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Subject: Re: [lojban] Translation help for a theatre project?
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>
> I probably won't be able to see the play, unless someone does us the 
> favour of filming it. 
>
 
Sure thing! Filming the performance is standard procedure. I don't know if 
we have the chance this time, but we'll see if it's also possible to stream 
the performance live. 
 

> Seems challenging, but possible. 
>

Good to hear! What do you think is the most challenging part? Any other 
ideas about the text? Anything close to understandable there...?

No need to make a bad translation in my opinion. 
>

I agree. Although I'm also thinking about that the actor needs some time to 
rehearse the lines etc. At this point even kind of a raw edit would be most 
useful for us so the actor can start working on intonation etc. We can do 
without the finest nuances first, although they're always a bonus. Most of 
the text will come through a speaker as playback, so we can always make 
corrections up to the last rehearsal week.  
 

> Lojban is quite flexible and allows for a vast range of expressive styles. 
>

I'd like to hear more about this.
 

> > And do you think you could make us also an audio file to help with 
> > pronounciation? 
>
> I could do that. But I won't be singing the singing parts :) 
>

I appreciate that. And don't worry :D 

>
> > I know all of this is a lot to ask, but since I think 
> > the idea is so good we better execute it as well as possible. 
>
> It is a lot to do for just a month, especially since I'm quite packed 
> with projects and it's already hard enough to keep up with them. I'll 
> have to see if I can manage this on my own. Others are welcome to join in! 
>

Yes, and we actually have less than a month, it's more like 2-3 weeks...! 
We have a two week pause in rehearsals before the premiere on December 
10th. I think this would be ideal as a group effort, if there's enough 
people interested. That way the burden wouldn't be too much for anyone. So 
anyone who's interested: please welcome!
We can also prioritize the parts of the text: some lines and sentences are 
more important to the storyline and the rhythm of the performance than 
others. The long story in the middle ("Allegory") is something we can 
rehearse in English as well and convert it to Lojban later. 
 
Thank you for your help!

J.

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<br><blockquote class=3D"gmail_quote" style=3D"margin: 0;margin-left: 0.8ex=
;border-left: 1px #ccc solid;padding-left: 1ex;">
<br>I probably won't be able to see the play, unless someone does us the=20
<br>favour of filming it.
<br></blockquote><div>&nbsp;</div><div>Sure thing! Filming the performance =
is standard procedure. I don't know if we have the chance this time, but we=
'll see if it's also possible to stream the performance live. <br>&nbsp;<br=
></div><blockquote class=3D"gmail_quote" style=3D"margin: 0;margin-left: 0.=
8ex;border-left: 1px #ccc solid;padding-left: 1ex;">Seems challenging, but =
possible.
<br></blockquote><div><br>Good to hear! What do you think is the most chall=
enging part? Any other ideas about the text? Anything close to understandab=
le there...?<br><br></div><blockquote class=3D"gmail_quote" style=3D"margin=
: 0;margin-left: 0.8ex;border-left: 1px #ccc solid;padding-left: 1ex;">No n=
eed to make a bad translation in my opinion.
<br></blockquote><div><br>I agree. Although I'm also thinking about that th=
e actor needs some time to rehearse the lines etc. At this point even kind =
of a raw edit would be most useful for us so the actor can start working on=
 intonation etc. We can do without the finest nuances first, although they'=
re always a bonus. Most of the text will come through a speaker as playback=
, so we can always make corrections up to the last rehearsal week. &nbsp;<b=
r></div><div>&nbsp;</div><blockquote class=3D"gmail_quote" style=3D"margin:=
 0;margin-left: 0.8ex;border-left: 1px #ccc solid;padding-left: 1ex;">Lojba=
n is quite flexible and allows for a vast range of expressive styles.
<br></blockquote><div><br>I'd like to hear more about this.<br>&nbsp;</div>=
<blockquote class=3D"gmail_quote" style=3D"margin: 0;margin-left: 0.8ex;bor=
der-left: 1px #ccc solid;padding-left: 1ex;">&gt; And do you think you coul=
d make us also an audio file to help with
<br>&gt; pronounciation?
<br>
<br>I could do that. But I won't be singing the singing parts :)
<br></blockquote><div><br>I appreciate that. And don't worry :D <br></div><=
blockquote class=3D"gmail_quote" style=3D"margin: 0;margin-left: 0.8ex;bord=
er-left: 1px #ccc solid;padding-left: 1ex;">
<br>&gt; I know all of this is a lot to ask, but since I think
<br>&gt; the idea is so good we better execute it as well as possible.
<br>
<br>It is a lot to do for just a month, especially since I'm quite packed=
=20
<br>with projects and it's already hard enough to keep up with them. I'll=
=20
<br>have to see if I can manage this on my own. Others are welcome to join =
in!
<br></blockquote><div><br>Yes, and we actually have less than a month, it's=
 more like 2-3 weeks...! We have a two week pause in rehearsals before the =
premiere on December 10th. I think this would be ideal as a group effort, i=
f there's enough people interested. That way the burden wouldn't be too muc=
h for anyone. So anyone who's interested: please welcome!<br>We can also pr=
ioritize the parts of the text: some lines and sentences are more important=
 to the storyline and the rhythm of the performance than others. The long s=
tory in the middle ("Allegory") is something we can rehearse in English as =
well and convert it to Lojban later. <br>&nbsp;<br>Thank you for your help!=
<br><br>J.<br></div>

<p></p>

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