From: "Apache" <apache@digitalkingdom.org>
Date: Sat, 22 Aug 2015 19:51:50 -0700
To: webmaster@lojban.org, curtis289@att.net
Subject: [jvsw] Definition Edited At Word tifri -- By krtisfranks
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In jbovlaste, the user krtisfranks has edited a
definition of "tifri" in the language "English".

Differences:

2,2c2,2
< 		$x_1$ is the audience/enjoying party of performance/program/transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/listens/reads/experiences $x_2$
---
> 		$x_1$ is the audience/enjoying party of work/performance/program/transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/listens/reads/experiences $x_2$
5,5c5,5
< 		All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations  (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. See also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana}, {cradi}, {tivni}
---
> 		All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations  (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana}, {cradi}, {tivni}


Old Data:

	Definition:
		$x_1$ is the audience/enjoying party of performance/program/transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/listens/reads/experiences $x_2$

	Notes:
		All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations  (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. See also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana}, {cradi}, {tivni}

	Jargon:
		

	Gloss Keywords:
		Word: experiencing audience, In Sense: 

	Place Keywords:


New Data:

	Definition:
		$x_1$ is the audience/enjoying party of work/performance/program/transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/listens/reads/experiences $x_2$

	Notes:
		All connotations about the judgment of the experience by x1 are neutral in this definition (despite the use of the "enjoy"). This word references a generalizing concept of x1 being an audience to some work or experience, such as magic acts (even if x1 participates somewhat),theatrical plays, ovations  (radio, storytelling, etc.), télévision programs, books, discussions or media productions on the Internet, etc. The core concept is audiencehood, regardless of the work being enjoyed/experienced and its form. There are no connotations about how x2 is perceived by x1 (that is: which senses are used), nor how x2 is transmitted nor who or what allows x1 to experience it (that is: whether there is an agentive performer or just a piece of hardware that displays x2), nor of the nature of x2; the term is completely generic and general. See also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana}, {cradi}, {tivni}

	Jargon:
		

	Gloss Keywords:
		Word: experiencing audience, In Sense: 

	Place Keywords:


You can go to <http://jbovlaste.lojban.org/dict/tifri> to see it.