be: someone we had assumed to b=
e a man at a distance turned out to be actually a woman on closer observati=
on.=20
=20
is what I would say to poin=
t out my observation to you.
=20
descriptionsspecific specific descriptions In all des=
criptions with=20
- le
, the listener is presumed to either know what I have=
in mind or else not to be concerned at present (perhaps I will give more i=
dentifying details later). In particular, I might be pointing at the suppos=
ed man or men:=20
+ le, the listener is presumed to either know wha=
t I have in mind or else not to be concerned at present (perhaps I will giv=
e more identifying details later). In particular, I might be pointing at th=
e supposed man or men:=20
would then be perfectly int=
elligible, since=20
le nanmu merely clarifies that I am pointing at=
the supposed man, not at a landscape, or a nose, which happens to lie in t=
he same direction.
lo<=
/indexterm> loimplications of descriptionsnon-specific non-specific d=
escriptions The second descriptor dealt with in this =
section is=20
- lo
. Unlike=20
- le
,=20
- lo
is nonspecific:
+ lo. Unlike=20
+ le,=20
+ lo is nonspecific:
lo zarci
one-or-more-of-all-the-things-which-really are-markets
a market
some markets
loand truth of selbri locontrasted with le in truth re=
quirement lecontrasted with lo in truth requirement lecontrasted with lo in specificity locontraste=
d with le in specificity Again, there are two collo=
quial English translations. The effect of using=20
- lo
in=20
+ lo in=20
is to refer generally to on=
e or more markets, without being specific about which. Unlike=20
le zarci,=20
lo zarci must refer to something which actually=
is a market (that is, which can appear in the x1 place of a truthful bridi=
whose selbri is=20
zarci). Thus
lo nanmu cu ninmu
Some man is a woman.
Some men are women.
must be false in Lojban, given that there are no objects in the =
real world which are both men and women. Pointing at some specific men or w=
omen would not make=20
=20
true, because those specifi=
c individuals are no more both-men-and-women than any others. In general,=
=20
- lo
refers to whatever individuals meet its description.=
+ lo refers to whatever individuals meet its desc=
ription.
la<=
/indexterm> lause with descriptions contrasted with use before Lojbanized names lecompared with la in specificity <=
indexterm type=3D"general-imported">lacompare=
d with le in specificity laimplications of The last descriptor of this section is=20
- la
, which indicates that the selbri which follows it ha=
s been dissociated from its normal meaning and is being used as a name. Lik=
e=20
- le
descriptions,=20
- la
descriptions are implicitly restricted to those I ha=
ve in mind. (Do not confuse this use of=20
- la
with its use before regular Lojbanized names, which =
is discussed in=20
+ la, which indicates that the selbri which follo=
ws it has been dissociated from its normal meaning and is being used as a n=
ame. Like=20
+ le descriptions,=20
+ la descriptions are implicitly restricted to th=
ose I have in mind. (Do not confuse this use of=20
+ la with its use before regular Lojbanized names=
, which is discussed in=20
.) For example:
la cribe pu finti le lisri
The-one-named=20
bear
[past] creates the story.
Bear wrote the story.
@@ -306,22 +291,22 @@
lacontrasted with lo in implications=20
is about a specific bear or=
bearlike thing(s), or thing(s) which the speaker (perhaps whimsically or m=
etaphorically) describes as a bear (or more than one);=20
is about one or more of the=
really existing, objectively defined bears. In either case, though, each o=
f them must have contributed to the writing of the story, if more than one =
bear (or=20
bear
) is meant.
descriptions with=
loteddy bear contrasted with real bear (The notion of a=20
really existing, objectively defined bear
raises certai=
n difficulties. Is a panda bear a=20
real bear
? How about a teddy bear? In general, the answ=
er is=20
yes
. Lojban gismu are defined as broadly as possible, a=
llowing tanru and lujvo to narrow down the definition. There probably are n=
o necessary and sufficient conditions for defining what is and what is not =
a bear that can be pinned down with complete precision: the real world is f=
uzzy. In borderline cases,=20
=20
- le
may communicate better than=20
- lo
.)
+ le may communicate better than=20
+ lo.)
So while=20
could easily be true (there=
is a real writer named=20
Greg Bear
), and=20
could be true if the speake=
r is sufficiently peculiar in what he or she describes as a bear,=20
is certainly false.
Similarly, compare the following two examples, which are analogo=
us to=20
and=20
respectively:
@@ -341,25 +326,25 @@
A human being wrote the story.
Some human beings wrote the story.
locontrasted with le in implications lecontrasted with=
lo in implications=20
says who the author of the =
story is: one or more particular human beings that the speaker has in mind.=
If the topic of conversation is the story, then=20
identifies the author as so=
meone who can be pointed out or who has been previously mentioned; whereas =
if the topic is a person, then=20
le remna is in effect a shorthand reference to =
that person.=20
merely says that the author=
is human.
ku<=
/indexterm> kuuses of cueffect on elidability of ku=
indexterm> kueffect of following selbri on elidability of =
kuas el=
idable terminator for descriptions The elidable ter=
minator for all descriptions is=20
- ku
. It can almost always be omitted with no danger of a=
mbiguity. The main exceptions are in certain uses of relative clauses, whic=
h are discussed in=20
+ ku. It can almost always be omitted with no dan=
ger of ambiguity. The main exceptions are in certain uses of relative claus=
es, which are discussed in=20
, and in the case of a des=
cription immediately preceding the selbri. In this latter case, using an ex=
plicit=20
- cu
before the selbri makes the=20
- ku
unnecessary. There are also a few other uses of=20
- ku
: in the compound negator=20
+ cu before the selbri makes the=20
+ ku unnecessary. There are also a few other uses=
of=20
+ ku: in the compound negator=20
naku (discussed in=20
) and to terminate place-structure=
, tense, and modal tags that do not have associated sumti (discussed in=20
and=20
).
Individuals and masses
The following cmavo are discussed in this section:
@@ -391,64 +376,64 @@
le prenu cu bevri le pipno
One-or-more-of-those-I-describe-as persons carry the piano.=
=20
The person(s) carry the piano.
=20
(Of course the second=20
- le
should really get the same translation as the first,=
but I am putting the focus of this discussion on the first=20
- le
, the one preceding=20
+ le should really get the same translation as th=
e first, but I am putting the focus of this discussion on the first=20
+ le, the one preceding=20
prenu. I will assume that there is only one pia=
no under discussion.)
individual object=
smultiple multiple individual objects=
meaning of lemeaning of in the plural plurals with lemeaning of Suppose the context of=20
is such that you can determ=
ine that I am talking about three persons. What am I claiming? I am claimin=
g that each of the three persons carried the piano. This claim can be true =
if the persons carried the piano one at a time, or in turns, or in a variet=
y of other ways. But in order for=20
to be true, I must be willi=
ng to assert that person 1 carried the piano, and that person 2 carried the=
piano, and that person 3 carried the piano.
But suppose I am not willing to claim that. For in fact pianos a=
re heavy, and very few persons can carry a piano all by themselves. The mos=
t likely factual situation is that person 1 carried one end of the piano, a=
nd person 2 the other end, while person 3 either held up the middle or else=
supervised the whole operation without actually lifting anything. The corr=
ect way of expressing such a situation in Lojban is:
lei prenu cu bevri le pipno
The-mass-of-one-or-more-of-those-I-describe-as persons carry t=
he piano.
=20
lei=
piano-movingexample mass objectand logical reasoning=
mas=
s objectproperties of multiple individual objectscontrasted with mass object mass objectcontras=
ted with multiple individual objects Here the same =
three persons are treated not as individuals, but as a so-called=20
mass entity
, or just=20
mass
. A mass has the properties of each individual whic=
h composes it, and may have other properties of its own as well. This can l=
ead to apparent contradictions. Thus suppose in the piano-moving example ab=
ove that person 1 has fair skin, whereas person 2 has dark skin. Then it is=
correct to say that the person-mass has both fair skin and dark skin. Usin=
g the mass descriptor=20
=20
- lei
signals that ordinary logical reasoning is not appl=
icable: contradictions can be maintained, and all sorts of other peculiarit=
ies may exist. However, we can safely say that a mass inherits only the com=
ponent properties that are relevant to it; it would be ludicrous to say tha=
t a mass of two persons is of molecular dimensions, simply because some of =
the parts (namely, the molecules) of the persons are that small.
+ lei signals that ordinary logical reasoning is =
not applicable: contradictions can be maintained, and all sorts of other pe=
culiarities may exist. However, we can safely say that a mass inherits only=
the component properties that are relevant to it; it would be ludicrous to=
say that a mass of two persons is of molecular dimensions, simply because =
some of the parts (namely, the molecules) of the persons are that small.
lai=
loi lai=
as mass counterpart of lai loias mass counterpa=
rt of lo The descriptors=20
- loi
and=20
- lai
are analogous to=20
- lo
and=20
- la
respectively, but refer to masses either by property=
(=20
- loi
) or by name (=20
- lai
). A classic example of=20
- loi
use is:
+ loi and=20
+ lai are analogous to=20
+ lo and=20
+ la respectively, but refer to masses either by =
property (=20
+ loi) or by name (=20
+ lai). A classic example of=20
+ loi use is:
loi cinfo cu xabju le fi'ortu'a
Part-of-the-mass-of-those-which-really are-lions dwell in-t=
he African-land.
The lion dwells in Africa.
Lions dwell in Africa.
lions in Africa=
primary>example loicontrasted with lei in speci=
ficity leicontrasted with loi in specificity=
indexterm> The difference between=20
- lei
and=20
- loi
is that=20
+ lei and=20
+ loi is that=20
lei cinfo refers to a mass of specific individu=
als which the speaker calls lions, whereas=20
loi cinfo refers to some part of the mass of al=
l those individuals which actually are lions. The restriction to=20
some part of the mass
allows statements like=20
to be true even though some=
lions do not dwell in Africa - they live in various zoos around the world.=
On the other hand,=20
doesn't actually say that m=
ost lions live in Africa: equally true is
@@ -471,48 +456,48 @@
loi matne cu ranti
=20
Part-of-the-mass-of-that-which-really is-a-quantity-of-butt=
er is-soft.
Butter is soft.
matne butter is sof=
texample mass objectas dependent on i=
ntention Of course, some butter is hard (for exampl=
e, if it is frozen butter), so the=20
part-of
implication of=20
- loi
becomes once again useful. The reason this mechanis=
m works is that the English words like=20
+ loi becomes once again useful. The reason this =
mechanism works is that the English words like=20
butter
, which are seen as already describing masses, ar=
e translated in Lojban by non-mass forms. The place structure of=20
matne is=20
=20
x1 is a quantity of butter from source x2
, so the singl=
e English word=20
butter
is translated as something like=20
a part of the mass formed from all the quantities of butter tha=
t exist
. (Note that the operation of forming a mass entity does not=
imply, in Lojban, that the components of the mass are necessarily close to=
one another or even related in any way other than conceptually. Masses are=
formed by the speaker's intention to form a mass, and can in principle con=
tain anything.)
mass nameuse of The mass name descriptor=20
=20
=20
- lai
is used in circumstances where we wish to talk abou=
t a mass of things identified by a name which is common to all of them. It =
is not used to identify a mass by a single name peculiar to it. Thus the ma=
ss version of=20
+ lai is used in circumstances where we wish to t=
alk about a mass of things identified by a name which is common to all of t=
hem. It is not used to identify a mass by a single name peculiar to it. Thu=
s the mass version of=20
,
lai cribe pu finti le vi cukta
The-mass-of-those-named=20
bear
[past] creates the nearby book.
The Bears wrote this book.
Bears wrote book<=
/primary>example laicontrasted with la in impli=
cations lacontrasted with lai in implications<=
/indexterm> in a context where=20
la cribe would be understood as plural, would m=
ean that either Tom Bear or Fred Bear (to make up some names) might have wr=
itten the book, or that Tom and Fred might have written it as collaborators=
. Using=20
=20
- la
instead of=20
- lai
in=20
+ la instead of=20
+ lai in=20
would give the implication =
that each of Tom and Fred, considered individually, had written it.
Masses and sets
The following cmavo are discussed in this section:
le'i
LE
the set described as
@@ -526,29 +511,29 @@
la'i
LA
the set of those named
masscompared with set as abstract of multiple individuals=
indexterm> setcompared with mass as abstract of multiple individuals=
indexterm> masscontrasted with set in attribution of component properties setcontrasted with mass in attribution of component properties Having said so much about masses, let us turn to sets.=
Sets are easier to understand than masses, but are more rarely used. Like =
a mass, a set is an abstract object formed from a number of individuals; ho=
wever, the properties of a set are not derived from any of the properties o=
f the individuals that compose it.
la'i lo'i le'i la'ias set counterpart of lai lo'ias set coun=
terpart of loi le'ias set counterpart of lei=
indexterm> setsproperties of cardinalitydefinition cardinalityproperty of sets membershipproperty of sets<=
/secondary> incl=
usionproperty of sets Sets hav=
e properties like cardinality (how many elements in the set), membership (t=
he relationship between a set and its elements), and set inclusion (the rel=
ationship between two sets, one of which - the superset =E2=80=93 contains =
all the elements of the other - the subset). The set descriptors=20
=20
=20
=20
- le'i
,=20
- lo'i
and=20
- la'i
correspond exactly to the mass descriptors=20
- lei
,=20
- loi
, and=20
- lai
except that normally we talk of the whole of a set,=
not just part of it. Here are some examples contrasting=20
- lo
,=20
- loi
, and=20
- lo'i
:
+ le'i,=20
+ lo'i and=20
+ la'i correspond exactly to the mass descriptors=
=20
+ lei,=20
+ loi, and=20
+ lai except that normally we talk of the whole o=
f a set, not just part of it. Here are some examples contrasting=20
+ lo,=20
+ loi, and=20
+ lo'i:
lo ratcu cu bunre
One-or-more-of-those-which-really-are rats are-brown.
Some rats are brown.
=20
@@ -590,22 +575,22 @@
mi fadni zo'e lo'i lobypli
I am-ordinary among the-set-of Lojban-users.
I am a typical Lojban user.
=20
Note that the x2 place has been omitted; I am not specifying in =
exactly which way I am typical - whether in language knowledge, or age, or =
interests, or something else. If=20
- lo'i
were changed to=20
- lo
in=20
+ lo'i were changed to=20
+ lo in=20
, the meaning would be somet=
hing like=20
I am typical of some Lojban user
, which is nonsense.
Descriptors for typical objects
=20
The following cmavo are discussed in this section:
lo'e
@@ -616,21 +601,21 @@
le'e
LE
the stereotypical
=20
lo'e As promised in=20
, Lojban has a method for dis=
criminating between=20
the lion
who lives in Africa and=20
the Englishman
who, generally speaking, doesn't live in=
Africa even though some Englishmen do. The descriptor=20
- lo'e
means=20
+ lo'e means=20
the typical
, as in
lo'e cinfo cu xabju le fi'ortu'a
The-typical lion dwells-in the African-land.
The lion dwells in Africa.
@@ -646,57 +631,57 @@
lo'e glipre cu xabju le fi'ortu'a na.e
le gligugde
The-typical English-person dwells-in the African-land (Not!=
) and
the English-country.
The typical English person dwells not in Africa but in England=
.
typical Englishma=
nexample le'irelationship to le'e le'erelationship to le'i lo'irelationship to=
lo'e lo'erelationship to lo'i The=
relationship between=20
lo'e cinfo and=20
lo'i cinfo may be explained thus: the typical l=
ion is an imaginary lion-abstraction which best exemplifies the set of lion=
s. There is a similar relationship between=20
- le'e
and=20
- le'i
:
+ le'e and=20
+ le'i:
le'e xelso merko cu gusta ponse
The-stereotypical Greek-type-of American is-a-restaurant-ty=
pe-of owner.
=20
Lots of Greek-Americans own restaurants.
=20
le'e stereotypical<=
/primary>compared with typical typicalcompared =
with stereotypical stereotypicalas not derogatory in Lojba=
n Gr=
eek-Americans own restaurants stereotypical objects Here we=
are concerned not with the actual set of Greek-Americans, but with the set=
of those the speaker has in mind, which is typified by one (real or imagin=
ary) who owns a restaurant. The word=20
stereotypical
is often derogatory in English, but=20
=20
- le'e
need not be derogatory in Lojban: it simply sugges=
ts that the example is typical in the speaker's imagination rather than in =
some objectively agreed-upon way. Of course, different speakers may disagre=
e about what the features of=20
+ le'e need not be derogatory in Lojban: it simpl=
y suggests that the example is typical in the speaker's imagination rather =
than in some objectively agreed-upon way. Of course, different speakers may=
disagree about what the features of=20
the typical lion
are (some would include having a short=
intestine, whereas others would know nothing of lions' intestines), so the=
distinction between=20
lo'e cinfo and=20
le'e cinfo may be very fine.
Furthermore,
le'e skina cu se finti ne'i la xali,uyd.
The-stereotypical movie is-invented in Hollywood.
=20
=20
Hollywoodexample is probably true to an America=
n, but might be false (not the stereotype) to someone living in India or Ru=
ssia.
typical Smithexample name equivalent for "typical"rationale for lack of Note that there is no n=
aming equivalent of=20
- lo'e
and=20
- le'e
, because there is no need, as a rule, for a=20
+ lo'e and=20
+ le'e, because there is no need, as a rule, for =
a=20
typical George
or a=20
typical Smith
. People or things who share a common name=
do not, in general, have any other common attributes worth mentioning.
=20
Quantified sumti
The following cmavo are discussed in this section:
ro
@@ -982,35 +967,35 @@
all the stereotypes of the at-least-one described as
lo'e:
su'o lo'e ro
at least one of the types of all those that really are
l=
e-series cmavoas encompassing le-series and la-series =
descriptors for quantification discussion le-series cmavod=
efinition la-series descriptorscompared with le-series in =
implicit quantification le-series descriptorscompared with=
la-series in implicit quantification When examined=
for the first time, this table looks dreadfully arbitrary. In fact, there =
are quite a few regularities in it. First of all, the la-series (that is, t=
he descriptors=20
- la
,=20
- lai
, and=20
- la'i
) and the le-series (that is, the descriptors=20
- le
,=20
- lei
,=20
- le'i
, and=20
- le'e
) always have corresponding implicit quantifiers, s=
o we may subsume the la-series under the le-series for the rest of this dis=
cussion:=20
+ la,=20
+ lai, and=20
+ la'i) and the le-series (that is, the descripto=
rs=20
+ le,=20
+ lei,=20
+ le'i, and=20
+ le'e) always have corresponding implicit quanti=
fiers, so we may subsume the la-series under the le-series for the rest of =
this discussion:=20
le-series cmavo
will refer to both the le-series proper=
and to the la-series.
=20
le-series cmavo=
primary>rule for implicit inner quantifier lo-series cmavo=
rule for implicit inner quantifier The r=
ule for the inner quantifier is very simple: the lo-series cmavo (namely,=
=20
=20
- lo
,=20
- loi
,=20
- lo'i
, and=20
- lo'e
) all have an implicit inner quantifier of=20
+ lo,=20
+ loi,=20
+ lo'i, and=20
+ lo'e) all have an implicit inner quantifier of=
=20
ro, whereas the le-series cmavo all have an imp=
licit inner quantifier of=20
=20
su'o.
le-series cmavo=
primary>rationale for implicit inner quantifier lo-series cmavorationale for implicit inner quantifier Why? Because lo-series descriptors always refer to all of the things w=
hich really fit into the x1 place of the selbri. They are not restricted by=
the speaker's intention. Descriptors of the le-series, however, are so res=
tricted, and therefore talk about some number, definite or indefinite, of o=
bjects the speaker has in mind - but never less than one.
piro massesrule for implicit outer quantifier setsrule f=
or implicit outer quantifier Understanding the impl=
icit outer quantifier requires rules of greater subtlety. In the case of ma=
ss and set descriptors, a single rule suffices for each: reference to a mas=
s is implicitly a reference to some part of the mass; reference to a set is=
implicitly a reference to the whole set. Masses and sets are inherently si=
ngular objects: it makes no sense to talk about two distinct masses with th=
e same components, or two distinct sets with the same members. Therefore, t=
he largest possible outer quantifier for either a set description or a mass=
description is=20
piro, the whole of it.
plural massespossible use for (Pedantically, it=
is possible that the mass of water molecules composing an ice cube might b=
e thought of as different from the same mass of water molecules in liquid f=
orm, in which case we might talk about=20
re lei djacu, two masses of the water-bits I ha=
ve in mind.)
pi<=
/indexterm> pisu'o=
explanation of meaning piroexplanation of mean=
ing Why=20
pi-
? It is the Lojban cmavo for the decimal point. Just=
as=20
@@ -1019,123 +1004,123 @@
.5
, and when used as a quantifier specifies a portion c=
onsisting of five tenths of a thing,=20
piro means a portion consisting of the all-ness=
=E2=80=93 the entirety - of a thing. Similarly,=20
pisu'o specifies a portion consisting of at lea=
st one part of a thing, i.e. some of it.
=20
portion=
on set contrasted with on individual outer quantifiersfor expressing subsets subsetsexpressing with outer=
quantifiers Smaller quantifiers are possible for s=
ets, and refer to subsets. Thus=20
=20
pimu le'i nanmu is a subset of the set of men I=
have in mind; we don't know precisely which elements make up this subset, =
but it must have half the size of the full set. This is the best way to say=
=20
half of the men
; saying=20
pimu le nanmu would give us a half-portion of o=
ne of them instead! Of course, the result of=20
pimu le'i nanmu is still a set; if you need to =
refer to the individuals of the subset, you must say so (see=20
- lu'a
in=20
+ lu'a in=20
=20
).
loimplicit outer quantifier for leimplicit outer quant=
ifier for individual descriptorsdifferent implicit outer q=
uantifiers among outer quantifiersrationale for difference=
s in implicit quantifier on descriptors The case of=
outer quantifiers for individual descriptors (including=20
- le
,=20
- lo
,=20
- la
, and the typical descriptors=20
- le'e
and=20
- lo'e
) is special. When we refer to specific individuals=
with=20
- le
, we mean to refer to all of those we have in mind, s=
o=20
+ le,=20
+ lo,=20
+ la, and the typical descriptors=20
+ le'e and=20
+ lo'e) is special. When we refer to specific ind=
ividuals with=20
+ le, we mean to refer to all of those we have in=
mind, so=20
ro is appropriate as the implicit quantifier, j=
ust as it is appropriate for=20
do. Reference to non-specific individuals with=
=20
- lo
, however, is typically to only some of the objects w=
hich can be correctly described, and so=20
+ lo, however, is typically to only some of the o=
bjects which can be correctly described, and so=20
su'o is the appropriate implicit quantifier, ju=
st as for quotations.
locontrasted with le in implicit quantification=
lecont=
rasted with lo in implicit quantification From the =
English-speaking point of view, the difference in structure between the fol=
lowing example using=20
- le
:
+ le:
[ro] le ci gerku cu blabi
[All-of] those-described-as three dogs are-white.
The three dogs are white.
and the corresponding form with=20
- lo
:
+ lo:
ci lo [ro] gerku cu blabi
Three-of those-which-are [all] dogs are-white.
Three dogs are white.
looks very peculiar. Why is the number=20
ci found as an inner quantifier in=20
and as an outer quantifier =
in=20
? The number of dogs is the =
same in either case. The answer is that the=20
ci in=20
is part of the specificatio=
n: it tells us the actual number of dogs in the group that the speaker has =
in mind. In=20
, however, the dogs referred=
to by=20
- ... lo gerku
are all the dogs that exist: the outer qua=
ntifier then restricts the number to three; which three, we cannot tell. Th=
e implicit quantifiers are chosen to avoid claiming too much or too little:=
in the case of=20
- le
, the implicit outer quantifier=20
+ ... lo gerku are all the dogs that exist: the o=
uter quantifier then restricts the number to three; which three, we cannot =
tell. The implicit quantifiers are chosen to avoid claiming too much or too=
little: in the case of=20
+ le, the implicit outer quantifier=20
ro says that each of the dogs in the restricted=
group is white; in the case of=20
- lo
, the implicit inner quantifier simply says that thre=
e dogs, chosen from the group of all the dogs there are, are white.
+ lo, the implicit inner quantifier simply says t=
hat three dogs, chosen from the group of all the dogs there are, are white.=
lo-series descrip=
tioncaution on exact numbers as inner quantifiers on=
secondary> Using exact numbers as inner quantifiers in lo-serie=
s descriptions is dangerous, because you are stating that exactly that many=
things exist which really fit the description. So examples like
[so'o] lo ci gerku cu blabi
=20
[some-of] those-which-really-are three dogs are-white
are semantically anomalous;=20
claims that some dog (or do=
gs) is white, but also that there are just three dogs in the universe!
Nevertheless, inner quantifiers are permitted on=20
- lo
descriptors for consistency's sake, and may occasion=
ally be useful.
+ lo descriptors for consistency's sake, and may =
occasionally be useful.
Note that the inner quantifier of=20
- le
, even when exact, need not be truthful:=20
+ le, even when exact, need not be truthful:=20
le ci nanmu means=20
what I describe as three men
, not=20
three of what I describe as men
. This follows from the =
rule that what is described by a=20
- le
description represents the speaker's viewpoint rathe=
r than the objective way things are.
+ le description represents the speaker's viewpoi=
nt rather than the objective way things are.
Indefinite descriptions
descriptorsomission of loomission of By a quirk of Lojban syntax, it is possible to omit the descriptor=
=20
- lo
, but never any other descriptor, from a description =
like that of=20
+ lo, but never any other descriptor, from a desc=
ription like that of=20
; namely, one which has an e=
xplicit outer quantifier but no explicit inner quantifier. The following ex=
ample:
ci gerku [ku] cu blabi
Three dogs are white.
indefinite descri=
ptiondefinition omission of descriptoreffect on ku kueffect on of omitting descriptor is equivalent in meaning to=20
. Even though the descriptor=
is not present, the elidable terminator=20
- ku
may still be used. The name=20
+ ku may still be used. The name=20
indefinite description
for this syntactic form is histo=
rically based: of course, it is no more and no less indefinite than its cou=
nterpart with an explicit=20
=20
=20
- lo
. Indefinite descriptions were introduced into the la=
nguage in order to imitate the syntax of English and other natural language=
s.
+ lo. Indefinite descriptions were introduced int=
o the language in order to imitate the syntax of English and other natural =
languages.
inner quantifier<=
/primary>in indefinite description outer quantifierin indefinite description indefinite descriptionas pro=
hibiting explicit inner quantifier indefinite descriptiona=
s needing explicit outer quantifier Indefinite desc=
riptions must fit this mold exactly: there is no way to make one which does=
not have an explicit outer quantifier (thus=20
*gerku cu blabi
is ungrammatical), or which has an expl=
icit inner quantifier (thus=20
*reboi ci gerku cu blabi
is also ungrammatical -=20
re ci gerku cu blabi is fine, but means=20
23 dogs are white
).
Note:=20
also contains an indefinite=
description, namely=20
=20
=20
su'o ci cutci; another version of that example =
using an explicit=20
- lo
would be:
+ lo would be:
mi ponse su'o ci lo cutci
I possess at-least three things-which-really-are shoes
I own three (or more) shoes.
@@ -1281,23 +1266,23 @@ FIXME: the NAhE+BO entries are missing:
=20
LUhU
elidable terminator for LAhE and NAhE+BO
=20
Well, that's quite a list of cmavo. What are they all about?
lu'u BO selma'o=
lu'u<=
/primary>as elidable terminator for qualified sumti<=
/indexterm> sumti qualifiers=
elidable terminator for qualified sumti sumti qualifiers=
primary>external syntax of sumti qualifiersinte=
rnal syntax of NAhE selma'o LAhE selma'o The above cmavo and co=
mpound cmavo are called the=20
sumti qualifiers
. All of them are either single cmavo o=
f selma'o LAhE, or else compound cmavo involving a scalar negation cmavo of=
selma'o NAhE immediately followed by=20
=20
- bo
of selma'o BO. Syntactically, you can prefix a sumti=
qualifier to any sumti and produce another simple sumti. (You may need to =
add the elidable terminator=20
+ bo of selma'o BO. Syntactically, you can prefix=
a sumti qualifier to any sumti and produce another simple sumti. (You may =
need to add the elidable terminator=20
=20
- lu'u
to show where the qualified sumti ends.)
+ lu'u to show where the qualified sumti ends.)=
para>
=20
sumti qualifiers<=
/primary>as short forms for common special cases Semantically, sumti qualifiers represent short forms of certain co=
mmon special cases. Suppose you want to say=20
I see 'The Red Pony'
, where=20
=20
The Red Pony
is the title of a book. How about:
=20
Red Ponyexample unqualified sumticontrasted with qualified=
sumti qualified sumticontrasted with unqualified sumti FIXME: TAG SPOT
@@ -1336,28 +1321,28 @@ FIXME: the NAhE+BO entries are missing:
mi viska la'e lu le xunre cmaxirma li'u [lu'u]
=20
=20
I see the-referent-of [quote] the red small-horse [unquote].=
en>
la'e referentreferring to with la'e la'eeffect of on mea=
ning dereferencing a pointerwith la'e la'eas short for "le selsinxa be" So when=20
- la'e
is prefixed to a sumti referring to a symbol, it p=
roduces a sumti referring to the referent of that symbol. (In computer jarg=
on,=20
+ la'e is prefixed to a sumti referring to a symb=
ol, it produces a sumti referring to the referent of that symbol. (In compu=
ter jargon,=20
=20
- la'e
dereferences a pointer.)
+ la'e dereferences a pointer.)
By introducing a sumti qualifier, we correct a false sentence (=
=20
), which too closely resembl=
es its literal English equivalent, into a true sentence (=20
), without having to change =
it overmuch; in particular, the structure remains the same. Most of the use=
s of sumti qualifiers are of this general kind.
lu'e symbolreferring to with lu'e lu'eeffect of on meani=
ng The sumti qualifier=20
- lu'e
provides the converse operation: it can be prefixe=
d to a sumti referring to some thing to produce a sumti referring to a sign=
or symbol for the thing. For example,
+ lu'e provides the converse operation: it can be=
prefixed to a sumti referring to some thing to produce a sumti referring t=
o a sign or symbol for the thing. For example,
title of bookexample lu'eas short for "le sinxa be&qu=
ot; FIXME: TAG SPOT
mi pu cusku lu'e le vi cukta
I [past] express a-symbol-for the nearby book.
I said the title of this book.
@@ -1368,29 +1353,29 @@ FIXME: the NAhE+BO entries are missing:
mi pu cusku le sinxa be le vi cukta
I [past] express the symbol-for the nearby book.
which is equivalent to=20
, but longer.
vu'i lu'o lu'i lu'a=
t=
u'a se=
quencecontrasted with set vu'iuse for=
creating sequence tu'ause for forming abstractions vu'ieffect of on meaning lu'oeffect of on meani=
ng l=
u'ieffect of on meaning lu'aeffect of=
on meaning <=
primary>tu'aeffect of on meaning The other sumti qualifiers follow the same rules. The cmavo=20
- tu'a
is used in forming abstractions, and is explained =
more fully in=20
+ tu'a is used in forming abstractions, and is ex=
plained more fully in=20
. The triplet=20
- lu'a
,=20
+ lu'a,=20
=20
- lu'i
, and=20
+ lu'i, and=20
=20
- lu'o
convert between individuals, sets, and masses;=20
+ lu'o convert between individuals, sets, and mas=
ses;=20
=20
- vu'i
belongs to this group as well, but creates a seque=
nce, which is similar to a set but has a definite order. (The set of John a=
nd Charles is the same as the set of Charles and John, but the sequences ar=
e different.) Here are some examples:
+ vu'i belongs to this group as well, but creates=
a sequence, which is similar to a set but has a definite order. (The set o=
f John and Charles is the same as the set of Charles and John, but the sequ=
ences are different.) Here are some examples:
=20
mi troci tu'a le vorme
I try some-abstraction-about the door.
I try (to open) the door.
@@ -1438,36 +1423,36 @@ FIXME: the NAhE+BO entries are missing:
I in-a-set-with you are-a-set.
The-mass-of it-last-mentioned is-a-mass.
The-sequence-of it-last-mentioned is-a-sequence
The set of you and me is a set.
The mass of you and me is a mass.
The sequence of you and me is a sequence.
set of ratsexample (Yes, I know these examples =
are a bit silly. This set was introduced for completeness, and practical ex=
amples are as yet hard to come by.)
negation sumti qu=
alifiersmeanings of sumti qualifiersf=
or negation Finally, the four sumti qualifiers form=
ed from a cmavo of NAhE and=20
- bo
are all concerned with negation, which is discussed =
in detail in=20
+ bo are all concerned with negation, which is di=
scussed in detail in=20
. Here are a few examples of negat=
ion sumti qualifiers:
=20
na'ebo<=
/indexterm> FIXME: TAG SPOT
mi viska na'ebo le gerku
=20
I see something-other-than the dog.
This compound,=20
- na'ebo
, is the most common of the four negation sumti q=
ualifiers. The others usually only make sense in the context of repeating, =
with modifications, something already referred to:
+ na'ebo, is the most common of the four negation=
sumti qualifiers. The others usually only make sense in the context of rep=
eating, with modifications, something already referred to:
=20
=20
mi nelci loi glare cidja
.ije do nelci to'ebo ri
.ije la djein. nelci no'ebo ra
@@ -1548,34 +1533,34 @@ FIXME: the NAhE+BO entries are missing:
doi djan.
John!
vocative phrase=
primary>implicit descriptor on vocative phrasew=
ith sumti without descriptor vocative phraseforms of In place of a name, a description may appear, lacking it=
s descriptor, which is understood to be=20
- le
:
+ le:
coi xunre pastu nixli
Hello, (red-type-of dress)-type-of girl.
Hello, girl with the red dress!
vocative phrase=
primary>explicit quantifiers prohibited on vocative phrase=
implicit quantifiers on The listener nee=
d not really be a=20
xunre pastu nixli, as long as she understands h=
erself correctly from the description. (Actually, only a bare selbri can ap=
pear; explicit quantifiers are forbidden in this form of vocative, so the i=
mplicit quantifiers=20
- su'o le ro
are in effect.)
+ su'o le ro are in effect.)
Finally, a complete sumti may be used, the most general case.
co'o la bab. .e la noras.
Goodbye, Bob and Nora.
@@ -1595,21 +1580,21 @@ FIXME: the NAhE+BO entries are missing:
doi la djan.
The-one-named John!
DOhU selma'o<=
/primary> do=
'u voc=
ative phrase terminatorelidability of vocative phraseelidable terminator for Finally, th=
e elidable terminator for vocative phrases is=20
- do'u
(of selma'o DOhU), which is rarely needed except w=
hen a simple vocative word is being placed somewhere within a bridi. It may=
also be required when a vocative is placed between a sumti and its relativ=
e clause, or when there are a sequence of so-called=20
+ do'u (of selma'o DOhU), which is rarely needed =
except when a simple vocative word is being placed somewhere within a bridi=
. It may also be required when a vocative is placed between a sumti and its=
relative clause, or when there are a sequence of so-called=20
=20
free modifiers
(vocatives, subscripts, utterance ordina=
ls - see=20
=20
=20
- metalinguistic comments - see=20
- or reciprocals - see=20
) which must be properly separate=
d.
vocative phrase=
primary>effect of position on meaning Th=
e meaning of a vocative phrase that is within a sentence is not affected by=
its position in the sentence: thus=20
=20
and=20
@@ -1649,23 +1634,23 @@ FIXME: the NAhE+BO entries are missing:
djan. meris. djein. .alis.
John. Mary. Jane. Alice.
(Note that=20
.alis. begins as well as ends with a pause, bec=
ause all Lojban words beginning with a vowel must be preceded by a pause. S=
ee=20
for more information.)
nameswith LA descriptor namesin vocative phrase namesuses of Names of this kind have two=
basic uses in Lojban: when used in a vocative phrase (see=20
=20
) they indicate who the list=
ener is or should be. When used with a descriptor of selma'o LA, namely=20
- la
,=20
- lai
, or=20
- la'i
, they form sumti which refer to the persons or thi=
ngs known by the name.
+ la,=20
+ lai, or=20
+ la'i, they form sumti which refer to the person=
s or things known by the name.
la djonz. klama le zarci
Jones goes to-the store.
The Joneses go to-the store.
@@ -1682,33 +1667,33 @@ FIXME: the NAhE+BO entries are missing:
In=20
, the significance is that a=
ll the persons (perhaps only one) I mean to refer to by the name=20
djonz. are going to the store. In=20
, the Joneses are massified,=
and only some part of them needs to be going. Of course, by=20
djonz. I can mean whomever I want: that person =
need not use the name=20
djonz. at all.
LA selma'ocontrasted with LE in use of name-words LE selma'ocontrasted with LA in use of name-words The s=
umti in=20
and=20
operate exactly like the si=
milar uses of=20
- la
and=20
- lai
in=20
+ la and=20
+ lai in=20
and=20
respectively. The only diff=
erence is that these descriptors are followed by Lojban name-words. And in =
fact, the only difference between descriptors of selma'o LA (these three) a=
nd of selma'o LE (all the other descriptors) is that the former can be foll=
owed by name-words, whereas the latter cannot.
=20
la'i lai la LA selm=
a'o doi =
doieffect on necessity for pause before name-word LA selma=
'oeffect on necessity for pause before name-word name-word=
spause requirements before name-words=
limitations on There are certain limitations on the=
form of name-words in Lojban. In particular, they cannot contain the lette=
r-sequences (or sound-sequences)=20
=20
- la
,=20
- lai
, or=20
+ la,=20
+ lai, or=20
doi unless a consonant immediately precedes wit=
hin the name. Reciprocally, every name not preceded by=20
- la
,=20
- lai
,=20
- la'i
, or=20
+ la,=20
+ lai,=20
+ la'i, or=20
doi must be preceded by a pause instead:
coi .djan.
Hello, John.
@@ -1721,45 +1706,45 @@ FIXME: the NAhE+BO entries are missing:
The-word=20
John
is-the-name-of me.
My name is John.
In=20
and=20
,=20
.djan. appears with a pause before it as well a=
s after it, because the preceding word is not one of the four special cases=
. These rules force names to always be separable from the general word-stre=
am.
namesmultiple Unless some other rule prevents i=
t (such as the rule that=20
- zo
is always followed by a single word, which is quoted=
), multiple names may appear wherever one name is permitted, each with its =
terminating pause:
+ zo is always followed by a single word, which i=
s quoted), multiple names may appear wherever one name is permitted, each w=
ith its terminating pause:
doi djan. pol. djonz. le bloti cu klama fi la niuport. niuz.<=
/jbo>
John Paul Jones, the boat comes (to somewhere) from Newport Ne=
ws.
=20
=20
John Paul Jones=
primary>example Newport Newsexample=
name-wordspermissible consonant combinations =
A name may not contain any consonant combination that is illegal in Lojban =
words generally: the=20
impermissible consonant clusters
of Lojban morphology (=
explained in=20
=20
=20
). Thus=20
- djeimz.
is not a valid version of=20
- James
(because=20
- mz
is invalid):=20
+ djeimz. is not a valid version =
of=20
+ James (because=20
+ mz is inval=
id):=20
djeimyz will suffice. Similarly,=20
- la
may be replaced by=20
+ la may be replaced by=20
ly,=20
- lai
by=20
- ly'i
,=20
+ lai by=20
+ ly'i,=20
doi by=20
do'i or=20
dai. Here are a few examples:
=20
Doyle
=20
*doi,l
do'il or dai,l
@@ -1787,27 +1772,27 @@ FIXME: the NAhE+BO entries are missing:
lojban.
Lojban
names from vowel-=
final basecommonly used consonant endings<=
/indexterm> names<=
secondary>borrowing from other languages When borro=
wing names from another language which end in a vowel, or when turning a Lo=
jban brivla (all of which end in vowels) into a name, the vowel may be remo=
ved or an arbitrary consonant added. It is common (but not required) to use=
the consonants=20
=20
- s
or=20
- n
when borrowing vowel-final names from English; speake=
rs of other languages may wish to use other consonant endings.
+ s or=20
+ n when borrowing vowel-final nam=
es from English; speakers of other languages may wish to use other consonan=
t endings.
=20
names with laimplicit quantifier for The implic=
it quantifier for name sumti of the form=20
- la
followed by a name is=20
+ la followed by a name is=20
su'o, just as for=20
- la
followed by a selbri.
+ la followed by a selbri.
Pro-sumti summary
pro-sumticlasses of The Lojban pro-sumti are th=
e cmavo of selma'o KOhA. They fall into several classes: personal, definabl=
e, quantificational, reflexive, back-counting, indefinite, demonstrative, m=
etalinguistic, relative, question. More details are given in=20
; this section mostly dupli=
cates information found there, but adds material on the implicit quantifier=
of each pro-sumti.
ro<=
/indexterm> pro-sumtiimplicit quantifier for The following=
examples illustrate each of the classes. Unless otherwise noted below, the=
implicit quantification for pro-sumti is=20
ro (all). In the case of pro-sumti which refer =
to other sumti, the=20
ro signifies=20
all of those referred to by the other sumti
: thus it is=
possible to restrict, but not to extend, the quantification of the other s=
umti.
personal pro-sumt=
i Personal pro-sumti (=20
@@ -1847,21 +1832,21 @@ FIXME: the NAhE+BO entries are missing:
ko'e,=20
ko'i,=20
ko'o,=20
ko'u,=20
fo'a,=20
=20
fo'e,=20
fo'i,=20
fo'o,=20
fo'u) refer to whatever the speaker has explici=
tly made them refer to. This reference is accomplished with=20
- goi
(of selma'o GOI), which means=20
+ goi (of selma'o GOI), which means=20
defined-as
.
le cribe goi ko'a cu xekri .i ko'a citka le smacu
The bear defined-as it-1 is-black. It-1 eats the mouse.
@@ -1972,21 +1957,21 @@ FIXME: the NAhE+BO entries are missing:
li re su'i re du li vo
.i la'e di'u jetnu
The-number two plus two equals the-number four.
The-referent-of the-previous-utterance is-true.
metalinguistic pr=
o-sumtiimplicit quantifier for=
The implicit quantifier for metalinguistic pro-sumti is=20
=20
su'o (at least one), because they are considere=
d analogous to=20
- lo
descriptions: they refer to things which really are =
previous, current, or following utterances.
+ lo descriptions: they refer to things which rea=
lly are previous, current, or following utterances.
relative pro-sumt=
i The relative pro-sumti (=20
=20
ke'a) is used within relative clauses (see=20
for a discussion of relat=
ive clauses) to refer to whatever sumti the relative clause is attached to.=
mi viska le mlatu ku poi zo'e zbasu ke'a
@@ -2020,44 +2005,44 @@ FIXME: the NAhE+BO entries are missing:
quotationfour kinds There are four kinds of quo=
tation in Lojban: text quotation, words quotation, single-word quotation, n=
on-Lojban quotation. More information is provided in=20
=20
=20
=20
=20
=20
=20
.
li'u lu text quotatio=
nas internally grammatical text quotationsyntax of Text quotations are preceded by=20
lu and followed by=20
- li'u
, and are an essential part of the surrounding text=
: they must be grammatical Lojban texts.
+ li'u, and are an essential part of the surround=
ing text: they must be grammatical Lojban texts.
mi cusku lu mi'e djan. li'u
I say the-text [quote] I-am John [unquote].
I say=20
I'm John
.
word quotationinternal grammar of word quotationas mor=
phologically valid Words quotations are quotations =
of one or more Lojban words. The words need not mean anything, but they mus=
t be morphologically valid so that the end of the quotation can be discerne=
d.
le'u lo'u=
FIXME: TAG SPOT
mi cusku lo'u li mi le'u
I say the-words [quote]=20
- li mi
[unquote].
+ li mi [unquote].
I say=20
- li mi
.
+ li mi.
Note that the translation of=20
does not translate the Lojb=
an words, because they are not presumed to have any meaning (in fact, they =
are ungrammatical).
single-word quota=
tion Single-word quotation quotes a single Lojban wor=
d. Compound cmavo are not allowed.
=20
@@ -2073,26 +2058,26 @@ FIXME: the NAhE+BO entries are missing:
mi cusku zoi kuot. I'm John .kuot
I say=20
I'm John
.
quotationimplicit quantifier for The implicit q=
uantifier for all types of quotation is=20
su'o (at least one), because quotations are ana=
logous to=20
- lo
descriptions: they refer to things which actually ar=
e words or sequences of words.
+ lo descriptions: they refer to things which act=
ually are words or sequences of words.
Number summary
li<=
/indexterm> number sumtiwith li number sumtisyntax of=
The sumti which refer to numbers consist of the cmavo=20
- li
(of selma'o LI) followed by an arbitrary Lojban meks=
o, or mathematical expression. This can be anything from a simple number up=
to the most complicated combination of numbers, variables, operators, and =
so on. Much more information on numbers is given in=20
+ li (of selma'o LI) followed by an arbitrary Loj=
ban mekso, or mathematical expression. This can be anything from a simple n=
umber up to the most complicated combination of numbers, variables, operato=
rs, and so on. Much more information on numbers is given in=20
. Here are a few examples of increasi=
ng complexity:
li vo
the-number four
4
@@ -2111,23 +2096,23 @@ FIXME: the NAhE+BO entries are missing:
li .abu bopi'i xy. bote'a re su'i by. bopi'i xy. su'i cy.
the-number a times x to-power 2 plus b times x plus c
ax
number sumtiwith li contrasted with me'o number sumtiw=
ith me'o contrasted with li LI selma'o me'o number sumtiwith me'o=
secondary> An alternative to=20
- li
is=20
- me'o
, also of selma'o LI. Number expressions beginning =
with=20
- me'o
refer to the actual expression, rather than its va=
lue. Thus=20
+ li is=20
+ me'o, also of selma'o LI. Number expressions be=
ginning with=20
+ me'o refer to the actual expression, rather tha=
n its value. Thus=20
and=20
above have the same meaning=
, the number four, whereas
me'o vo
the-expression four
@@ -2145,15 +2130,15 @@ FIXME: the NAhE+BO entries are missing:
the-expression two plus two
2+2
refer to different pieces of text.
mathematical expr=
essionsimplicit quantifier for=
numbersimplicit quantifier for The implicit quantifier fo=
r numbers and mathematical expressions is=20
=20
su'o, because these sumti are analogous to=20
- lo
descriptions: they refer to things which actually ar=
e numbers or pieces of text. In the case of numbers (with=20
- li
), this is a distinction without a difference, as the=
re is only one number which is 4; but there are many texts=20
+ lo descriptions: they refer to things which act=
ually are numbers or pieces of text. In the case of numbers (with=20
+ li), this is a distinction without a difference=
, as there is only one number which is 4; but there are many texts=20
4
, as many as there are documents in which that numeral=
appears.
diff --git a/todocbook/TODO b/todocbook/TODO
index 99c859b..1e3cc75 100644
--- a/todocbook/TODO
+++ b/todocbook/TODO
@@ -4,21 +4,21 @@
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=20
Most of the below is intended to be done as needed as you review a
particular chapter/section. It looks like more complexity than it
actually is; you'll get used to it.
=20
SAY HERE WHAT YOU'VE DONE, including parts you haven't completed
(like index work).
=20
Robin Powell: 5.1, 5.2, 5.3
-Zort: 3, 5
+Zort: 3, 4, 5 (they still contain FIXMEs though)
=20
------
=20
Ignore Chapter 2 for now.
=20
------
=20
If you have any trouble, add a FIXME comment, like so:
=20
commit bbf5da6a5b61b4365dc055215f9fa1b411a10c4c
Author: Eitan Postavsky
Date: Wed Jan 5 10:38:03 2011 -0500
Chapter 4: variablelists to orderedlists, example classification, inven=
ted for lojbanization examples.
diff --git a/todocbook/4.xml b/todocbook/4.xml
index 18f29f6..bc4fef7 100644
--- a/todocbook/4.xml
+++ b/todocbook/4.xml
@@ -215,35 +215,28 @@
.uo
.uu
In addition, cmavo can have the form=20
Cy, a consonant followed by=
the letter=20
y. These cmavo represent lett=
ers of the Lojban alphabet, and are discussed in detail in=20
=20
.
compound cmavocompared with sequence of simple cmavo compound cmavodefinition cmavocompound Compound cmavo are sequences of cmavo attached together to form a singl=
e written word. A compound cmavo is always identical in meaning and in gram=
matical use to the separated sequence of simple cmavo from which it is comp=
osed. These words are written in compound form merely to save visual space,=
and to ease the reader's burden in identifying when the component cmavo ar=
e acting together.
compound cmavorecognition of Compound cmavo, wh=
ile not visually short like their components, can be readily identified by =
two characteristics:
-
-
- 1)
+
They have no consonant pairs or clusters, and
- =20
-
-
- 2)
They end in a vowel.
-
-
+
For example:
.iseci'i
.i se ci'i
@@ -589,55 +582,55 @@
respectively.
tanruambiguity in The possibility of semantic a=
mbiguity can easily be seen in the last case. To interpret=20
, the listener must determin=
e what type of motherliness pertains to the father being referred to. In an=
appropriate context,=20
mamta patfu could mean not=20
grandfather
but simply=20
father with some motherly attributes
, depending on the =
culture. If absolute clarity is required, there are ways to expand upon and=
explain the exact interrelationship between the components; but such detai=
l is usually not needed.
tanruto lujvo lujvofrom tanru =
brivlaf=
rom tanru When a concept expressed in a tanru prove=
s useful, or is frequently expressed, it is desirable to choose one of the =
possible meanings of the tanru and assign it to a new brivla. For=20
, we would probably choose=
=20
user of computers
, and form the new word
-
+
-
+
sampli
-
+
Such a brivla, built from the rafsi which represent its componen=
t words, is called a=20
lujvo. Another example, corresponding to the ta=
nru of=20
, would be:
-
+
-
+
bralo'i
big-boat
ship
-
+
lujvoconstruction of rafsidefinition lujvounambiguous decomposition of The lujvo represe=
nting a given tanru is built from units representing the component gismu. T=
hese units are called=20
rafsi in Lojban. Each rafsi represents only one=
gismu. The rafsi are attached together in the order of the words in the ta=
nru, occasionally inserting so-called=20
hyphen
letters to ensure that the pieces stick together=
as a single word and cannot accidentally be broken apart into cmavo, gismu=
, or other word forms. As a result, each lujvo can be readily and accuratel=
y recognized, allowing a listener to pick out the word from a string of spo=
ken Lojban, and if necessary, unambiguously decompose the word to a unique =
source tanru, thus providing a strong clue to its meaning.
=20
The lujvo that can be built from the tanru=20
mamta patfu in=20
is
-
+
-
+
mampa'u
-
+
which refers specifically to the concept=20
maternal grandfather
. The two gismu that constitute the=
tanru are represented in=20
mampa'u by the rafsi=20
mam- and=20
-pa'u, respectively; these two r=
afsi are then concatenated together to form=20
mampa'u.
long rafsi form=
primary>compared with short form in effect on lujvo meaning short ra=
fsi formcompared with long form in effect on lujvo mea=
ning rafsi formeffect of choice on meaning of lujvo lujvomultiple forms of lujvomeaning of Like gismu, lujvo have only one meaning. When a lujvo is f=
ormally entered into a dictionary of the language, a specific definition wi=
ll be assigned based on one particular interrelationship between the terms.=
(See=20
for how this has been done.) Unlike =
gismu, lujvo may have more than one form. This is because there is no diffe=
rence in meaning between the various rafsi for a gismu when they are used t=
o build a lujvo. A long rafsi may be used, especially in noisy environments=
, in place of a short rafsi; the result is considered the same lujvo, even =
though the word is spelled and pronounced differently. Thus the word=20
=20
@@ -651,32 +644,31 @@
y and=20
'), and the lujvo must end in=
a vowel.
glue in lujvoy-hyphen as y-hyphenand stress determinat=
ion =
y-hyphenuse of A=20
y (which is ignored in determ=
ining stress or consonant clusters) is inserted in the middle of the conson=
ant cluster to glue the word together when the resulting cluster is either =
not permissible or the word is likely to break up. There are specific rules=
describing these conditions, detailed in=20
=20
=20
.
glue in lujvon-hyphen as n-hyphenuse of glue in lujvor-hyphen as r-hyphenuse of An=20
r (in some cases, an=20
n) is inserted when a CVV-for=
m rafsi attaches to the beginning of a lujvo in such a way that there is no=
consonant cluster. For example, in the lujvo
-
+
field rationsexample
-
+
soirsai
- sonci sanmi
+ sonci sanmi
soldier meal
field rations
- =20
-
+
cmavo=
contrasted with same-form rafsi in meaning rafsicontrasted with same-form cmavo in meaning the raf=
si=20
soi- and=20
-sai are joined, with the additi=
onal=20
=20
r making up the=20
rs consonant pair needed to=
make the word a brivla. Without the=20
r, the word would break up in=
to=20
soi sai, two cmavo. The pair of cmavo have no r=
elation to their rafsi lookalikes; they will either be ungrammatical (as in=
this case), or will express a different meaning from what was intended.
=20
@@ -995,91 +987,91 @@
r. For example, the tanru=20
rokci renro (=20
rock throw
) cannot be expressed as=20
ro'ire'o (which breaks up into =
two cmavo), nor can it be=20
ro'irre'o (which has an impermi=
ssible double consonant); the=20
n-hyphen is required, and the=
correct form of the hyphenated lujvo is=20
ro'inre'o. The same lujvo could also be express=
ed without hyphenation as=20
rokre'o.
ZEI selma'olujvowith zei=
secondary> There is also a different way of building lujvo, or =
rather phrases which are grammatically and semantically equivalent to lujvo=
. You can make a phrase containing any desired words, joining each pair of =
them with the special cmavo=20
zei. Thus,
-
+
-
+
bridi zei valsi
-
+
cmavo without raf=
simethod of including in lujvo=
fu'ivlamethod of including in lujvo cmenemethod of including in =
lujvo rafsilack ofeffect on forming =
lujvo lujvofrom cmavo with no rafsi=
is the exact equivalent of=20
brivla (but not necessarily the same as the und=
erlying tanru=20
bridi valsi, which could have other meanings.) =
Using=20
zei is the only way to get a cmavo lacking a ra=
fsi, a cmene, or a fu'ivla into a lujvo:
-
+
X-rayexample
-
+
xy. zei kantu
X ray
-
+
-
+
Persian rugexample
rugPersianexample
-
+
kulnr,farsi zei lolgai
Farsi floor-cover
Persian rug
-
+
-
+
hepatitis<=
secondary>example
-
+
na'e zei .a zei na'e zei by. livgyterbilma
non-A, non-B liver-disease
non-A, non-B hepatitis
-
+
-
+
Sherman tankexample
tankShermanexample
-
+
.cerman. zei jamkarce
Sherman war-car
Sherman tank
-
+
is particularly notew=
orthy because the phrase that would be produced by removing the=20
zeis from it doesn't end with a brivla, and in =
fact is not even grammatical. As written, the example is a tanru with two c=
omponents, but by adding a=20
zei between=20
by. and=20
livgyterbilma to produce
-
+
hepatitis<=
secondary>example
-
+
na'e zei .a zei na'e zei by. zei livgyterbilma
non-A-non-B-hepatitis
-
+
the whole phrase would become a single lujvo. The longer lujvo o=
f=20
may be preferable, because =
its place structure can be built from that of=20
bilma, whereas the place structure of a lujvo w=
ithout a brivla must be constructed ad hoc.
cmavocontrasted with rafsi in usage rafsicontrasted wi=
th cmavo in usage rafsicontrasted with words=
indexterm> Note that rafsi may not be used in=20
zei phrases, because they are not words. CVV ra=
fsi look like words (specifically cmavo) but there can be no confusion betw=
een the two uses of the same letters, because cmavo appear only as separate=
words or in compound cmavo (which are really just a notation for writing s=
eparate but closely related words as if they were one); rafsi appear only a=
s parts of lujvo.
fu'ivla
lujvounsuitability of for concrete/specific terms and jargon food=
use of fu'ivla for specific animalsuse of fu'iv=
la for specific plantsuse of fu'ivla for specific jargonuse of fu'ivla for specific termsuse of fu=
'ivla for concrete termsuse of fu'ivla for fu'ivlause of The use of tanru or lujvo is not al=
ways appropriate for very concrete or specific terms (e.g.=20
@@ -1966,150 +1958,103 @@
; abstraction is explained in=20
.) Plausibility is the key to =
learning new ideas and to evaluating unfamiliar lujvo.
The lujvo-making algorithm
lujvoalgorithm for The following is the current=
algorithm for generating Lojban lujvo given a known tanru and a complete l=
ist of gismu and their assigned rafsi. The algorithm was designed by Bob Le=
Chevalier and Dr. James Cooke Brown for computer program implementation. It=
was modified in 1989 with the assistance of Nora LeChevalier, who detected=
a flaw in the original=20
=20
tosmabru test
.
=20
Given a tanru that is to be made into a lujvo:
-
-
- 1)
-
- Choose a 3-letter or 4-letter rafsi for each of the gismu =
and cmavo in the tanru except the last.
-
-
-
- 2)
-
- Choose a 3-letter (CVV-form or CCV-form) or 5-letter rafsi=
for the final gismu in the tanru.
-
-
-
- 3)
-
- Join the resulting string of rafsi, initially without hyph=
ens.
- =20
-
-
-
- 4)
-
- hyphens in =
lujvoproscribed where not required Add hyphen letters where necessary. It is illegal to add a hyphen at a=
place that is not required by this algorithm. Right-to-left tests are reco=
mmended, for reasons discussed below.=20
-
-
- 4a)
-
- If there are more than two words in the tanru, put a=
n=20
- r-hyphen (or an=
=20
- n-hyphen) after t=
he first rafsi if it is CVV-form. If there are exactly two words, then put =
an=20
- r-hyphen (or an=
=20
- n-hyphen) between=
the two rafsi if the first rafsi is CVV-form, unless the second rafsi is C=
CV-form (for example,=20
- saicli requires no hyphen). Use an=
=20
- r-hyphen unless t=
he letter after the hyphen is=20
- r, in which case =
use an=20
- n-hyphen. Never u=
se an=20
- n-hyphen unless i=
t is required.
-
-
-
- 4b)
-
- Put a=20
- y-hyphen between =
the consonants of any impermissible consonant pair. This will always appear=
between rafsi.
-
-
-
- 4c)
-
- tosma=
bru test Put a=20
- y-hyphen after an=
y 4-letter rafsi form.
- =20
-
-
-
-
-
-
- 5)
-
- Test all forms with one or more initial CVC-form rafsi - w=
ith the pattern=20
- CVC ... CVC + X
- for=20
- tosmabru failure. X must either be a CVCC=
V long rafsi that happens to have a permissible initial pair as the consona=
nt cluster, or is something which has caused a=20
- y-hyphen to be installe=
d between the previous CVC and itself by one of the above rules.
- The test is as follows:
-
-
- 5a)
-
- Examine all the C/C consonant pairs up to the first =
y-hyphen, or up to the end of the =
word in case there are no y-hyphen=
s.
- These consonant pairs are called "joints=E2=80=9D.=
para>
-
-
-
- 5b)
-
- If all of those joints are permissible initials, the=
n the trial word will break up into a cmavo and a shorter brivla. If not, t=
he word will not break up, and no further hyphens are needed.
-
-
-
- 5c)
-
- Install a y=
-hyphen at the first such joint.
-
-
-
-
-
-
+
+
+ Choose a 3-letter or 4-letter rafsi for each of the gismu and cm=
avo in the tanru except the last.
+
+
+ Choose a 3-letter (CVV-form or CCV-form) or 5-letter rafsi for t=
he final gismu in the tanru.
+
+
+ Join the resulting string of rafsi, initially without hyphens.=
para>
+
+
+ hyphens in lujvo<=
/primary>proscribed where not required A=
dd hyphen letters where necessary. It is illegal to add a hyphen at a place=
that is not required by this algorithm. Right-to-left tests are recommende=
d, for reasons discussed below.
+
+
+ If there are more than two words in the tanru, put an=20
+ r-hyphen (or an=20
+ n-hyphen) after the first=
rafsi if it is CVV-form. If there are exactly two words, then put an=20
+ r-hyphen (or an=20
+ n-hyphen) between the two=
rafsi if the first rafsi is CVV-form, unless the second rafsi is CCV-form =
(for example,=20
+ saicli requires no hyphen). Use an=20
+ r-hyphen unless the lette=
r after the hyphen is=20
+ r, in which case use an=
=20
+ n-hyphen. Never use an=20
+ n-hyphen unless it is req=
uired.
+
+
+ Put a=20
+ y-hyphen between the cons=
onants of any impermissible consonant pair. This will always appear between=
rafsi.
+
+
+ tosmabru test=
Put a=20
+ y-hyphen after any 4-lett=
er rafsi form.
+
+
+
+
+ Test all forms with one or more initial CVC-form rafsi - with th=
e pattern=20
+ CVC ... CVC + X
- for=20
+ tosmabru failure. X must either be a CVCCV long=
rafsi that happens to have a permissible initial pair as the consonant clu=
ster, or is something which has caused a=20
+ y-hyphen to be installed betw=
een the previous CVC and itself by one of the above rules.
+ The test is as follows:
+
+
+ Examine all the C/C consonant pairs up to the first y-hyphen, or up to the end of the word in =
case there are no y-hyphens.
+ These consonant pairs are called "joints=E2=80=9D.
+
+
+ If all of those joints are permissible initials, then the tr=
ial word will break up into a cmavo and a shorter brivla. If not, the word =
will not break up, and no further hyphens are needed.
+
+
+ Install a y-hyphen =
at the first such joint.
+
+
+
+
lujvoselection of best form of lujvoscoring of Note that the=20
tosmabru test
implies that the algorithm will be more e=
fficient if rafsi junctures are tested for required hyphens from right to l=
eft, instead of from left to right; when the test is required, it cannot be=
completed until hyphenation to the right has been determined.
=20
=20
The lujvo scoring algorithm
This algorithm was devised by Bob and Nora LeChevalier in 1989. =
It is not the only possible algorithm, but it usually gives a choice that p=
eople find preferable. The algorithm may be changed in the future. The lowe=
st-scoring variant will usually be the dictionary form of the lujvo. (In pr=
evious versions, it was the highest-scoring variant.)
-
-
- 1)
+
Count the total number of letters, including hyphens and a=
postrophes; call it=20
- =20
- L
.
+ L.
-
-
- 2)
Count the number of apostrophes; call it=20
- A
.
+ A.
-
-
- 3)
Count the number of=20
y-,=20
r-, and=20
n-hyphens; call it=20
=20
- H
.
+ H.
-
-
- 4)
For each rafsi, find the value in the following table. Sum=
this value over all rafsi; call it=20
- R
:=20
+ R:=20
CVC/CV (final)
(-sarji-)=
entry>
1
@@ -2147,30 +2092,26 @@
CVV with no apostrophe
(-sai-)
8
-
-
- 5)
Count the number of vowels, not including=20
y; call it=20
- V
.
+ V.
-
-
+
lujvo formhierarchy of priorities for selection of hierarchy of priorities =
for selecting lujvo form The score is then:
(1000 * L) - (500 * A) + (100 * H) - (10=
* R) - V
lujvoscored examples of In case of ties, there is no p=
reference. This should be rare. Note that the algorithm essentially encodes=
a hierarchy of priorities: short words are preferred (counting apostrophes=
as half a letter), then words with fewer hyphens, words with more pleasing=
rafsi (this judgment is subjective), and finally words with more vowels ar=
e chosen. Each decision principle is applied in turn if the ones before it =
have failed to choose; it is possible that a lower-ranked principle might d=
ominate a higher-ranked one if it is ten times better than the alternative.=
=20
doghouseexample=
luj=
voexamples of making Here are =
some lujvo with their scores (not necessarily the lowest scoring forms for =
these lujvo, nor even necessarily sensible lujvo):
@@ -2458,220 +2399,193 @@
cinse ctuca (which would be=20
cinctu) since the sex of the teacher is rarely =
important. If there was a reason to specify=20
male
, then the simpler tanru=20
nakni cinctu (=20
male sexual-teacher
) would be appropriate. This tanru i=
s actually shorter than the four-part lujvo, since the=20
ke required for grouping need not be expressed.=
The gismu creation algorithm
source languages<=
/primary>use in creating gismu The gismu=
were created through the following process:
-
-
- 1)
-
- gismucreationscoring rules At least one word was found in each of the six source languages (Chi=
nese, English, Hindi, Spanish, Russian, Arabic) corresponding to the propos=
ed gismu. This word was rendered into Lojban phonetics rather liberally: co=
nsonant clusters consisting of a stop and the corresponding fricative were =
simplified to just the fricative (=20
- =20
- =20
- =20
- tc became=20
- c,=20
- dj became=20
- j) and non-Lojban vowel=
s were mapped onto Lojban ones. Furthermore, morphological endings were dro=
pped. The same mapping rules were applied to all six languages for the sake=
of consistency.
-
-
-
- 2)
-
- All possible gismu forms were matched against the six sour=
ce-language forms. The matches were scored as follows:=20
-
-
- 2a)
-
- If three or more letters were the same in the propos=
ed gismu and the source-language word, and appeared in the same order, the =
score was equal to the number of letters that were the same. Intervening le=
tters, if any, did not matter.
-
-
-
- 2b)
-
- If exactly two letters were the same in the proposed=
gismu and the source-language word, and either the two letters were consec=
utive in both words, or were separated by a single letter in both words, th=
e score was 2. Letters in reversed order got no score.
-
-
-
- 2c)
-
- gismu=
creationconsiderations for selec=
tion after scoring Otherwise, the score was 0.
-
-
-
-
-
-
- 3)
-
- gismucreationproscribed gismu pairs gismutoo-similar The scores were divided b=
y the length of the source-language word in its Lojbanized form, and then m=
ultiplied by a weighting value specific to each language, reflecting the pr=
oportional number of first-language and second-language speakers of the lan=
guage. (Second-language speakers were reckoned at half their actual numbers=
.) The weights were chosen to sum to 1.00. The sum of the weighted scores w=
as the total score for the proposed gismu form.
-
-
-
- 4)
-
- Any gismu forms that conflicted with existing gismu were r=
emoved. Obviously, being identical with an existing gismu constitutes a con=
flict. In addition, a proposed gismu that was identical to an existing gism=
u except for the final vowel was considered a conflict, since two such gism=
u would have identical 4-letter rafsi.
- gismucreationand transcription blunders More subtly: If the proposed gismu was identical to an =
existing gismu except for a single consonant, and the consonant was "too si=
milar=E2=80=9D based on the following table, then the proposed gismu was re=
jected.
-
-
-
-
-
-
- proposed gismu
- existing gismu
-
-
-
-
- b
- p, v
-
-
- c
- j, s
-
-
- d
- t
-
-
- f
- p, v
-
-
- g
- k, x
-
-
- j
- c, z
-
-
- k
- g, x
-
-
- l
- r
-
-
- m
- n
-
-
- n
- m
-
-
- p
- b, f
-
-
- r
- l
-
-
- s
- c, z
-
-
- t
- d
-
-
- v
- b, f
-
-
- x
- g, k
-
-
- z
- j, s
-
-
-
-
- gismusource-language weights for See for an example.
-
-
-
- 5)
-
- The gismu form with the highest score usually became the a=
ctual gismu. Sometimes a lower-scoring form was used to provide a better ra=
fsi. A few gismu were changed in error as a result of transcription blunder=
s (for example, the gismu=20
- gismu should have been=20
- gicmu, but it's too late to fix it now).<=
/para>
- The language weights used to make most of the gismu were a=
s follows:
-
-
-
-
-
-
- Chinese0.36
-
-
- English0.21
-
-
- Hindi0.16
-
-
- Spanish0.11
-
-
- Russian0.09
-
-
- Arabic0.07
-
-
-
-
- reflecting 1985 number-of-speakers data. A few gismu were =
made much later using updated weights:
-
-
-
-
-
-
- Chinese0.347
-
-
- Hindi0.196
-
-
- English0.160
-
-
- Spanish0.123
-
-
- Russian0.089
-
-
- Arabic0.085
-
-
-
-
- gismucoined gismuexceptions to gismu creation by=
algorithm (English and Hindi switched places due t=
o demographic changes.)
-
-
-
+
+
+ gismucreationscoring rules At least one word was found in each of the six source languages (Chine=
se, English, Hindi, Spanish, Russian, Arabic) corresponding to the proposed=
gismu. This word was rendered into Lojban phonetics rather liberally: cons=
onant clusters consisting of a stop and the corresponding fricative were si=
mplified to just the fricative (
+ tc became=20
+ c,=20
+ dj became=20
+ j) and non-Lojban vowels =
were mapped onto Lojban ones. Furthermore, morphological endings were dropp=
ed. The same mapping rules were applied to all six languages for the sake o=
f consistency.
+
+
+ All possible gismu forms were matched against the six source=
-language forms. The matches were scored as follows:=20
+
+
+ If three or more letters were the same in the proposed g=
ismu and the source-language word, and appeared in the same order, the scor=
e was equal to the number of letters that were the same. Intervening letter=
s, if any, did not matter.
+
+
+ If exactly two letters were the same in the proposed gis=
mu and the source-language word, and either the two letters were consecutiv=
e in both words, or were separated by a single letter in both words, the sc=
ore was 2. Letters in reversed order got no score.
+
+
+ gismucreationconsiderations for selection=
after scoring Otherwise, the score was 0.
+
+
+
+
+ gismucreationproscribed gismu pairs gismutoo-similar The scores were divided by =
the length of the source-language word in its Lojbanized form, and then mul=
tiplied by a weighting value specific to each language, reflecting the prop=
ortional number of first-language and second-language speakers of the langu=
age. (Second-language speakers were reckoned at half their actual numbers.)=
The weights were chosen to sum to 1.00. The sum of the weighted scores was=
the total score for the proposed gismu form.
+
+
+ Any gismu forms that conflicted with existing gismu were rem=
oved. Obviously, being identical with an existing gismu constitutes a confl=
ict. In addition, a proposed gismu that was identical to an existing gismu =
except for the final vowel was considered a conflict, since two such gismu =
would have identical 4-letter rafsi.
+ gismucreationand transcription blunders More subtly: If the proposed gismu was identical to an ex=
isting gismu except for a single consonant, and the consonant was "too simi=
lar=E2=80=9D based on the following table, then the proposed gismu was reje=
cted.
+
+
+
+
+
+
+ proposed gismu
+ existing gismu
+
+
+
+
+ b
+ p, v
+
+
+ c
+ j, s
+
+
+ d
+ t
+
+
+ f
+ p, v
+
+
+ g
+ k, x
+
+
+ j
+ c, z
+
+
+ k
+ g, x
+
+
+ l
+ r
+
+
+ m
+ n
+
+
+ n
+ m
+
+
+ p
+ b, f
+
+
+ r
+ l
+
+
+ s
+ c, z
+
+
+ t
+ d
+
+
+ v
+ b, f
+
+
+ x
+ g, k
+
+
+ z
+ j, s
+
+
+
+
+ gismusource-language weights for See for an example.
+
+
+ The gismu form with the highest score usually became the act=
ual gismu. Sometimes a lower-scoring form was used to provide a better rafs=
i. A few gismu were changed in error as a result of transcription blunders =
(for example, the gismu=20
+ gismu should have been=20
+ gicmu, but it's too late to fix it now).
+ The language weights used to make most of the gismu were as =
follows:
+
+
+
+
+
+
+ Chinese0.36
+
+
+ English0.21
+
+
+ Hindi0.16
+
+
+ Spanish0.11
+
+
+ Russian0.09
+
+
+ Arabic0.07
+
+
+
+
+ reflecting 1985 number-of-speakers data. A few gismu were ma=
de much later using updated weights:
+
+
+
+
+
+
+ Chinese0.347
+
+
+ Hindi0.196
+
+
+ English0.160
+
+
+ Spanish0.123
+
+
+ Russian0.089
+
+
+ Arabic0.085
+
+
+
+
+ gismucoined gismuexceptions to gismu creation by a=
lgorithm (English and Hindi switched places due to =
demographic changes.)
+
+
gismuLojban-specific Note that the stressed vow=
el of the gismu was considered sufficiently distinctive that two or more gi=
smu may differ only in this vowel; as an extreme example,=20
=20
bradi,=20
bredi,=20
bridi, and=20
brodi (but fortunately not=20
brudi) are all existing gismu.
Cultural and other non-algorithmic gismu
@@ -2731,88 +2645,88 @@
centi
.01/centi
milti
.001/milli
mikri
- 1E-6/micro
+ 10-6/micro
nanvi
- 1E-9/nano
+ 10-9/nano
picti
- 1E-12/pico
+ 10-12/pico
femti
- 1E-15/femto
+ 10-15/femto
xatsi
- 1E-18/atto
+ 10-18/atto
zepti
- 1E-21/zepto
+ 10-21/zepto
gocti
- 1E-24/yocto
+ 10-24/yocto
Large metric prefixes (values greater than 1):
dekto
10/deka
xecto
100/hecto
kilto
1000/kilo
megdo
- 1E6/mega
+ 106/mega
gigdo
- 1E9/giga
+ 109/giga
terto
- 1E12/tera
+ 1012/tera
petso
- 1E15/peta
+ 1015/peta
xexso
- 1E18/exa
+ 1018/exa
zetro
- 1E21/zetta
+ 1021/zetta
gotro
- 1E24/yotta
+ 1024/yotta
gismucultural Other scientific or mathematical =
terms:
delno
candela
kelvo
@@ -3177,21 +3091,21 @@
must languish in fu'ivla space
. To help defuse this arg=
ument, a last-minute proposal was made when this book was already substanti=
ally complete. I have added it here with experimental status: it is not yet=
a standard part of Lojban, since all its implications have not been tested=
in open debate, and it affects a part of the language (lujvo-making) that =
has long been stable, but is known to be fragile in the face of small chang=
es. (Many attempts were made to add general mechanisms for making lujvo tha=
t contained fu'ivla, but all failed on obvious or obscure counterexamples; =
finally the general=20
zei mechanism was devised instead.)
The first part of the proposal is uncontroversial and involves n=
o change to the language mechanisms. All valid Type 4 fu'ivla of the form C=
CVVCV would be reserved for cultural brivla analogous to those described in=
=20
. For example,
Chilean desertexample
- tci'ile
+ tci'ile
Chilean
is of the appropriate form, and passes all tests required of a=
Stage 4 fu'ivla. No two fu'ivla of this form would be allowed to coexist i=
f they differed only in the final vowel; this rule was applied to gismu, bu=
t does not apply to other fu'ivla or to lujvo.
The second, and fully experimental, part of the proposal is to a=
llow rafsi to be formed from these cultural fu'ivla by removing the final v=
owel and treating the result as a 4-letter rafsi (although it would contain=
five letters, not four). These rafsi could then be used on a par with all =
other rafsi in forming lujvo. The tanru
--=20
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