Received: from [103.110.208.234] (port=14665 helo=sceptred.you1033.com) by stodi.digitalkingdom.org with esmtp (Exim 4.92) (envelope-from ) id 1hZips-0001Vr-CU for lojban@lojban.org; Sat, 08 Jun 2019 14:25:13 -0700 To: From: "InstaHard Performance" Reply-To: Subject: The secret formula to getting LONGER, HARDER, and STRONGER Date: Sat, 08 Jun 2019 17:25:11 -0400 Message-ID: <19819c0602d6587c056f92e01_b727fc5c@sceptred.you1033.com> List-Unsubscribe: , MIME-Version: 1.0 Content-Language: en-us Content-type: multipart/alternative; boundary="223_81U4_19E8VN43.K633EZ3"; X-Spam-Score: 2.5 (++) X-Spam_score: 2.5 X-Spam_score_int: 25 X-Spam_bar: ++ X-Spam-Report: Spam detection software, running on the system "stodi.digitalkingdom.org", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see the administrator of that system for details. Content preview: Never be a 1 minute man ever again http://www.you1033.com/2089d98796a6587c056f92e016754f09_b727fc5c-010101060001/C/ lojban, When Phil Daniels, a certified marriage counselor out of Texas, realized that performance problems in the bedroom... Content analysis details: (2.5 points, 5.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- -1.9 BAYES_00 BODY: Bayes spam probability is 0 to 1% [score: 0.0000] 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: you1033.com] 0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or identical to background 0.8 MPART_ALT_DIFF BODY: HTML and text parts are different 0.0 HTML_MESSAGE BODY: HTML included in message 1.9 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50% [cf: 100] 0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/) 0.8 RDNS_NONE Delivered to internal network by a host with no rDNS --223_81U4_19E8VN43.K633EZ3 Content-Type: text/plain; format=flowed; charset="UTF-8" Content-Transfer-Encoding: 8bit Never be a 1 minute man ever again http://www.you1033.com/2089d98796a6587c056f92e016754f09_b727fc5c-010101060001/C/ --223_81U4_19E8VN43.K633EZ3 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: 8bit

lojban,

When Phil Daniels, a certified marriage counselor out of Texas, realized that performance problems in the bedroom...

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Men's Health Alliance

On this day in 1959, on New York City’s Fifth Avenue, thousands of people line up outside a bizarrely shaped white concrete building that resembled a giant upside-down cupcake. It was opening day at the new Guggenheim Museum, home to one of the world’s top collections of contemporary art.

Mining tycoon Solomon R. Guggenheim began collecting art seriously when he retired in the 1930s. With the help of Hilla Rebay, a German baroness and artist, Guggenheim displayed his purchases for the first time in 1939 in a former car showroom in New York. Within a few years, the collection—including works by Vasily Kandinsky, Paul Klee and Marc Chagall—had outgrown the small space. In 1943, Rebay contacted architect Frank Lloyd Wright and asked him to take on the work of designing not just a museum, but a “temple of spirit,” where people would learn to see art in a new way.

Over the next 16 years, until his death six months before the museum opened, Wright worked to bring his unique vision to life. To Wright’s fans, the museum that opened on October 21, 1959, was a work of art in itself. Inside, a long ramp spiraled upwards for a total of a quarter-mile around a large central rotunda, topped by a domed glass ceiling. Reflecting Wright’s love of nature, the 50,000-meter space resembled a giant seashell, with each room opening fluidly into the next.

Wright’s groundbreaking design drew criticism as well as admiration. Some felt the oddly-shaped building didn’t complement the artwork. They complained the museum was less about art and more about Frank Lloyd Wright. On the flip side, many others thought the architect had achieved his goal: a museum where building and art work together to create “an uninterrupted, beautiful symphony.”

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