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If You Are An Aspiring Filmmaker, Film School Is For You

In the film industry, you don't necessarily need a college degree to get started.

However, if you want to start higher than a position in which your job is to fetch coffee for everyone on set, then you need to consider film school.

Visit here to view Ads for Film School.

1. Time
As filmmakers, we admire legends like Tarkovsky, Kubrick, Bergman or Spielberg for their mastery of the film form. They wow us with their unbelievable insights into the medium and demonstrate the highest form of mastery.

How these people become masters is relatively clear. Aside from their unique personal makeup, they dedicated endless amounts of time to studying and practicing their craft. Depending on who you ask, researchers currently contend that it takes anywhere from 10,000 to 20,000 hours of practice to achieve mastery in a field. Whether those numbers are perfectly accurate is moot; the takeaway is that filmmaking, like painting, athletics, playing the piano or being a rocket scientist, takes a massive amount of time and dedication to master.

In exchange for tuition, film school will give you structured time to practice your craft in a safe, constructive environment. This is perhaps the greatest gift a school can offer.

2. Structure
Yes, you can omit film school and still become a successful filmmaker. By my estimate roughly half of working filmmakers do. These filmmakers, including Robert Rodriguez and Werner Herzog, as well as legendary screenwriters like Robert Towne, Bill Goldman and Paddy Chayefsky essentially created their own apprenticeships to replace a film school education. This is definitely an option, and for many people it's the only option.

That being said, film school is not a passive learning experience, where brilliant professors funnel the secrets of success into your eager ears. A film school education is a constant back and forth between the school's teaching and your own personal learning and development. A film school cannot specialize in sci-fi movies or indie dramas; you have to do that yourself. A successful film school education thus consists of two parallel learning tracks; the film school curriculum, as well as your own personal development.

When you rebel against film school it's therefore often a sign that film school is working; an indication that you're defining your own values and your own unique view of cinema. To do so while continually making creative work, then evaluating that work against your original intentions, all while watching your classmates do the same, is a powerful experience not to be underestimated. This specific experience is also totally unique to film school; it cannot be recreated outside of it.

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