From nobody@digitalkingdom.org Thu Aug 10 01:20:48 2006 Received: with ECARTIS (v1.0.0; list lojban-list); Thu, 10 Aug 2006 01:20:51 -0700 (PDT) Received: from nobody by chain.digitalkingdom.org with local (Exim 4.62) (envelope-from ) id 1GB5m3-0006n8-3y for lojban-list-real@lojban.org; Thu, 10 Aug 2006 01:20:18 -0700 Received: from nf-out-0910.google.com ([64.233.182.188]) by chain.digitalkingdom.org with esmtp (Exim 4.62) (envelope-from ) id 1GB5lx-0006mw-CL for lojban-list@lojban.org; Thu, 10 Aug 2006 01:20:13 -0700 Received: by nf-out-0910.google.com with SMTP id a27so451248nfc for ; Thu, 10 Aug 2006 01:20:08 -0700 (PDT) DomainKey-Signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:references; b=DJS089vQ0Y2tNWt/BAdgeLYCSbDeuJgzi6qvu8eOZpQrmky+SpXlToqBvs3MbRA7NjM7+tSTt3mAOsk969Xbf7wvAGNZsVrea9wlmwdBjaBmjvsnZr8iSjrKuhOsnEiSIUHUDhSOAWnwI0fTXyYIKyLAzDgUkLLgqZoVMGV1gX0= Received: by 10.78.140.17 with SMTP id n17mr1102146hud; Thu, 10 Aug 2006 01:20:07 -0700 (PDT) Received: by 10.78.14.9 with HTTP; Thu, 10 Aug 2006 01:20:07 -0700 (PDT) Message-ID: <2d3df92a0608100120u3e4bd337n9eed9322f0d03660@mail.gmail.com> Date: Thu, 10 Aug 2006 10:20:07 +0200 From: HeliodoR To: lojban-list@lojban.org Subject: [lojban] Re: Elephants Dream first draft In-Reply-To: MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_49765_31662126.1155198007812" References: X-Spam-Score: -2.1 (--) X-archive-position: 12387 X-ecartis-version: Ecartis v1.0.0 Sender: lojban-list-bounce@lojban.org Errors-to: lojban-list-bounce@lojban.org X-original-sender: exitconsole@gmail.com Precedence: bulk Reply-to: lojban-list@lojban.org X-list: lojban-list ------=_Part_49765_31662126.1155198007812 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Content-Disposition: inline (Original lines marked with asterisks.) On Scene 1: Prologue. *{zu'a mi'o ka'e viska} This means "To the right of us an... is seeable." Similarly, *{ri'u mi'o ka'e viska} means "To the left of us etc." You can terminate the FAhA's with {ku} so You get {zu'aku mi'o ka'e viska} and {ri'uku mi'o ka'e viska}. *{.i roda snura si mulno snura} I think he's not correcting himself, but confirming what he has said: {.i roda snura .i prane snura}. *{doi .imos.} {.i} is needed: he begins a new phrase. Though here I would say {.i be'e .imos.} "Emo, may I go on talking to You?" On Scene 2: Switchboard Trap. *{na go'i xu do go'i} Two separate phrases: {na go'i .i xu do go'i}. *{.i ko .e mi klama} Then Emo nods and walks away to the opposite direction. {.i ko jo'u mi klama} "You! together with I go." *{ma se lidne} I haven't seen the movie, but isn't this rather {ca pu'o mo}? *{do ba viska .i do ba viska} {do ba viska .i do ja'a go'i}. Shall I do the changes? mi'e darves ------=_Part_49765_31662126.1155198007812 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline
(Original lines marked with asterisks.)
 
On Scene 1: Prologue.
 
*{zu'a mi'o ka'e viska}
This means "To the right of us an... is seeable."
Similarly,
*{ri'u mi'o ka'e viska}
means "To the left of us etc."
You can terminate the FAhA's with {ku} so You get
{zu'aku mi'o ka'e viska}
and
{ri'uku mi'o ka'e viska}.
 
*{.i roda snura si mulno snura}
I think he's not correcting himself, but confirming
what he has said:
{.i roda snura .i prane snura}.
 
*{doi .imos.}
{.i} is needed: he begins a new phrase.
Though here I would say
{.i be'e .imos.}
"Emo, may I go on talking to You?"
 
 
On Scene 2: Switchboard Trap.
 
*{na go'i xu do go'i}
Two separate phrases:
{na go'i .i xu do go'i}.
 
*{.i ko .e mi klama}
Then Emo nods and walks away to the opposite
direction.
{.i ko jo'u mi klama}
"You! together with I go."
 
*{ma se lidne}
I haven't seen the movie, but isn't this rather
{ca pu'o mo}?
 
*{do ba viska .i do ba viska}
{do ba viska .i do ja'a go'i}.
 
Shall I do the changes?
 
mi'e darves
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