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WomensDaily - Top Story

Kendall Jenner slammed after Thanksgiving

And fetterd to her eye, The birds, that wanton in the air, Know no such liberty. 2 When flog cups run swiftly round With no allaying Thames, Our careless heads with roses bound, Our hearts with loyal flames; When thirsty grief in e we steep, When healths and draughts go free, Fishes, that tipple in the deep, Know no such liberty. 3 When, like committed linnets, I With shriller throat shall sing The sweetness, mercy, majesty, And glories of my king; When I shall voice aloud how good He is, how great should be, Enlarged ds, that curl the flood, Know no such liberty. 4 Stone walls do not a prison make, Nor iron bars a cage; Minds innocent and quiet take That for an hermitage. If I have freedom in my love, And in my soul am free, Angels alone, that soar above, Enjoy such liberty. Charles I. , in whose cause Lovelace was then in prison. SONG. 1 Amarantha, sweet and fair, Forbear to braid that shining hair; As my curious hand or eye, Hovering round thee, let it fly: 2 Let it fly as unconfined As its ravisher, the d, Who has left his darling east, To wanton oer this spicy nest.

What she took to shed her Holiday-weight

She is the most in shape family member, even though Kendall ate horribly last night yet still looks amazing.

She is telling all women to take this to look there're very best this Holiday season.

Keep Reading
LONG ago, in a Tirolese mountain resort facing the Rosengarten and the Schlern, I first made acquaintance with Oswald von Wolkenstein in the pages of a History of Bozen, and, fascinated by the romance of his life, determined to write a short paper on it. But years passed ; other subjects filled my thoughts, until at last, in Tirol once more, I recurred to the halfforgotten theme and began to hunt up authorities. Then, so much material fell in my way and roused so keen an interest in my heros poems and times, that the work grew in my hands to its present proportions. For Oswald cannot be properly studied apart from his times, and the wellrewarded labour of reading his verses in his own vernacular using the modernised version as a book of reference, impelled me to try to give some faint idea of his value as a poet. Pursuing the work in another Preface country, due research would have been im possible but for the kindness of learned friends. So I take this opportunity of expressing my warmest gratitude to Professor Semper of Innsbruck, to Baron Salvador! of Trent, and to Dr C. Fasola of Florence for their precious and indispensable aid. LINDA VILLARI. FLORENCE, December 1900. List of Illustrations EFFIGY OF OSWALD VON WOLKENSTEIN . Frontispiece THE TROSTBURG, OVER WAIDBRUCK . To face page 5 KASTELRUTH . . . . . 15 DUKE FRIEDRICH OF AUSTRIA, COUNT OF TIROL ..... 26 EMPEROR SIGISMUND .... , 39 RUINS OF HAUENSTEIN . . . 56 CASTLE OF GREIFENSTEIN . . . 65 CASTLE OF FORST, NEAR MERAN . . , 89 INNSBRUCK . . . . . . , 112 RUINED KEEP OF HAUENSTEIN . . 125 OSWALD VON WOLKENSTEIN I REGARDING most of the Minnesingers who played so picturesque a part in old German life and literature, few personal details are known. It is hard to learn what manner of men they were when the main facts of their history are either left untold or vaguely traced through a mist of fantastic legend. Unsubstantial, though often luminous shapes, they flit before our eyes in court and camp; we hear their songs, see their graceful forms, but their feet scarcely touch the earth they have no tactile values they never clasp our hands with a human grip. Certain things we know, of course : how some of these poets are skilled masters of lute and harp, and sing their verses to melodies of their own composition, while others are voice A 2 Oswald von Wolkenstein less and have to employ attendant musicians to render their works. We see golden goblets, rich robes, and ladies smiles showered on these shadows as they come and go ; but, sometimes, hard blows and insults are their guerdon if their rhymes chance to fret sore spots, or betray overardent devotion to other mens wives. Now and then we can build up an image of the singer from his written words. In the case of minstrels of illustrious birth, some outlines of their career may be gleaned from history; but, usually, bare outlines without the living touches required to give them flesh and blood. For instance, in spite of persevering research, the birthplace of Walter von der Vogelweide, the greatest and best known of the Minne singers, is still a disputed point, although the weight of evidence is in favour of a certain sun kissed slope above Waidbruck in Tirol. Yet Walters works live, for their poetic grace and lofty patriotism belong to all time.