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Date: Mon, 12 Mar 2018 14:53:34 -0400
From: Mary <mary@umpirencendz.com>
To:   <lojban@lojban.org>
Subject: This little-gadget will be your new-favorite
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 Content preview:  Gadget-Report Number-49724447 Are you looking for a way to
    keep an eye-out on your-kids, babysitter, or even your employees? This discrete-gadget
    will take care of it, and no one will even know it's there. . . 
 
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Gadget-Report Number-49724447

Are you looking for a way to keep an eye-out on your-kids, babysitter, or even your employees?

This discrete-gadget will take care of it, and no one will even know it's there. . . 


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Not everyone knows what Camera Obscura or even Shutter Speed is, nor have many heard of Henri Cartier-Bresson or even Annie Leibovitz. Today we take a step back and take a look at how this fascinating technique was created and developed, because proudly knowing the past is the primary way to create a great future. Camera Obscura Before photography was created, people already knew the principles of how it eventually got to work. They could process the image on the wall or piece of paper, however no printing was possible at the time as preserving light turned out to be a lot harder task than projecting it.

However, it is believed that the photo principles were widely used by Renaissance artists like Leonardo, Michelangelo and others. In the mid 16th century, Giovanni Battista della Portacentury, an Italian scholar, wrote an essay on how to use camera obscura in aid of making the drawing process easier. He projected the image of people outside the camera obscura on the canvas inside of it (camera obscura was a rather big room in this case) and then drew over the image or tried to copy it. The method is quite similar to that which was used in the Retroscope drawing in the animation industry in early twentieth century. The process of using camera obscura looked very strange and frightening for the people at those times and the Giovanni Battista had to drop the idea after he was arrested and prosecuted on a charge of sorcery.

Stieglitz outside photography is widely known for his passion for avant-garde. Alfred owned several New York art galleries and introduced many of the European avant-garde artists to the U.S. public. His work with the photography was revolutionary for how he portrayed still life and what he brought into photo portraits. But most importantly was that Stieglizt pointed out that photographers are artists themselves. He, along with F. Holland Day, led the Photo-Secession, the first photography art movement whose primary task was to show that photography was not only about the subject of the picture but also the manipulation by the photographer that led to the subject being portrayed.


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