Return-path: <60202-93744-396881-14021-llg+2Dboard=lojban.org@mail.fungushack.skin> Envelope-to: llg-board@lojban.org Delivery-date: Tue, 10 Jan 2023 04:57:23 -0800 Received: from [37.46.150.102] (port=53000 helo=ceres.fungushack.skin) by d7893716a6e6 with esmtp (Exim 4.94.2) (envelope-from <60202-93744-396881-14021-llg+2Dboard=lojban.org@mail.fungushack.skin>) id 1pFEBs-00FgqF-Er for llg-board@lojban.org; Tue, 10 Jan 2023 04:57:22 -0800 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=fungushack.skin; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=NailFungus@fungushack.skin; bh=Hwn1flG5sNLEn54DrPDa0/Yid2A=; b=chmoaqf47plsUWlttqL0HOdf6vWGEx7rpFwBu4Cmba6a3dSc3qWzeG9lLQKUIAO5QLsi45Pvy26w 3Oe4E/xOQKIp3RNqhVAyZaKQAz80PWjuzXP7fmtDHwD/QR1veCotgDzyGhy6yT4MI3vxw5F59GF1 tPqlg7MAdYxKSo5nm44= DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=fungushack.skin; b=SkcoVE4KggWipm4gp0/zcuqkAacX+U84RuXaR1yy6CCHRfWJ8gbuzbx0FusWAZdoBGVjxWRN0zW3 oQVgECK1qstBuB9J7l9WRDBClXnnRhWBoqNotR+TzdbUVo8wOWGctkTa1yrz2zrfdA/Fb0t1PZWH TdmxdfwGRlSK6/YGZo0=; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="4515cf59edcba50427d1f8d8574fe7ff_16e30_60e51" Date: Tue, 10 Jan 2023 13:55:46 +0100 From: "Nail Fungus" Reply-To: "Natural Spice" Subject: Put This Spice In Your Shoes To Fix Toenail Fungus Overnight To: Message-ID: X-Spam-Score: 3.2 (+++) X-Spam_score: 3.2 X-Spam_score_int: 32 X-Spam_bar: +++ X-Spam-Report: Spam detection software, running on the system "f6db9eef8881", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see @@CONTACT_ADDRESS@@ for details. Content preview: Put This Spice In Your Shoes To Fix Toenail Fungus Overnight http://fungushack.skin/GlbbohYX6tE_5LfDFJ-3uBj1SG2x8dJwISkrNF6uZUAmo81H2Q http://fungushack.skin/ard5jTXIO_OwpYt_Ry0ywEPZdxo_ArqYV9RaRc-zh0v6gnw Content analysis details: (3.2 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- 0.8 BAYES_50 BODY: Bayes spam probability is 40 to 60% [score: 0.5000] 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: fungushack.skin] 1.2 URIBL_ABUSE_SURBL Contains an URL listed in the ABUSE SURBL blocklist [URIs: fungushack.skin] -5.0 RCVD_IN_DNSWL_HI RBL: Sender listed at https://www.dnswl.org/, high trust [37.46.150.102 listed in list.dnswl.org] 2.7 RCVD_IN_PSBL RBL: Received via a relay in PSBL [37.46.150.102 listed in psbl.surriel.com] -0.0 SPF_PASS SPF: sender matches SPF record 0.0 SPF_HELO_NONE SPF: HELO does not publish an SPF Record 0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or identical to background 0.0 HTML_MESSAGE BODY: HTML included in message 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid -0.1 DKIM_VALID_EF Message has a valid DKIM or DK signature from envelope-from domain -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature -0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's domain 1.9 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50% [cf: 100] 0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/) 0.8 RDNS_NONE Delivered to internal network by a host with no rDNS --4515cf59edcba50427d1f8d8574fe7ff_16e30_60e51 Content-Type: text/plain; Content-Transfer-Encoding: 8bit Put This Spice In Your Shoes To Fix Toenail Fungus Overnight http://fungushack.skin/GlbbohYX6tE_5LfDFJ-3uBj1SG2x8dJwISkrNF6uZUAmo81H2Q http://fungushack.skin/ard5jTXIO_OwpYt_Ry0ywEPZdxo_ArqYV9RaRc-zh0v6gnw cording to the scholar John Morehen, Parsley was less at ease when working with English texts, a trait Morehen finds Parsley had in common with similar Reformation composers. His Latin music is fluent and attractive, with extended phrases that become increasingly melismatic as they progress. The parts in Latin are characteristically independent in a way that was typical of sacred polyphony in England before the Reformation. The expressive psalm Conserva me, domine has an elegant polyphonic style. The technique shown in his English church music is less assured than his compositions for the Latin rite. His five-part Lamentations, which differs from settings by his contemporaries Tallis and White in that a treble line (notable for the difficulty in singing the highest notes of the part) is maintained throughout, was probably intended for domestic devotional use. During the 1920s, the musicologist and composer W. H. Grattan Flood described Parsley's Lamentations as being "of particular interest". One piece, a well-crafted three-part canonic setting of the Salvator Mundi, was printed by Morley in 1597. Morley described Parsley's arrangement of this Gregorian hymn as a model of its kind, and alluded to him as "the most learned musician". Some of Parsley's instrumental music, nearly all for viols, survives, including six consort pieces; both his Latin and English vocal styles can be found in his ins --4515cf59edcba50427d1f8d8574fe7ff_16e30_60e51 Content-Type: text/html; Content-Transfer-Encoding: 8bit Newsletter
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cording to the scholar John Morehen, Parsley was less at ease when working with English texts, a trait Morehen finds Parsley had in common with similar Reformation composers. His Latin music is fluent and attractive, with extended phrases that become increasingly melismatic as they progress. The parts in Latin are characteristically independent in a way that was typical of sacred polyphony in England before the Reformation. The expressive psalm Conserva me, domine has an elegant polyphonic style. The technique shown in his English church music is less assured than his compositions for the Latin rite. His five-part Lamentations, which differs from settings by his contemporaries Tallis and White in that a treble line (notable for the difficulty in singing the highest notes of the part) is maintained throughout, was probably intended for domestic devotional use. During the 1920s, the musicologist and composer W. H. Grattan Flood described Parsley's Lamentations as being "of particular interest". One piece, a well-crafted three-part canonic setting of the Salvator Mundi, was printed by Morley in 1597. Morley described Parsley's arrangement of this Gregorian hymn as a model of its kind, and alluded to him as "the most learned musician". Some of Parsley's instrumental music, nearly all for viols, survives, including six consort pieces; both his Latin and English vocal styles can be found in his ins






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