Return-path: <62003-93744-396881-12693-llg+2Dboard=lojban.org@mail.lostsuperfoods.rest> Envelope-to: llg-board@lojban.org Delivery-date: Sun, 05 Mar 2023 00:08:11 -0800 Received: from nejom.johnato.com ([134.73.175.75]:39835 helo=web.lostsuperfoods.rest) by d47fd9c72805 with esmtp (Exim 4.94.2) (envelope-from <62003-93744-396881-12693-llg+2Dboard=lojban.org@mail.lostsuperfoods.rest>) id 1pYjPc-000Mpl-Gu for llg-board@lojban.org; Sun, 05 Mar 2023 00:08:10 -0800 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=lostsuperfoods.rest; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=FreePower@lostsuperfoods.rest; bh=wYqzZZS0obzr3HFg6Yp7rA3EWEs=; b=wHrDBGoWh7FOJw0LdqA8262QXG5RnNyToKAzObPaU74+fa/StOFwkiSLmhHu9xVJVydiuKWmAmvX zTWdiEAUTqXGIR+es8L8aG8SIjBRNEA3+S/NlazQE1uC8eG53ayRDTgeamuaKujv/AtS4jHpKhN1 OCkLlUK/Zg1b1pPDqtk= DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=lostsuperfoods.rest; b=SFfZBUrW3duJ/NCc0CzIkzb1Dx41wX/fmDNrnHjZkoH9cV1KL2iSx/cvhp2rwv9kk5hS/dgaZiih Rw5CHEdmV2mm+iK6vUmzuXfb9+OAhmsFMOWwSPmjHF8LwiRq/iWksJZEZxUvPYjWqWHHynWHBdSt Aic8k16pp9sc/zHyqGM=; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="a8e74a61371fc52d55a27fc04b84db8d_16e30_60e51" Date: Sun, 5 Mar 2023 08:34:02 +0100 From: "Backyard Revolution" Reply-To: "Free_Power" Subject: Power Companies Didn't Expect This.. To: Message-ID: X-Spam-Score: 4.0 (++++) X-Spam_score: 4.0 X-Spam_score_int: 40 X-Spam_bar: ++++ X-Spam-Report: Spam detection software, running on the system "4dc6897cb424", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see @@CONTACT_ADDRESS@@ for details. Content preview: Power Companies Didn't Expect This.. http://lostsuperfoods.rest/GQMPA2j3-YpC6uVJuHQLYrFcqJP6qtEfD5_nss9EBJV6BYxf8g http://lostsuperfoods.rest/fLS9VP4vJDhZ3Vqt8TdRgvxbXItX_HavaUpMs0UAVn3wfhTslw Content analysis details: (4.0 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- 1.9 URIBL_ABUSE_SURBL Contains an URL listed in the ABUSE SURBL blocklist [URIs: lostsuperfoods.rest] 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: lostsuperfoods.rest] 2.7 RCVD_IN_PSBL RBL: Received via a relay in PSBL [134.73.175.75 listed in psbl.surriel.com] -5.0 RCVD_IN_DNSWL_HI RBL: Sender listed at https://www.dnswl.org/, high trust [134.73.175.75 listed in list.dnswl.org] 0.0 URIBL_ZEN_BLOCKED_OPENDNS ADMINISTRATOR NOTICE: The query to zen.spamhaus.org was blocked due to usage of an open resolver. See https://www.spamhaus.org/returnc/pub/ [URIs: lostsuperfoods.rest] 0.0 SPF_HELO_NONE SPF: HELO does not publish an SPF Record -0.0 SPF_PASS SPF: sender matches SPF record 0.4 PP_MIME_FAKE_ASCII_TEXT BODY: MIME text/plain claims to be ASCII but isn't 0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or identical to background 0.0 HTML_MESSAGE BODY: HTML included in message 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature -0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's domain -0.1 DKIM_VALID_EF Message has a valid DKIM or DK signature from envelope-from domain 1.7 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/) 2.4 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50% [cf: 100] --a8e74a61371fc52d55a27fc04b84db8d_16e30_60e51 Content-Type: text/plain; Content-Transfer-Encoding: 8bit Power Companies Didn't Expect This.. http://lostsuperfoods.rest/GQMPA2j3-YpC6uVJuHQLYrFcqJP6qtEfD5_nss9EBJV6BYxf8g http://lostsuperfoods.rest/fLS9VP4vJDhZ3Vqt8TdRgvxbXItX_HavaUpMs0UAVn3wfhTslw text for movement 1, and wrote a sequence of aria, recitative and aria for the following movements. His poetic text places the Christian in general, including the listener at Bach's time or any time, in the situation of the disciples: he is pictured as wanting to follow Jesus even in suffering, although he does not comprehend. The poetry ends on a prayer for "denial of the flesh". The closing chorale is stanza 5 of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn", intensifying the prayer, on a melody from the Lochamer-Liederbuch. Stylistic comparisons with other works by Bach suggest that the same poet wrote the texts for both audition cantatas and also for the two first cantatas which Bach performed when taking up his office. The poetry for the second aria has an unusually long first section, which Bach handled elegantly by repeating only part of it in the da capo. Structure and scoring Bach structured the cantata in five movements, and scored it for three vocal soloists (an alto (A), tenor (T) and bass (B)), a four-part choir (SATB), and for a Baroque orchestra of an oboe (Ob), two violins (Vl), viola (Va) and basso continuo. The duration is given as c.?20 minutes. In the following table of movements, the scoring, divided in voices, winds and strings, follows the Neue Bach-Ausgabe. The continuo group is not listed, because it plays throughout. The keys and time signatures are taken from Alfred Dürr. The symbol common time is used to denote common ti --a8e74a61371fc52d55a27fc04b84db8d_16e30_60e51 Content-Type: text/html; Content-Transfer-Encoding: 8bit Newsletter
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text for movement 1, and wrote a sequence of aria, recitative and aria for the following movements. His poetic text places the Christian in general, including the listener at Bach's time or any time, in the situation of the disciples: he is pictured as wanting to follow Jesus even in suffering, although he does not comprehend. The poetry ends on a prayer for "denial of the flesh". The closing chorale is stanza 5 of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn", intensifying the prayer, on a melody from the Lochamer-Liederbuch. Stylistic comparisons with other works by Bach suggest that the same poet wrote the texts for both audition cantatas and also for the two first cantatas which Bach performed when taking up his office. The poetry for the second aria has an unusually long first section, which Bach handled elegantly by repeating only part of it in the da capo. Structure and scoring Bach structured the cantata in five movements, and scored it for three vocal soloists (an alto (A), tenor (T) and bass (B)), a four-part choir (SATB), and for a Baroque orchestra of an oboe (Ob), two violins (Vl), viola (Va) and basso continuo. The duration is given as c. 20 minutes. In the following table of movements, the scoring, divided in voices, winds and strings, follows the Neue Bach-Ausgabe. The continuo group is not listed, because it plays throughout. The keys and time signatures are taken from Alfred Dürr. The symbol common time is used to denote common ti

 
 
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