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NBC Report

Adolf Hitlers final words revealed for the first time in over 70 years
On Monday morning, shocking details emerged about what Hitler said with his very last breath. His final words will completley change the way we live.
He spoke these words to his brother


See this report > >










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Foxs preoccupation with the prosaic caught the attention of Professor Michael Graves, who hired her to work in his New York office. ELLIE SAITO: Bernadette was the only one in the whole class he hired. It was a big blow. MICHAEL GRAVES: Im not looking to hire an architect with a huge ego and huge ideas. Im the one with a huge ego and huge ideas. I want someone who has the ability to carry out my ideas and solve the problems I throw at them. What struck me about Bernadette was the joy she took in tasks that most students would find beneath them. Architecture isnt a profession usually chosen by egoless worker bees. So when youre looking to hire, and you see a talented one, you grab her. Fox was the most junior member of a group assigned to the Team Disney Building in Burbank. Her first job was typical grunt work, laying out bathrooms in the executive wing. MICHAEL GRAVES: Bernadette was driving everyone insane. She wanted to know how much time the executives spent in their offices, how often theyd be in meetings, at what time of day, how many people would be in attendance, the ratio of men to women. I picked up the phone and asked her what the hell she was doing. She explained, I need to know what problems Im solving with my design. I told her, Michael Eisner needs to take a piss, and he doesnt want everyone watching. Id like to say I kept her around because I recognized the talent that would emerge. But really, I liked the sweaters. She knitted me four, and I still have them. My s keep trying to steal them. My wife wants to give them to Goodwill. But I wont part with them. The Team Disney Building was repeatedly delayed because of the permitting process. During an allfirm meeting, Fox presented a flowchart on how to game the building department. Graves sent her to Los Angeles to work onsite. MICHAEL GRAVES: I was the only one sad to see her go. In six months, the Team Disney job ended. Graves offered Fox a job back in New York, but she liked the freedom of the Los Angeles architecture scene. On a recommendation from Graves, Fox was hired by the firm of Richard Meier, already at work on the Getty Center. She was one of a halfdozen young architects charged with sourcing, importing, and qualitychecking the sixteen thousand tons of travertine from Italy which would sheathe the museum. In 1988, Fox met Elgin Branch, a computer animator. They married the next year. Fox wanted to build a house. Judy Toll was their realtor. JUDY TOLL: They were a darling young couple. Both very smart and attractive. I kept trying to put them in a house in Santa Monica, or the Palisades. But Bernadette was fixated on getting a piece of land where she could design something herself. I showed them an abandoned factory in Venice Beach that was being sold for land value. She looked around and said it was perfect. To my shock, she was talking about the building itself. The only one more surprised than I was the husband. But he trusted her. The wives always make these decisions anyway. Fox and Branch bought the former Beeber Bifocal Factory. Soon thereafter, they went to a dinner party and met the two most influential people in Foxs professional life: Paul Jellinek and David Walker. Jellinek was an architect and professor at SCIArc. PAUL JELLINEK: It was the day she and Elgie closed on Beeber Bifocal. Her enthusiasm for it lit up the whole party. She said the factory was still filled with boxes of old bifocals and machinery that she wanted to do something with. The way she was talking, all wild and fuzzy, I had no idea she was a trained architect, let alone a darling of Graves. David Walker was a contractor. DAVID WALKER: Over dessert, Bernadette asked me to be her contractor. I said Id give her some references. She said, No, I just like you, and she told me to come by that Saturday and bring some guys. PAUL JELLINEK: When Bernadette said she was working on the Getty travertine, I totally got it. A friend of mine was on travertine duty, too. They had these talented architects reduced to being Inspector 44 on an assembly line. It was souldestroying work. Beeber was Bernadettes way of reconnecting to what she loved about architecture, which was building stuff. The Beeber Bifocal Factory was a threethousandsquarefoot cinderblock box with elevenfoot ceilings topped by a clerestory. The roof was a series of skylights. Transforming this industrial space into a home consumed the next two years of Foxs life. Contractor David Walker was there every day.