From: "Apache" <apache@digitalkingdom.org>
Date: Mon, 02 Nov 2015 00:53:52 -0800
To: webmaster@lojban.org, curtis289@att.net
Subject: [jvsw] Definition Edited At Word tifri -- By gleki
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In jbovlaste, the user gleki has edited a
definition of "tifri" in the language "English".

Differences:

5,5c5,5
< =09=09All connotations about the judgment of the experience by x1 are=
 neutral in this definition (despite the use of the "enjoy"). This word=
 references a generalizing concept of x1 being an audience to some work=
 or experience, such as magic acts (even if x1 participates somewhat),t=
heatrical plays, ovations  (radio, storytelling, etc.), t=E9l=E9vision =
programs, books, discussions or media productions on the Internet, etc.=
 The core concept is audiencehood, regardless of the work being enjoyed=
/experienced and its form. There are no connotations about how x2 is pe=
rceived by x1 (that is: which senses are used), nor how x2 is transmitt=
ed nor who or what allows x1 to experience it (that is: whether there i=
s an agentive performer or just a piece of hardware that displays x2), =
nor of the nature of x2; the term is completely generic and general. Se=
e also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana},=
 {cradi}, {tivni}
---
> =09=09All connotations about the judgment of the experience by $x_1$ =
are neutral in this definition (despite the use of the "enjoy"). This w=
ord references a generalizing concept of $x_1$ being an audience to som=
e work or experience, such as magic acts (even if x1 participates somew=
hat), theatrical plays, ovations  (radio, storytelling, etc.), televisi=
on programs, books, discussions or media productions on the Internet, e=
tc. The core concept is audiencehood, regardless of the work being enjo=
yed/experienced and its form. There are no connotations about how $x_2$=
 is perceived by $x_1$ (that is: which senses are used), nor how $x_2$ =
is transmitted nor who or what allows x1 to experience it (that is: whe=
ther there is an agentive performer or just a piece of hardware that di=
splays $x_2$), nor of the nature of $x_2$; the term is completely gener=
ic and general. See also {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, =
{tirna}, {zgana}, {cradi}, {tivni}


Old Data:

=09Definition:
=09=09$x_1$ is the audience/enjoying party of work/performance/program/=
transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/lis=
tens/reads/experiences $x_2$

=09Notes:
=09=09All connotations about the judgment of the experience by x1 are n=
eutral in this definition (despite the use of the "enjoy"). This word r=
eferences a generalizing concept of x1 being an audience to some work o=
r experience, such as magic acts (even if x1 participates somewhat),the=
atrical plays, ovations  (radio, storytelling, etc.), t=E9l=E9vision pr=
ograms, books, discussions or media productions on the Internet, etc. T=
he core concept is audiencehood, regardless of the work being enjoyed/e=
xperienced and its form. There are no connotations about how x2 is perc=
eived by x1 (that is: which senses are used), nor how x2 is transmitted=
 nor who or what allows x1 to experience it (that is: whether there is =
an agentive performer or just a piece of hardware that displays x2), no=
r of the nature of x2; the term is completely generic and general. See =
also: {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {tirna}, {zgana}, {=
cradi}, {tivni}

=09Jargon:
=09=09

=09Gloss Keywords:
=09=09Word: experiencing audience, In Sense:=20

=09Place Keywords:


New Data:

=09Definition:
=09=09$x_1$ is the audience/enjoying party of work/performance/program/=
transmission/experience $x_2$ (concrete or abstract); $x_1$ watches/lis=
tens/reads/experiences $x_2$

=09Notes:
=09=09All connotations about the judgment of the experience by $x_1$ ar=
e neutral in this definition (despite the use of the "enjoy"). This wor=
d references a generalizing concept of $x_1$ being an audience to some =
work or experience, such as magic acts (even if x1 participates somewha=
t), theatrical plays, ovations  (radio, storytelling, etc.), television=
 programs, books, discussions or media productions on the Internet, etc=
. The core concept is audiencehood, regardless of the work being enjoye=
d/experienced and its form. There are no connotations about how $x_2$ i=
s perceived by $x_1$ (that is: which senses are used), nor how $x_2$ is=
 transmitted nor who or what allows x1 to experience it (that is: wheth=
er there is an agentive performer or just a piece of hardware that disp=
lays $x_2$), nor of the nature of $x_2$; the term is completely generic=
 and general. See also {tigni}, {jarco}, {lifri}, {skina}, {kinzga}, {t=
irna}, {zgana}, {cradi}, {tivni}

=09Jargon:
=09=09

=09Gloss Keywords:
=09=09Word: experiencing audience, In Sense:=20

=09Place Keywords:


You can go to <http://jbovlaste.lojban.org/dict/tifri> to see it.