Return-path: <60718-93744-396881-14081-llg+2Dboard=lojban.org@mail.synogute.shop> Envelope-to: llg-board@lojban.org Delivery-date: Wed, 25 Jan 2023 06:20:33 -0800 Received: from [62.197.136.143] (port=44163 helo=louis.synogute.shop) by d7893716a6e6 with esmtp (Exim 4.94.2) (envelope-from <60718-93744-396881-14081-llg+2Dboard=lojban.org@mail.synogute.shop>) id 1pKgdb-0011Kn-39 for llg-board@lojban.org; Wed, 25 Jan 2023 06:20:32 -0800 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=synogute.shop; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=NASAWarning@synogute.shop; bh=ZodPDhxVy9FWqcfneqzR+9o8cyU=; b=aknQMA10tdj08UbWd4rI9KTKS+nZUlwF4MO8Gh8Pt8RpDkO3DqubqK3RXwJG0NFXYMUpCZHsWQhQ nJb+jmHsKHAfq32mIx++7EkzbSTXa8I5lx77ViPtknDXmeKwfrAWqDvfoDIbYqjTP5t4uKuIKNBd Oj7eOeHIH9RrFjwx2ik= DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=synogute.shop; b=ElMAghopt5DzUPh6K7dlERbPQ344HwcPyER2rtivkxJsnqPINudUHHx2wigJ8SSdXfXIW13FIdgz 75n61lI/16Gj/IaPKi7JnyiF+xAPLwlKAonJJh/rVStRuxS76a7kyov579AV7pEkget7yOzNW3jL eysSaz7qxICZluGqUv8=; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="a34906d473a771d96be526e886e4cafb_16e30_60e51" Date: Wed, 25 Jan 2023 15:04:42 +0100 From: "NASA Warning" Reply-To: "NASA Warning" Subject: Blind psychic reveals chilling U.S. prophecy To: Message-ID: <9opddh3lm79hy089-00299shpdxcl0lj2-16e30-60e51@synogute.shop> X-Spam-Score: 3.6 (+++) X-Spam_score: 3.6 X-Spam_score_int: 36 X-Spam_bar: +++ X-Spam-Report: Spam detection software, running on the system "f6db9eef8881", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see @@CONTACT_ADDRESS@@ for details. Content preview: Blind psychic reveals chilling U.S. prophecy http://synogute.shop/eXPDmkUUwQLGdhFEfMx8icq0x_Lvj9Qz7lC7pANgG8B-Ksv_ http://synogute.shop/V5oki0O7T9iGEwgH1hi21ctUkKwbWAdvGES2nLzt2_EeWBla Content analysis details: (3.6 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- 0.8 BAYES_50 BODY: Bayes spam probability is 40 to 60% [score: 0.5000] 1.2 URIBL_ABUSE_SURBL Contains an URL listed in the ABUSE SURBL blocklist [URIs: synogute.shop] 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: synogute.shop] -5.0 RCVD_IN_DNSWL_HI RBL: Sender listed at https://www.dnswl.org/, high trust [62.197.136.143 listed in list.dnswl.org] 2.7 RCVD_IN_PSBL RBL: Received via a relay in PSBL [62.197.136.143 listed in psbl.surriel.com] 0.0 URIBL_ZEN_BLOCKED_OPENDNS ADMINISTRATOR NOTICE: The query to zen.spamhaus.org was blocked due to usage of an open resolver. See https://www.spamhaus.org/returnc/pub/ [URIs: synogute.shop] -0.0 SPF_PASS SPF: sender matches SPF record 0.0 SPF_HELO_NONE SPF: HELO does not publish an SPF Record 0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or identical to background 0.0 HTML_MESSAGE BODY: HTML included in message 0.4 PP_MIME_FAKE_ASCII_TEXT BODY: MIME text/plain claims to be ASCII but isn't 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid -0.1 DKIM_VALID_EF Message has a valid DKIM or DK signature from envelope-from domain -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature -0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's domain 1.9 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50% [cf: 100] 0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/) 0.8 RDNS_NONE Delivered to internal network by a host with no rDNS --a34906d473a771d96be526e886e4cafb_16e30_60e51 Content-Type: text/plain; Content-Transfer-Encoding: 8bit Blind psychic reveals chilling U.S. prophecy http://synogute.shop/eXPDmkUUwQLGdhFEfMx8icq0x_Lvj9Qz7lC7pANgG8B-Ksv_ http://synogute.shop/V5oki0O7T9iGEwgH1hi21ctUkKwbWAdvGES2nLzt2_EeWBla lthough Musique funèbre was internationally acclaimed, his new harmonic techniques led to something of a crisis for Lutos?awski, during which he still could not see how to express his musical ideas. Then on 16 March 1960, listening to Polish Radio broadcast on new music, he happened to hear John Cage's Concert for Piano and Orchestra. Although he was not influenced by the sound or the philosophy of the music, Cage's explorations of indeterminacy set off a train of thought which resulted in Lutos?awski finding a way to retain the harmonic structures he wanted while introducing the freedom for which he was searching. His Three Postludes were hastily rounded off (he had intended to write four) and he moved on to compose works in which he explored these new ideas. In works from Jeux vénitiens, Lutos?awski wrote long passages in which the parts of the ensemble are not to be synchronised exactly. At cues from the conductor, each instrumentalist may be instructed to move straight on to the next section, to finish their current section before moving on, or to stop. In this way, the random elements within compositionally controlled limits defined by the term aleatory are carefully directed by the composer, who controls the architecture and harmonic progression of the piece precisely. Lutos?awski notated the music exactly; there is no improvisat --a34906d473a771d96be526e886e4cafb_16e30_60e51 Content-Type: text/html; Content-Transfer-Encoding: 8bit Newsletter
 
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lthough Musique funèbre was internationally acclaimed, his new harmonic techniques led to something of a crisis for Lutos?awski, during which he still could not see how to express his musical ideas. Then on 16 March 1960, listening to Polish Radio broadcast on new music, he happened to hear John Cage's Concert for Piano and Orchestra. Although he was not influenced by the sound or the philosophy of the music, Cage's explorations of indeterminacy set off a train of thought which resulted in Lutos?awski finding a way to retain the harmonic structures he wanted while introducing the freedom for which he was searching. His Three Postludes were hastily rounded off (he had intended to write four) and he moved on to compose works in which he explored these new ideas. In works from Jeux vénitiens, Lutos?awski wrote long passages in which the parts of the ensemble are not to be synchronised exactly. At cues from the conductor, each instrumentalist may be instructed to move straight on to the next section, to finish their current section before moving on, or to stop. In this way, the random elements within compositionally controlled limits defined by the term aleatory are carefully directed by the composer, who controls the architecture and harmonic progression of the piece precisely. Lutos?awski notated the music exactly; there is no improvisat
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