Received: from spooler by stryx.demon.co.uk (Mercury/32 v2.01); 28 Sep 98 00:44:52 +0000 Return-path: Received: from punt-21.mail.demon.net (194.217.242.6) by stryx.demon.co.uk (Mercury/32 v2.01); 28 Sep 98 00:44:42 +0000 Received: from punt-2.mail.demon.net by mailstore for ia@stryx.demon.co.uk id 906644368:20:22071:0; Thu, 24 Sep 98 13:39:28 GMT Received: from listserv.cuny.edu ([128.228.100.10]) by punt-2.mail.demon.net id aa2101077; 24 Sep 98 13:39 GMT Received: from listserv (listserv.cuny.edu) by listserv.cuny.edu (LSMTP for Windows NT v1.1b) with SMTP id <3.FFA565F3@listserv.cuny.edu>; Thu, 24 Sep 1998 9:40:51 -0400 Date: Thu, 24 Sep 1998 07:38:01 -0600 Reply-To: Robert Rapplean Sender: Lojban list From: Robert Rapplean Subject: Re: word frequency list coming X-To: Lojban Mailing List To: Multiple recipients of list LOJBAN Message-ID: <906644367.211077.0@listserv.cuny.edu> X-PMFLAGS: 33554560 7 1 Y07467.CNM Content-Length: 1481 Lines: 31 > Well I took a look around the Web and found a word-frequency/concordance > program. I have run it on the entirety of my Lojban text archive (which > unbfortunately has some reptitions in it because of commentaries, quoted > text and revisions) and am working on filtering out all the garbage. > This is all Lojban text that I have up till 10/94, because my mail processing > is that far backlogged, that I haven't extracted the Lojban text from my > logs since then (takes me around 1-2 hours per month, so don't hold your > breath %^) This should be adequate. A couple quick time trials have convinced me that I can fit approximately 400 words per hour on the tapes. I'll start with two half-hour tape sides of the most frequent words, and add to that if there is a decent calling for it. On the subject of a phonographer, if said individual had the ability to make wav files on their system and mail them to me, they wouldn't actually have to be in Denver. This would make sense, also, from the standpoint that it might not be a bad idea to review the pronunciation of the words before release of the recordings. Rob Rapplean