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Subject: Get Norton Due to an increase in Malware and Ransomware
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  0.0 URIBL_BLOCKED          ADMINISTRATOR NOTICE: The query to URIBL was
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                             [URIs: reviveleaf.co]
 -5.0 RCVD_IN_DNSWL_HI       RBL: Sender listed at https://www.dnswl.org/,
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                             [URIs: reviveleaf.co]
  2.7 RCVD_IN_PSBL           RBL: Received via a relay in PSBL
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                             [134.73.185.24 listed in zen.spamhaus.org]
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  0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or
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  1.9 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50%
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  0.9 RAZOR2_CHECK           Listed in Razor2 (http://razor.sf.net/)

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Get Norton Due to an increase in Malware and Ransomware

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rinna, like Pindar, wrote choral lyric poetry – as demonstrated by her invocation of Terpsichore, the Muse of dance and chorus, in one of her fragments. According to the Suda, she wrote five books of poetry. Her works were collected in a Boeotian edition in the late third or early second century BC, and later Hellenistic and Roman texts of Corinna derived from this. This Boeotian edition was produced in a scholarly format, with titles for the poems; it may have also included accent marks and hypotheses, but is unlikely to have included line numbers.

Corinna wrote in a literary dialect, which had features of her Boeotian vernacular, along with similarities to the language of epic both in morphology and in her choice of words; Daniel Berman describes it as "epic written as Boeotian". If Corinna was a contemporary of Pindar, this use of the local vernacular as a literary language is archaic – though the earlier poets Alcman and Stesichoros wrote in literary dialects based on their own vernaculars, the fifth-c

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<span style="color:#FFFFFF;font-size:3px;">rinna, like Pindar, wrote choral lyric poetry &ndash; as demonstrated by her invocation of Terpsichore, the Muse of dance and chorus, in one of her fragments. According to the Suda, she wrote five books of poetry. Her works were collected in a Boeotian edition in the late third or early second century BC, and later Hellenistic and Roman texts of Corinna derived from this. This Boeotian edition was produced in a scholarly format, with titles for the poems; it may have also included accent marks and hypotheses, but is unlikely to have included line numbers. Corinna wrote in a literary dialect, which had features of her Boeotian vernacular, along with similarities to the language of epic both in morphology and in her choice of words; Daniel Berman describes it as &quot;epic written as Boeotian&quot;. If Corinna was a contemporary of Pindar, this use of the local vernacular as a literary language is archaic &ndash; though the earlier poets Alcman and Stesichoros wrote in literary dialects based on their own vernaculars, the fifth-c</span></center>
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