From nobody@digitalkingdom.org Thu Oct 25 21:38:46 2007 Received: with ECARTIS (v1.0.0; list lojban-beginners); Thu, 25 Oct 2007 21:38:46 -0700 (PDT) Received: from nobody by chain.digitalkingdom.org with local (Exim 4.67) (envelope-from ) id 1IlGy5-0004cS-Nr for lojban-beginners-real@lojban.org; Thu, 25 Oct 2007 21:38:46 -0700 Received: from rv-out-0910.google.com ([209.85.198.190]) by chain.digitalkingdom.org with esmtp (Exim 4.67) (envelope-from ) id 1IlGy3-0004cG-RD for lojban-beginners@lojban.org; Thu, 25 Oct 2007 21:38:45 -0700 Received: by rv-out-0910.google.com with SMTP id b22so628519rvf for ; Thu, 25 Oct 2007 21:38:42 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=beta; h=domainkey-signature:received:received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; bh=QBZwZUcKpO6KuOZNsdiPJJX9cwUzUYAbEQt7hfc11Zk=; b=YPrSWlyzqO+0E7I8rT+SyWzZxe9uURMZKBzpkURl5OjzbzsyhNnIddx71WdCtLP76/2TwF3skcBUxzvTj8gobAMFuXH9LGPuQQm7f8YyPdGgR5bjo9s8VBVZlKh6jb4JflDxN2ojLRNBWDqylXfTZxW4oiHuBrL9T7kK8fUXEyY= DomainKey-Signature: a=rsa-sha1; c=nofws; d=gmail.com; s=beta; h=received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; b=qBgCfjVK8kewFEBWWSuZIiNDEWp5+Jm7nTEfAfBpvePsJHzbxGBriksCbxpCXQp5i5yBrPpKvgb8w0KrFs+QqS5MxoK5wIjxDiyJwhRxGJnbqbyRBtwg5T1sGuimR5vpisyGy6Y6OfeucC9WRjI7NuLIXydjmy6yW0aRpfWoZfI= Received: by 10.142.222.21 with SMTP id u21mr768116wfg.1193373522109; Thu, 25 Oct 2007 21:38:42 -0700 (PDT) Received: by 10.142.185.10 with HTTP; Thu, 25 Oct 2007 21:38:42 -0700 (PDT) Message-ID: <14b331f70710252138l2ce30962oe53e05bcdbb175c1@mail.gmail.com> Date: Thu, 25 Oct 2007 21:38:42 -0700 From: "Nathan Glenn" To: lojban-beginners@lojban.org Subject: [lojban-beginners] Re: Music note names? In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_5913_11484961.1193373522120" References: <97f5058c0710231546w35fb2e6dx278434c13a16797e@mail.gmail.com> <97f5058c0710251106j3c997fecx3430b95159716e94@mail.gmail.com> <97f5058c0710251415w1c1013b9ub3de3faaf736d7f8@mail.gmail.com> <71550650710251632g2603ef69o5807c3bde18700b4@mail.gmail.com> <64e5cd9c0710251644t109185b9hc47811dae372880d@mail.gmail.com> <71550650710251653p80bac49we64a3d4cd01252c4@mail.gmail.com> X-Spam-Score: 0.0 X-Spam-Score-Int: 0 X-Spam-Bar: / X-archive-position: 5672 X-ecartis-version: Ecartis v1.0.0 Sender: lojban-beginners-bounce@lojban.org Errors-to: lojban-beginners-bounce@lojban.org X-original-sender: garfieldnate@gmail.com Precedence: bulk Reply-to: lojban-beginners@lojban.org X-list: lojban-beginners ------=_Part_5913_11484961.1193373522120 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline > > > The limitation with do-re-mi and A-B-C is that they can only describe > modern Western music (with 12 evenly spaced divisions per octave). In > my experience as a violinist, only choral folk know do-re-me in the > US. Actually, those studying music in the US are required to be very able with do-re-mi. ------=_Part_5913_11484961.1193373522120 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline

The limitation with do-re-mi and A-B-C is that they can only describe
modern Western music (with 12 evenly spaced divisions per octave). In
my experience as a violinist, only choral folk know do-re-me in the
US.

Actually, those studying music in the US are required to be very able with do-re-mi.


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