Latin o= rthography has the advantage of many people in the world know about it, it'= s being used a lot in scientific contexts, it's compatible with ASCII, etc.=

Negative: Latin letters are not cultural neutral,= they've got history and are a part of West's cultural "colonialism" or wha= t you would to call it.

There is no ortography ass= ociated with natural language that is cultural neutral, therefore I think i= t's a great idea to construct a completely new set of characters, with no h= istory (yet).

When constructing this character set= you may, or may not, be inspired by existing writing systems like hangul, = japanese, devanagari, arabic etc etc., but I think the result should be som= ething completely different.

Tengwar has the advan= tage of not being so real-world cultural biased, but it's still not uniquel= y associated with lojban. I think lojban shouldn't borrow cultural signs fr= om other, fictional or non-fictional, but have their own lojbanic (global) = cultural system.

Next question is: phonemic or ide= ograms? The advantage of phonemic characters is they're not so many. I like=

Skickat fr=E5n min iPhone

21 nov 201= 2 kl. 19:15 skrev MorphemeAddict <l= ytlesw@gmail.com>:

How d= oes the current standard orthography not meet the aims of your proposal?&nb= sp;

stevo

On Tue, Nov = 20, 2012 at 6:43 PM, charlicopter= @gmail.com <lanternsmith@gmail.com> wrote:

Greetings everyone,
This is my first tim= e visiting the forums...
My curiosity currently lies in the possibility = of a written system that could be developed around Lojban that respects its= logical nature.
As far as I can tell in my rudimentary beginnings as a student of Lojban: T= he language is designed around phonetics in a similar way to Japanese. by t= hat, I mean that the language uses predictable and consistent combinations = of vowel and consonant phonetics in the structure of the constituent word-f= orms.

Preposition: In written Lojban, what if you used a character system sim= ilar to Japanese hiragana and katakana: http://en.wikipedia.org/wiki/Katakana&= nbsp; & http://en.wikipedia.org/wiki/Hiragana
Japanese Katakana and Hiragana are based on characters which hail from anci= ent cultural influences, but what if you started fresh and designed charact= ers around some kind of logical analysis of Lojbanic structure, syntax, log= ic, etc. such that the characters are themselves always internally consiste= nt and logical? Pictorally speaking, you have many variables to draw upon: = stroke length, angle, curvature, dots, rotation/orientation, etc. certainly= as many variables as are needed to accurately represent the phonetics, syn= tax etc. of the language. In this way, entire gismu might have a chance of = being reduced to single characters which LOOK and FLOW as logically as they= behave.

Thoughts?

--
You received this message because you are subscribed to the Google Groups "= lojban" group.
To view this discussion on the web visit https://groups.google.com= /d/msg/lojban/-/RSMpezF6avUJ.
=20 To post to this group, send email to lojban@googlegroups.com.
To unsubscribe from this group, send email to lojban+unsubscribe@googlegrou= ps.com.
For more options, visit this group at http://groups.google.com/group/lojba= n?hl=3Den.

--
You received this message because you are subscribed to the Google Groups "= lojban" group.
To post to this group, send email to lojban@googlegroups.com.
To unsubscribe from this group, send email to lojban+unsubscribe@googlegroups.com.
For more options, visit this group at http://groups.google.com/group/lojban?hl=3Den.