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HENRY VAUGHAN On a Charnelhouse On Gombaulds Endymion Apostrophe to Fletcher the Dramatist Picture of the Town The Golden Age Regeneration Resurrection and Immortality The Search Isaacs Marriage Mans Fall and Recovery The Shower Burial Cheerfulness The Passion Rules and Lessons Repentance The Dawning The Tempest The World The Constellation Misery Mount of Olives Ascensionday Cockcrog The Palmtree The Garland Lovesick Psalm civ The Timber The Jews PalmSunday Providence St Mary Magdalene The Rainbow The Seed Grog Secretly (Mark iv. 26) hood Abels Blood Righteousness Jacobs Pillow and Pillar The Feast The Waterfall DR JOSEPH BEAUMONT Hell Josephs Dream Paradise Eve To the Memory of his Wife Imperial Borne Personified End MISCELLANEOUS PIECES FROM ROBERT HEATH What is Love Protest of Love To Clarastella BY VARIOUS AUTHORS My

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Mind to me a Kingdom is The Old and Young Courtier There is a Garden in her Face Hallo, my Fancy The Fairy Queen SPECIMENS WITH MEMOIRS OF THE LESSKNOWN BRITISH POETS. SECOND PERIODFROM SPENSER TO DRYDEN. (CONTINUED. ) WILLIAM HABINGTON. This poet might have been expected to have belonged to the Spasmodicschool, judging by his parental antecedents. His father was accused ofhaving a share in Babingtons conspiracy, but was released because hewas godson to Queen Elizabeth. Soon after, however, he was imprisoned asecond time, and condemned to death on the charge of having concealedsome of the Gunpowderplot conspirators; but was pardoned through theinterest of Lord Morley.

His uncle, however, was less fortunate, suffering death for his complicity with Babington. The poets mother, the daughter of Lord Morley, was more loyal than her husband or hisbrother, and is said to have written the celebrated letter to LordMonteagle, in consequence of which the execution of the Gunpowderplotwas arrested. NOX NOCTI INDICAT SCIENTIAM. David. EPISTLE ADDRESSED TO THE HONOURABLE W. E. A DESCRIPTION OF CASTARA. 1 Like the violet which, alone, Prospers in some happy shade, My Castara lives unknown, To no loosers eye betrayd, For shes to herself untrue, Who delights i the public view. 2 Such is her beauty, as no arts Have enrichd with borrowd grace; Her high birth no pride imparts, For she blushes in her place. Folly boasts a glorious blood, She is noblest, being good. 3 Cautious, she knew never yet What a wanton courtship meant; Nor speaks loud, to boast her wit; In her silence eloquent: Of herself survey she takes, But tween men no difference makes. 4 She obeys with speedy will Her grave parents wise commands; And so innocent, that ill She nor acts, nor understands: Womens feet run still astray, If once to ill they know the way. 5 She sails by that rock,

the court, Where oft Honour splits her mast: And retiredness thinks the port Where her fame may anchor cast: Virtue safely cannot sit, Where vice is enthroned for wit. 6 She holds that days pleasure best, Where sin waits not on delight; Without mask, or ball, or feast, Sweetly spends a ters night: Oer that darkness, whence is thrust Prayer and sleep, oft governs lust. 7 She her throne makes reason climb; While wild passions captive lie: And, each article of time, Her pure thoughts to heaven fly: All her vows religious be, And her love she vows to me. JOSEPH HALL, BISHOP OF NORWICH. This distinguished man must not be confounded with John Hall, of whomall we know is, that he was born at Durham in 1627, that he waseducated at Cambridge, where he published a volume of poems, that hepractised at the bar, and that he died in 1656, in his twentyninthyear. One specimen of Johns verses we shall quote: THE MORNING STAR. Besides these pamphlets, the Bishop produced a number of Epistlesin prose, of Sermons, of Paraphrases, and a remarkable series ofOccasional Meditations, which became soon, and continue to be, popular. UPON THE SIGHT OF TWO SNAILS. SATIRE I.
The mind, the music breathing from her face. Lovelace had, long before, in the song of Orpheus Mourning for hisWife, employed the words Oh, could you view the melody Of every grace, And music of her face, Youd drop a tear; Seeing more harmony In her bright eye Than now you hear. While many have praised, others have called this idea nonsense;although, if we are permitted to speak of the harmony of the tones of acloud, why not of the harmony produced by the consenting lines of acountenance, where every grace melts into another, and the variousfeatures and expressions fluctuate into a fine whole Whatever, whetherit be the beauty of the human face, or the quiet lustre of statuary, orthe mild glory of moonlight, gives the effects of music, and, like thatdivine art, Pours on mortals a beautiful disdain, may surely become musics metaphor and poetic analogy. SONG. TO ALTHEA, FROM PRISON. 1 When Love, with unconfined gs, Hovers within my gates, And my divine Althea brings To whisper at my grates; When I lie tangled in her hair,