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Content preview: commit 9d59de41f6bf1eb982fb9e10c29275dbf21ce0cf Merge: f11b9d0
9133367 Author: Robin Lee Powell Date: Mon
Jan 31 14:18:30 2011 -0800 Merge commit '913336780806e86e99828ec1e2da4d62bb4ec1be'
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commit 9d59de41f6bf1eb982fb9e10c29275dbf21ce0cf
Merge: f11b9d0 9133367
Author: Robin Lee Powell
Date: Mon Jan 31 14:18:30 2011 -0800
Merge commit '913336780806e86e99828ec1e2da4d62bb4ec1be' into gh-pages
commit 913336780806e86e99828ec1e2da4d62bb4ec1be
Author: Eitan Postavsky
Date: Sat Jan 8 17:30:38 2011 -0500
Chapter 9, except index stuff.
diff --git a/todocbook/20.xml b/todocbook/20.xml
index bd9c42a..d837b6a 100644
--- a/todocbook/20.xml
+++ b/todocbook/20.xml
@@ -11,21 +11,21 @@
Aselma'o catalog connectionof sumtiselma'o catalog=20
selma'o A ()
Specifies a logical connection (e.g. =93and=94, =93or=94, =93if=
=94), usually between sumti.
la djan. .a la djein. klama le zarci
John and/or Jane goes to the store.
Also used to create vowel lerfu words when followed with =93bu=
=94.
BAIselma'o catalog sumti placeadditional=
secondary>selma'o catalog=20
selma'o BAI (=20
- )
+ )
May be prefixed to a sumti to specify an additional place, not o=
therwise present in the place structure of the selbri, and derived from a s=
ingle place of some other selbri.
mi tavla bau la lojban.
I speak in-language Lojban.
BAhE
selma'o catalog nonce wordmarkingselma'o catalog emphasismarking=
selma'o catalog=20
selma'o BAhE (=20
)
Emphasizes the next single word, or marks it as a nonce word (on=
e invented for the occasion).
=20
@@ -199,21 +199,21 @@
When prefixed to a name, description, or sumti, produces a vocat=
ive: a phrase which indicates who is being spoken to (or who is speaking). =
Vocatives are used in conversational protocols, including greeting, farewel=
l, and radio communication. Terminated by=20
=20
. See=20
.
coi .djan.
Greetings, John.
selma'o CU (=20
- )
+ )
Separates the selbri of a bridi from any sumti which precede it.=
Never strictly necessary, but often useful to eliminate various elidable t=
erminators.
=20
le gerku cu klama le zarci
The dog goes to-the store.
selma'o CUhE (=20
)
Forms a question which asks when, where, or in what mode the res=
t of the bridi is true. See=20
@@ -251,21 +251,21 @@
or=20
. Signals the end of a vocative.
coi do'u
=20
Greetings [terminator]
Greetings, O unspecified one!
selma'o FA (=20
- )
+ )
Prefix for a sumti, indicating which numbered place in the place=
structure the sumti belongs in; overrides word order.
fa mi cu klama fi la .atlantas. fe la bastn. fo le dargu fu le karce
x1=3D I go x3=3D Atlanta x2=3D Boston x4=3D the road x5=3D the car.
I go from Atlanta to Boston via the road using the car.
selma'o FAhA (=20
)
Specifies the direction in which, or toward which (when marked w=
ith=20
@@ -289,31 +289,31 @@
, or=20
) refers to space rather than time.
ko vi'i fe'e di'i sombo le gurni
=20
You-imperative [1-dimensional] [space] [regularly] sow the grain.
Sow the grain in a line and evenly!
selma'o FEhU (=20
- )
+ )
Elidable terminator for=20
. Indicates the end of an ad hoc modal tag: th=
e tagged sumti immediately follows.
mi viska do fi'o kanla [fe'u] le zunle
I see you [modal] eye: the left-thing
I see you with the left eye.
selma'o FIhO (=20
- )
+ )
When placed before a selbri, transforms the selbri into a modal =
tag, grammatically and semantically equivalent to a member of selma'o=20
. Terminated by=20
.
mi viska do fi'o kanla le zunle
I see you with eye the left-thing
I see you with my left eye.
selma'o FOI (=20
@@ -455,21 +455,21 @@
selma'o JA (=20
)
Specifies a logical connection (e.g. =93and=94, =93or=94, =93if=
=94) between two tanru units, mathematical operands, tenses, or abstraction=
s.
ti blanu je zdani
This is-blue and a-house.
selma'o JAI (=20
- )
+ )
When followed by a tense or modal, creates a conversion operator=
attachable to a selbri which exchanges the modal place with the x1 place o=
f the selbri. When alone, is a conversion operator exchanging the x1 place =
of the selbri (which should be an abstract sumti) with one of the places of=
the abstracted-over bridi.
mi jai gau galfi le bitmu skari
I am-the-actor-in modifying the wall color.
I act so as to modify the wall color.
I change the color of the wall.
selma'o JOI (=20
)
@@ -952,21 +952,21 @@
selma'o SA (=20
)
Erases the previous phrase or sentence.
mi klama sa do klama le zarci
I go, er, you go-to the market.
selma'o SE (=20
,=20
- )
+ )
Converts a selbri, rearranging the order of places by exchanging=
the x1 place with a specified numbered place.
le zarci cu se klama mi
The market is-gone-to by me.
Also used in constructing connective and modal compound cmavo.=
para>
selma'o SEI (=20
)
Marks the beginning of metalinguistic insertions which comment o=
n the main bridi. Terminated by=20
diff --git a/todocbook/9.xml b/todocbook/9.xml
index ccbe441..c957336 100644
--- a/todocbook/9.xml
+++ b/todocbook/9.xml
@@ -1,97 +1,123 @@
To Boston Via The Road Go I, With An Excursion Into The Land Of M=
odals
-
+
Introductory
relationshipobjects of relationshipas basis of sentenc=
e se=
ntencebasic Lojban selbridefinition=
secondary> sumti=
definition The basic type of L=
ojban sentence is the bridi: a claim by the speaker that certain objects ar=
e related in a certain way. The objects are expressed by Lojban grammatical=
forms called=20
sumti; the relationship is expressed by the Loj=
ban grammatical form called a=20
selbri.
sumtias objects in place structure slots place structureempty slots in place structuredefinition selbriplace structure of The sumti are not random=
ly associated with the selbri, but according to a systematic pattern known =
as the=20
place structure
of the selbri. This chapter describes t=
he various ways in which the place structure of Lojban bridi is expressed a=
nd by which it can be manipulated. The place structure of a selbri is a seq=
uence of empty slots into which the sumti associated with that selbri are p=
laced. The sumti are said to occupy the places of the selbri.
place structure o=
f selbridetermining For our pr=
esent purposes, every selbri is assumed to have a well-known place structur=
e. If the selbri is a brivla, the place structure can be looked up in a dic=
tionary (or, if the brivla is a lujvo not in any dictionary, inferred from =
the principles of lujvo construction as explained in=20
); if the selbri is a tanru, the plac=
e structure is the same as that of the final component in the tanru.
- klama go<=
secondary>example x1in place structure notation place structur=
enotation conventions klamaplace stru=
cture of The stock example of a place structure is =
that of the gismu=20
+ goexample =
x1in place structure notation place structurenotation conventions klamaplace structure=
of The stock example of a place structure is that =
of the gismu=20
klama:
-
- klama: x1 comes/goes to destination x2 from origin x3 via route x4
- employing means of transport x5.
-
+
+ klama: x1 comes/goes to destination x2 from o=
rigin x3 via route x4 employing means of transport x5.
+
The=20
x1 ... x5
indicates that=20
klama is a five-place predicate, and show the n=
atural order (as assigned by the language engineers) of those places: agent=
, destination, origin, route, means.
place structure=
primary>instability of The place structu=
res of brivla are not absolutely stable aspects of the language. The work d=
one so far has attempted to establish a basic place structure on which all =
users can, at first, agree. In the light of actual experience with the indi=
vidual selbri of the language, there will inevitably be some degree of chan=
ge to the brivla place structures.
-
+
Standard bridi form:=20
- cu
+ cu
The following cmavo is discussed in this section:
cu
CU
prefixed selbri separator
=20
bridibuilding from selbri and sumti The most us=
ual way of constructing a bridi from a selbri such as=20
klama and an appropriate number of sumti is to =
place the sumti intended for the x1 place before the selbri, and all the ot=
her sumti in order after the selbri, thus:
- go to Boston from Atl=
antaexample Boston from Atlantaexam=
ple FIXME: TAG SPOT
+ go to Boston from=
Atlantaexample Boston from Atlantaex=
ample FIXME: TAG SPOT
mi cu klama la bastn. la .atlantas. le dargu le karce
- I go to-Boston from-Atlanta via-the road using-the car.
+ I go to-Boston from-Atlanta via-the road using-the car.
Here the sumti are assigned to the places as follows:
-
- x1 agent mi
- x2 destination la bastn.
- x3 origin la .atlantas.
- x4 route le dargu
- x5 means le karce
-
+
+
+
+
+ =20
+
+
+ x1
+ agent
+ mi
+
+
+ x2
+ destination
+ la bastn.
+
+
+ x3
+ origin
+ la .atlantas.
+
+
+ x4
+ route
+ le dargu
+
+
+ x5
+ means
+ le karce
+
+
+
+
(Note: Many of the examples in the rest of this chapter will tur=
n out to have the same meaning as=20
; this fact will not be reit=
erated.)
bridinon-standard form standard bridi formdefinition=
secondary> bridi=
standard form of This ordering=
, with the x1 place before the selbri and all other places in natural order=
after the selbri, is called=20
standard bridi form
, and is found in the bulk of Lojban=
bridi, whether used in main sentences or in subordinate clauses. However, =
many other forms are possible, such as:
=20
=20
mi la bastn. la .atlantas. le dargu le karce cu klama
- I, to-Boston from-Atlanta via-the road using-the car, go.
+ I, to-Boston from-Atlanta via-the road using-the car, go.=
gloss>
bridieffect of alternate form on sumti order He=
re the selbri is at the end; all the sumti are placed before it. However, t=
he same order is maintained.
Similarly, we may split up the sumti, putting some before the se=
lbri and others after it:
mi la bastn. cu klama la .atlantas. le dargu le karce
- I to-Boston go from-Atlanta via-the road using-the car.
+ I to-Boston go from-Atlanta via-the road using-the car.
emphasischanging by using non-standard form of bridi bridieffect of using non-standard form All of the va=
riant forms in this section and following sections can be used to place emp=
hasis on the part or parts which have been moved out of their standard plac=
es. Thus,=20
places emphasis on the selb=
ri (because it is at the end);=20
emphasizes=20
la bastn., because it has been moved before the=
selbri. Moving more than one component may dilute this emphasis. It is per=
mitted, but no stylistic significance has yet been established for drastic =
reordering.
- CU selma'o cu=
primary> cueffect on elidable terminators cuusefulnes=
s of cunecessity of cuas selbri separator=
In all these examples, the cmavo=20
- cu
(belonging to selma'o CU) is used to separate the se=
lbri from any preceding sumti. It is never absolutely necessary to use=20
- cu
. However, providing it helps the reader or listener =
to locate the selbri quickly, and may make it possible to place a complex s=
umti just before the selbri, allowing the speaker to omit elidable terminat=
ors, possibly a whole stream of them, that would otherwise be necessary.
+ CU selma'o cueffect on elidable terminators cuusefulness=
of =
cunecessity of cuas selbri separator<=
/secondary> In all these examples, the cmavo=20
+ cu (belonging to selma'o CU) is used to separat=
e the selbri from any preceding sumti. It is never absolutely necessary to =
use=20
+ cu. However, providing it helps the reader or l=
istener to locate the selbri quickly, and may make it possible to place a c=
omplex sumti just before the selbri, allowing the speaker to omit elidable =
terminators, possibly a whole stream of them, that would otherwise be neces=
sary.
=20
bridiselbri-first as exceptional selbri-first bridieff=
ect on sumti places sumtiomitted first place in selbri-fir=
st bridi sumtiorder in selbri-first bridi sumtiorder in selbri The general rule, then, is th=
at the selbri may occur anywhere in the bridi as long as the sumti maintain=
their order. The only exception (and it is an important one) is that if th=
e selbri appears first, the x1 sumti is taken to have been omitted:
klama la bastn. la .atlantas. le dargu le karce
A-goer to-Boston from-Atlanta via-the road using-the car.=
gloss>
Goes to-Boston from-Atlanta via-the road using-the car.
@@ -112,59 +138,57 @@
=20
(There is a way to both provide a sumti for the x1 place and put=
the selbri first in the bridi: see=20
.)
bridileaving end sumti places unspecified in <=
indexterm type=3D"general-imported">sumtidrop=
ping trailing unspecified unspecified trailing sumtidroppi=
ng Suppose the speaker desires to omit a place othe=
r than the x1 place? (Presumably it is obvious or, for one reason or anothe=
r, not worth saying.) Places at the end may simply be dropped:
mi klama la bastn. la .atlantas.
- I go to-Boston from-Atlanta (via an unspecified route, using a=
n unspecified means).
+ I go to-Boston from-Atlanta (via an unspecified route, usin=
g an unspecified means).
=20
unspecified route=
example unspecified sumtinon-trailing=
=20
has empty x4 and x5 places:=
the speaker does not specify the route or the means of transport. However,=
simple omission will not work for a place when the places around it are to=
be specified: in
mi klama la bastn. la .atlantas. le karce
- I go to-Boston from-Atlanta via-the car.
+ I go to-Boston from-Atlanta via-the car.
- le karce occupies the x4 place, and therefore=
=20
+ le karce occupies the x4 place, and therefore=
=20
means:
-
- I go to Boston from Atlanta, using the car as a route.
-
-
-
+
+ I go to Boston from Atlanta, using the car as a route.
+
This is nonsense, since a car cannot be a route. What the speake=
r presumably meant is expressed by:
mi klama la bastn. la .atlantas. zo'e le karce
- I go to-Boston from-Atlanta via-something-unspecified using-th=
e car.
+ I go to-Boston from-Atlanta via-something-unspecified using=
-the car.
- zo'e place structur=
esomitting places with zo'e <=
indexterm type=3D"general-imported">place structureleaving a sumti place unspecified in with zo'e bridi=
leaving a sumti place unspecified in with zo'e zo'eas plac=
e-holder for unspecified sumti unspecified sumtiusing zo'e=
as place-holder for Here the sumti cmavo=20
+ place structures=
primary>omitting places with zo'e place structureleaving a sumti place unspecified in with zo'e <=
indexterm type=3D"general-imported">bridileav=
ing a sumti place unspecified in with zo'e zo'eas place-ho=
lder for unspecified sumti unspecified sumtiusing zo'e as =
place-holder for Here the sumti cmavo=20
zo'e is used to explicitly fill the x4 place;=
=20
zo'e means=20
the unspecified thing
and has the same meaning as leavi=
ng the place empty: the listener must infer the correct meaning from contex=
t.
-
+
Tagging places: FA
The following cmavo are discussed in this section:
fa
FA
tags x1 place
fe
@@ -186,21 +210,21 @@
FA
tags x5 place
fi'a
=20
FA
place structure question
- fu<=
/indexterm> fo=
fi fe fa FA selma=
'o FA =
selma'osyntax of In sentences =
like=20
+ FA selma'o FA selma'=
osyntax of In sentences like=
=20
, it is easy to get lost and=
forget which sumti falls in which place, especially if the sumti are more =
complicated than simple names or descriptions. The place structure tags of =
selma'o FA may be used to help clarify place structures. The five cmavo=20
fa,=20
fe,=20
fi,=20
fo, and=20
fu may be inserted just before the sumti in the=
x1 to x5 places respectively:
@@ -222,66 +246,93 @@
le karce occupies it.
In=20
, the tags are overkill; the=
y serve only to make=20
even longer than it is. Her=
e is a better illustration of the use of FA tags for clarification:
fa mi klama fe le zdani be mi be'o poi nurma vau fi la nu,IOR=
K.
- x1=3D I go x2=3D (the house of me) which is-rural x3=3D New Yo=
rk.
+ x1=3D I go x2=3D (the house of me) which is-rural x3=3D New=
York.
In=20
, the place structure of=20
klama is as follows:
-
- x1 agent mi
- x2 destination le zdani be mi be'o poi nurma vau
- x3 origin la nu,IORK.
- x4 route (empty)
- x5 means (empty)
-
+
+
+
+
+ =20
+ =20
+
+ x1
+ agent
+ mi
+
+
+ x2
+ destination
+ le zdani be mi be'o poi nurma vau
+
+
+ x3
+ origin
+ la nu,IORK.
+
+
+ x4
+ route
+ (empty)
+
+
+ x5
+ means
+ (empty)
+
+
+
+
FA selma'oas a reminder of place in place structure The=20
fi tag serves to remind the hearer that what fo=
llows is in the x3 place of=20
klama; after listening to the complex sumti occ=
upying the x2 place, it's easy to get lost.
sumtire-ordering with FA selbri-first bridispecifying =
first sumti place in with fa place structure ordereffect o=
f FA on FA selma'oeffect on place structure order Of course, once the sumti have been tagged, the order in wh=
ich they are specified no longer carries the burden of distinguishing the p=
laces. Therefore, it is perfectly all right to scramble them into any order=
desired, and to move the selbri to anywhere in the bridi, even the beginni=
ng:
klama fa mi fi la .atlantas. fu le karce fe la bastn. fo le d=
argu
go x1=3D I x3=3D Atlanta x5=3D the car x2=3D Boston x4=3D t=
he road.
Go I from Atlanta using the car to Boston via the road.
- cu<=
/indexterm> selbri-first bri=
dieffect on use of cu cueffect of sel=
bri-first bridi on Note that no=20
- cu
is permitted before the selbri in=20
+ selbri-first bridi=
effect on use of cu cueffect of selbr=
i-first bridi on Note that no=20
+ cu is permitted before the selbri in=20
, because=20
- cu
separates the selbri from any preceding sumti, and=
=20
+ cu separates the selbri from any preceding sumt=
i, and=20
has no such sumti.
fu le karce fo le dargu fi la .atlantas. fe la bastn. cu klam=
a fa mi
x5=3D the car x4=3D the road x3=3D Atlanta x2=3D Boston go =
x1=3DI
Using the car, via the road, from Atlanta to Boston go I.
- exhibits the reverse of the=
standard bridi form seen in=20
- =20
- and=20
+ exhibits the reverse of t=
he standard bridi form seen in=20
+ =20
+ and=20
, but still means exactly th=
e same thing. If the FA tags were left out, however, producing:
le karce le dargu la .atlantas. la bastn. cu klama mi
The car to-the road from-Atlanta via-Boston goes using-me.<=
/gloss>
The car goes to the road from Atlanta, with Boston as the rout=
e, using me as a means of transport.
@@ -341,66 +392,66 @@
fe, and=20
le karce skips over the already-occupied x3 and=
x4 places to land in the x5 place.
FA selma'oavoidance of complex usage of Such a =
convoluted use of tags should probably be avoided except when trying for a =
literal translation of some English (or other natural-language) sentence; t=
he rules stated here are merely given so that some standard interpretation =
is possible.
multiple sumti in=
one placemeaning sumtimultiple in on=
e place with FA FA selma'ofor putting more than one sumti =
in a single place It is grammatically permitted to =
tag more than one sumti with the same FA cmavo. The effect is that of makin=
g more than one claim:
[fa] la rik. fa la djein. klama [fe] le skina fe le zdani fe =
le zarci
- [x1=3D] Rick x1=3D Jane goes-to x2=3D the movie x2=3D the hous=
e x2=3D the office
+ [x1=3D] Rick x1=3D Jane goes-to x2=3D the movie x2=3D the h=
ouse x2=3D the office
to moviehouseoffice: example multiple sumti in one pla=
ceavoiding may be taken to say=
that both Rick and Jane go to the movie, the house, and the office, mergin=
g six claims into one. More likely, however, it will simply confuse the lis=
tener. There are better ways, involving logical connectives (explained in=
=20
), to say such things in Lojban=
. In fact, putting more than one sumti into a place is odd enough that it c=
an only be done by explicit FA usage: this is the motivation for the provis=
o above, that already-occupied places are skipped. In this way, no sumti ca=
n be forced into a place already occupied unless it has an explicit FA cmav=
o tagging it.
- fi'a give or receiv=
eexample questionsplace structure pos=
ition place structure questions The cmavo=20
+ give or receiveexample questionsplace structure positio=
n pl=
ace structure questions The cmavo=20
fi'a also belongs to selma'o FA, and allows Loj=
ban users to ask questions about place structures. A bridi containing=20
=20
fi'a is a question, asking the listener to supp=
ly the appropriate other member of FA which will make the bridi a true stat=
ement:
=20
fi'a do dunda [fe] le vi rozgu
=20
[what place]? you give x2=3D the nearby rose
In what way are you involved in the giving of this rose?
Are you the giver or the receiver of this rose?
In=20
, the speaker uses the selbr=
i=20
dunda, whose place structure is:
-
- dunda: x1 gives x2 to x3
-
+
+ dunda: x1 gives x2 to x3
+
answers=
to place structure questions The tagged =
sumti=20
fi'a do indicates that the speaker wishes to kn=
ow whether the sumti=20
=20
do falls in the x1 or the x3 place (the x2 plac=
e is already occupied by=20
le rozgu). The listener can reply with a senten=
ce consisting solely of a FA cmavo:=20
fa if the listener is the giver,=20
fi if he/she is the receiver.
fi'aeffect on subsequent untagged sumti I have =
inserted the tag=20
fe in brackets into=20
, but it is actually not nec=
essary, because=20
fi'a does not count as a numeric tag; therefore=
,=20
=20
le vi rozgu would necessarily be in the x2 plac=
e even if no tag were present, because it immediately follows the selbri.=
para>
There is also another member of FA, namely=20
fai, which is discussed in=20
- .
+ .
-
+
Conversion: SE
The following cmavo are discussed in this section:
se
SE
2nd place conversion
te
@@ -411,48 +462,46 @@
ve
SE
4th place conversion
xe
SE
5th place conversion
- se<=
/indexterm> SE selma'o=
primary> SE selm=
a'ofor converting place structure SE selma'oeffect on selbri place structure converted selbrias=
different selbri from unconverted converted selbriplace s=
tructure of <=
primary>converted selbriforming with SE converted selbri=
primary>definition So far we have seen w=
ays to move sumti around within a bridi, but the actual place structure of =
the selbri has always remained untouched. The conversion cmavo of selma'o S=
E are incorporated within the selbri itself, and produce a new selbri (call=
ed a converted selbri) with a different place structure. In particular, aft=
er the application of any SE cmavo, the number and purposes of the places r=
emain the same, but two of them have been exchanged, the x1 place and anoth=
er. Which place has been exchanged with x1 depends on the cmavo chosen. Thu=
s, for example, when=20
+ SE selma'o SE selma'=
ofor converting place structure SE selma'oeffect on selbri place structure converted selbrias d=
ifferent selbri from unconverted converted selbriplace s=
tructure of <=
primary>converted selbriforming with SE converted selbri=
primary>definition So far we have seen w=
ays to move sumti around within a bridi, but the actual place structure of =
the selbri has always remained untouched. The conversion cmavo of selma'o S=
E are incorporated within the selbri itself, and produce a new selbri (call=
ed a converted selbri) with a different place structure. In particular, aft=
er the application of any SE cmavo, the number and purposes of the places r=
emain the same, but two of them have been exchanged, the x1 place and anoth=
er. Which place has been exchanged with x1 depends on the cmavo chosen. Thu=
s, for example, when=20
=20
- se
is used, the x1 place is swapped with the x2 place.<=
/para>
+ se is used, the x1 place is swapped with the x2=
place.
SE selma'oword formation of cmavo in SE selma'orationa=
le for no 1st place conversion Note that the cmavo =
of SE begin with consecutive consonants in alphabetical order. There is no=
=20
1st place conversion
cmavo, because exchanging the x1 p=
lace with itself is a pointless maneuver.
se klamaplace structure of Here are the place s=
tructures of=20
se klama:
-
- x1 is the destination of x2's going from x3 via x4 using x5
-
-
+
+ x1 is the destination of x2's going from x3 via x4 using x5
+
te<=
/indexterm> and=20
te klama:
-
- x1 is the origin and x2 the destination of x3 going via x4 using x5
-
-
+
+ x1 is the origin and x2 the destination of x3 going via x4 using x5
+
ve<=
/indexterm> and=20
ve klama:
=20
-
- x1 is the route to x2 from x3 used by x4 going via x5
-
+
+ x1 is the route to x2 from x3 used by x4 going via x5
+
xe<=
/indexterm> and=20
xe klama:
-
- x1 is the means in going to x2 from x3 via x4 employed by x5
-
+
+ x1 is the means in going to x2 from x3 via x4 employed by x5
+
SE selma'oeffect on place structure numbering N=
ote that the place structure numbers in each case continue to be listed in =
the usual order, x1 to x5.
Consider the following pair of examples:
la bastn. cu se klama mi
Boston is-the-destination of-me.
Boston is my destination.
@@ -483,28 +532,28 @@
klama, and uses a non-standard order.
LE selma'o LA s=
elma'o converted selbriin descriptions The most important use of conversion is in the construction of descripti=
ons. A description is a sumti which begins with a cmavo of selma'o LA or LE=
, called the descriptor, and contains (in the simplest case) a selbri. We h=
ave already seen the descriptions=20
le dargu and=20
le karce. To this we could add:
le klama
- the go-er, the one who goes
+ the go-er, the one who goes
=20
the go-erexample converted selbrito access non-first p=
lace in description descriptionsuse of SE in=
indexterm> descriptionsas based on first place of following selbri In every case, the description is about something which fits into =
the x1 place of the selbri. In order to get a description of a destination =
(that is, something fitting the x2 place of=20
klama), we must convert the selbri to=20
se klama, whose x1 place is a destination. The =
result is
- the destinationexample FIXME: TAG SPOT
+ the destination=
primary>example FIXME: TAG SPOT
le se klama
the destination gone to by someone
=20
@@ -547,148 +596,147 @@
road
on Mars, on which no one has traveled or is ever l=
ikely to, may be called=20
le pluta, but it cannot be=20
=20
=20
le ve klama, since there exists no one for whom=
it is=20
=20
le ve klama be fo da (the route taken in an act=
ual journey by someone [da]).
=20
ke'e ke conversionextending scope of conversionscope of SE sel=
ma'oextending scope of SE selma'oscop=
e of When converting selbri that are more complex t=
han a single brivla, it is important to realize that the scope of a SE cmav=
o is only the following brivla (or equivalent unit). In order to convert an=
entire tanru, it is necessary to enclose the tanru in=20
=20
- ke ... ke'e
brackets:
- blue house<=
secondary>example FIXME: TAG SPOT
+ ke ... ke'e brackets:
+ blue houseexample FIXME: TAG SPOT
mi se ke blanu zdani [ke'e] ti
- I [2nd conversion] blue house this-thing
+ I [2nd conversion] blue house this-thing
The place structure of=20
blanu zdani (blue house) is the same as that of=
=20
zdani, by the rule given in=20
- . The place structure of=20
+ . The place structure of=20
zdani is:
-
- zdani: x1 is a house/nest/lair/den for inhabitant x2
-
+
+ zdani: x1 is a house/nest/lair/den for inhabitant x2
+
The place structure of=20
- se ke blanu zdani [ke'e]
is therefore:
-
- x1 is the inhabitant of the blue house (etc.) x2
-
+ se ke blanu zdani [ke'e] is therefore:
+
+ x1 is the inhabitant of the blue house (etc.) x2
+
Consequently,=20
means:
-
- I am the inhabitant of the blue house which is this thing.
-
+
+ I am the inhabitant of the blue house which is this thing.
+
Conversion applied to only part of a tanru has subtler effects w=
hich are explained in=20
.
multiple conversi=
oneffect of ordering conversioneffect=
of multiple on a selbri multiple SEeffect of ordering SE selm=
a'oeffect of multiple on a selbri It is grammatical to convert a selbri more than once with SE; later (in=
ner) conversions are applied before earlier (outer) ones. For example, the =
place structure of=20
se te klama is achieved by exchanging the x1 an=
d x2 place of=20
=20
te klama, producing:
- se te=
indexterm> FIXME: TAG SPOT
-
- x1 is the destination and x2 is the origin of x3 going via x4 using=
x5
+ se te FIXME: TAG SPOT
+
+ x1 is the destination and x2 is the origin of x3 going via x4 using =
x5
=20
-
+
On the other hand,=20
te se klama has a place structure derived from =
swapping the x1 and x3 places of=20
se klama:
-
- x1 is the origin of x2's going to x3 via x4 using x5
-
+
+ x1 is the origin of x2's going to x3 via x4 using x5
+
multiple conversi=
onavoiding which is quite diff=
erent. However, multiple conversions like this are never necessary. Arbitra=
ry scrambling of places can be achieved more easily and far more intelligib=
ly with FA tags, and only a single conversion is ever needed in a descripti=
on.
- setese conversion=
primary>swapping non-first places (Altho=
ugh no one has made any real use of it, it is perhaps worth noting that com=
pound conversions of the form=20
- setese
, where the first and third cmavo are the same, e=
ffectively swap the two given places while leaving the others, including x1=
, alone:=20
+ conversionswapping non-first places (Although no=
one has made any real use of it, it is perhaps worth noting that compound =
conversions of the form=20
+ setese, where the first and third cmavo are the=
same, effectively swap the two given places while leaving the others, incl=
uding x1, alone:=20
=20
- setese
(or equivalently=20
+ setese (or equivalently=20
=20
- tesete
) swap the x2 and x3 places, whereas=20
- texete
(or=20
- xetexe
) swap the x3 and x5 places.)
+ tesete) swap the x2 and x3 places, whereas=20
+ texete (or=20
+ xetexe) swap the x3 and x5 places.)
-
+
Modal places: FIhO, FEhU
The following cmavo are discussed in this section:
fi'o
FIhO
modal place prefix
fe'u
FEhU
modal terminator
Sometimes the place structures engineered into Lojban are inadeq=
uate to meet the needs of actual speech. Consider the gismu=20
viska, whose place structure is:
- viska=
indexterm> FIXME: TAG SPOT
-
- viska: x1 sees x2 under conditions x3
-
+
+ viska: x1 sees x2 under conditions x3
+
Seeing is a threefold relationship, involving an agent (le viska=
), an object of sight (le se viska), and an environment that makes seeing p=
ossible (le te viska). Seeing is done with one or more eyes, of course; in =
general, the eyes belong to the entity in the x1 place.
FEhU selma'o<=
/primary> fe=
'u FIhO selma'o fi'o see with left eyeexample fi'ouse in adding places to place structure place structure=
adding new places to with modal sumti fi'oas modal tag Suppose, however, that you are blind in one eye and ar=
e talking to someone who doesn't know that. You might want to say,=20
I see you with the left eye.
There is no place in the p=
lace structure of=20
viska such as=20
with eye x4
or the like. Lojban allows you to solve the=
problem by adding a new place, changing the relationship:
mi viska do fi'o kanla [fe'u] le zunle
I see you [modal] eye: the left-thing
I see you with the left eye.
fi'o with selbri<=
/primary>meaning of modal tagfi'o with selbri a=
s fi=
'oeffect on following selbri T=
he three-place relation=20
viska has now acquired a fourth place specifyin=
g the eye used for seeing. The combination of the cmavo=20
- fi'o
(of selma'o FIhO) followed by a selbri, in this ca=
se the gismu=20
+ fi'o (of selma'o FIhO) followed by a selbri, in=
this case the gismu=20
kanla, forms a tag which is prefixed to the sum=
ti filling the new place, namely=20
le zunle. The semantics of=20
fi'o kanla le zunle is that=20
le zunle fills the x1 place of=20
kanla, whose place structure is
-
- kanla: x1 is an/the eye of body x2
-
+
+ kanla: x1 is an/the eye of body x2
+
modal sumtias first place of modal tag selbri =
modal place relationimportance of first place in fi'o tagrelation =
of modal sumti following to selbri modal placerelation of =
to selbri Thus=20
le zunle is an eye. The x2 place of=20
kanla is unspecified and must be inferred from =
the context. It is important to remember that even though=20
le zunle is placed following=20
fi'o kanla, semantically it belongs in the x1 p=
lace of=20
kanla. The selbri may be terminated with=20
- fe'u
(of selma'o FEhU), an elidable terminator which is=
rarely required unless a non-logical connective follows the tag (omitting=
=20
- fe'u
in that case would make the connective affect the =
selbri).
+ fe'u (of selma'o FEhU), an elidable terminator =
which is rarely required unless a non-logical connective follows the tag (o=
mitting=20
+ fe'u in that case would make the connective aff=
ect the selbri).
modal sumtiand FA marking modal sumtieffect on place s=
tructure modal sumtiposition in bridi seltcita sumti=
definition (see also modal sumti) sumti tcitade=
finition (see also modal tag) modal sumtidefinition (see a=
lso seltcita sumti) modal tagdefinition (see also sumti tc=
ita) modal placerationale for term name modal place<=
secondary>definition The term for such an added pla=
ce is a=20
modal place
, as distinguished from the regular numbered=
places. (This use of the word=20
modal
is specific to the Loglan Project, and does not a=
gree with the standard uses in either logic or linguistics, but is now too =
entrenched to change easily.) The=20
- fi'o
construction marking a modal place is called a=20
+ fi'o construction marking a modal place is call=
ed a=20
modal tag
, and the sumti which follows it a=20
modal sumti
; the purely Lojban terms=20
=20
=20
sumti tcita and=20
seltcita sumti, respectively, are also commonly=
used. Modal sumti may be placed anywhere within the bridi, in any order; t=
hey have no effect whatever on the rules for assigning unmarked bridi to nu=
mbered places, and they may not be marked with FA cmavo.
=20
Consider=20
again. Another way to view =
the situation is to consider the speaker's left eye as a tool, a tool for s=
eeing. The relevant selbri then becomes=20
pilno, whose place structure is
-
- pilno: x1 uses x2 as a tool for purpose x3
-
+
+ pilno: x1 uses x2 as a tool for purpose x3
+
and we can rewrite=20
as
mi viska do fi'o se pilno le zunle kanla
I see you [modal] [conversion] use: the left eye.
I see you using my left eye.
@@ -699,74 +747,89 @@
pilno is necessary in order to get the=20
tool
place into x1, since only x1 can be the modal sumt=
i. The=20
=20
=20
tool user
place is the x2 of=20
se pilno (because it is the x1 of=20
pilno) and remains unspecified. The tag=20
fi'o pilno would mean=20
with tool user
, leaving the tool unspecified.
-
+
Modal tags: BAI
There are certain selbri which seem particularly useful in const=
ructing modal tags. In particular,=20
pilno is one of them. The place structure of=20
pilno is:
-
- pilno: x1 uses x2 as a tool for purpose x3
-
- sepi'o BAI modal ta=
gsrationale for and almost any=
selbri which represents an action may need to specify a tool. Having to sa=
y=20
+
+ pilno: x1 uses x2 as a tool for purpose x3
+
+ BAI modal tagsrationale for and almost any selbr=
i which represents an action may need to specify a tool. Having to say=20
fi'o se pilno frequently would make many Lojban=
sentences unnecessarily verbose and clunky, so an abbreviation is provided=
in the language design: the compound cmavo=20
sepi'o.
=20
- SE selma'o BAI =
selma'o pi'o conversionof BAI cmavo <=
indexterm type=3D"general-imported">modal tagsshort forms as BAI cmavo fi'o constructsshort forms as BA=
I cmavo BAI selma'oas short forms for fi'o constructs Here=20
- se
is used before a cmavo, namely=20
+ SE selma'o BAI =
selma'o conversionof BAI cmavo modal tagssh=
ort forms as BAI cmavo fi'o constructsshort forms as BAI c=
mavo BAI selma'oas short forms for fi'o constructs Here=20
+ se is used before a cmavo, namely=20
pi'o, rather than before a brivla. The meaning =
of this cmavo, which belongs to selma'o BAI, is exactly the same as that of=
=20
=20
fi'o pilno fe'u. Since what we want is a tag ba=
sed on=20
se pilno rather than=20
pilno- the tool, not the tool user - the gramma=
r allows a BAI cmavo to be converted using a SE cmavo.=20
may therefore be rewritten =
as:
mi viska do sepi'o le zunle kanla
=20
I see you with-tool: the left eye
I see you using my left eye.
The compound cmavo=20
sepi'o is much shorter than=20
=20
- fi'o se pilno [fe'u]
and can be thought of as a single =
word meaning=20
+ fi'o se pilno [fe'u] and can be thought of as a=
single word meaning=20
with-tool
. The modal tag=20
pi'o, with no=20
=20
- se
, similarly means=20
+ se, similarly means=20
with-tool-user
, probably a less useful concept. Neverth=
eless, the parallelism with the place structure of=20
pilno makes the additional syllable worthwhile.=
- ka'a conversioneffect on BAI BAI selma'oeffect of conver=
sion on Some BAI cmavo make sense with as well as w=
ithout a SE cmavo; for example,=20
+ conversioneffect on BAI BAI selma'oeffect of conversion=
on Some BAI cmavo make sense with as well as witho=
ut a SE cmavo; for example,=20
ka'a, the BAI corresponding to the gismu=20
=20
klama, has five usable forms corresponding to t=
he five places of=20
klama respectively:
-
- ka'a with-goer
+
+
+ ka'a
+ with-goer
+
=20
- seka'a with-destination
- teka'a with-origin
- veka'a with-route
- xeka'a with-means-of-transport
-
+
+ seka'a
+ with-destination
+
+
+ teka'a
+ with-origin
+
+
+ veka'a
+ with-route
+
+
+ xeka'a
+ with-means-of-transport
+
+
Any of these tags may be used to provide modal places for bridi,=
as in the following examples:
la .eivn. cu vecnu loi flira cinta ka'a mi
=20
Avon sells a-mass-of face paint with-goer me.
=20
@@ -810,63 +873,54 @@
mi citka xeka'a le vinji
I eat with-means-of-transport the airplane.
I eat in the airplane.
- English prepositi=
onscontrasted with modal tags in preciseness modal tagscontrasted with English prepositions in preciseness BAI cmavo=
rationale for selection There =
are sixty-odd cmavo of selma'o BAI, based on selected gismu that seemed use=
ful in a variety of settings. The list is somewhat biased toward English, b=
ecause many of the cmavo were selected on the basis of corresponding Englis=
h prepositions and preposition compounds such as=20
- =20
- =20
- =20
- =20
- =20
- with
,=20
+ English prepositi=
onscontrasted with modal tags in preciseness modal tagscontrasted with English prepositions in preciseness BAI cmavo=
rationale for selection There =
are sixty-odd cmavo of selma'o BAI, based on selected gismu that seemed use=
ful in a variety of settings. The list is somewhat biased toward English, b=
ecause many of the cmavo were selected on the basis of corresponding Englis=
h prepositions and preposition compounds such as with
,=20
without
, and=20
by means of
. The BAI cmavo, however, are far more preci=
se than English prepositions, because their meanings are fixed by the place=
structures of the corresponding gismu.
=20
- =20
- =20
- =20
BAI selma'oform of cmavo in All BAI cmavo have =
the form CV'V or CVV. Most of them are CV'V, where the C is the first conso=
nant of the corresponding gismu and the two Vs are the two vowels of the gi=
smu. The table in=20
- shows the exceptions.
- do'e vague relation=
shipmodal tag for modal tagfor vague =
relationship There is one additional BAI cmavo that=
is not derived from a gismu:=20
+ shows the exceptions.
+ vague relationship=
modal tag for modal tagfor vague rela=
tionship There is one additional BAI cmavo that is =
not derived from a gismu:=20
do'e. This cmavo is used when an extra place is=
needed, but it seems useful to be vague about the semantic implications of=
the extra place:
=20
lo nanmu be do'e le berti cu klama le tcadu
=20
Some man [related to] the north came to-the city.
A man of the north came to the city.
- be<=
/indexterm> modal placeon description selbri "of"in Eng=
lishcompared with do'e do'ecompared w=
ith English "of" Here=20
+ modal placeon description =
selbri "of"in Englishcompa=
red with do'e =
do'ecompared with English "of" Here=20
le berti is provided as a modal place of the se=
lbri=20
nanmu, but its exact significance is vague, and=
is paralleled in the colloquial translation by the vague English prepositi=
on=20
of
.=20
also illustrates a modal pl=
ace bound into a selbri with=20
- be
. This construction is useful when the selbri of a de=
scription requires a modal place; this and other uses of=20
- be
are more fully explained in=20
+ be. This construction is useful when the selbri=
of a description requires a modal place; this and other uses of=20
+ be are more fully explained in=20
.
-
+
Modal sentence connection: the causals
=20
The following cmavo are discussed in this section:
- ni'i mu'i=
ki'u ri'a FIXME: TAG SPOT
+ ni'i mu'i ki'u ri'a=
FIXME: TAG SPOT
ri'a
BAI
rinka modal: physical cause
ki'u
=20
BAI
@@ -894,26 +948,38 @@
seja'e means=20
with cause of unspecified nature
; likewise,=20
gau means=20
with agent
and=20
tezu'e means=20
with purpose
. These other modal cmavo will not be furth=
er discussed here, as my purpose is to explain modal sentence connection ra=
ther than Lojbanic views of causation.)
=20
=20
causals=
gismu There are four causal gismu in Loj=
ban, distinguishing different versions of the relationships lumped in Engli=
sh as=20
causal
:
-
- rinka: event x1 physically causes event x2
- krinu: event x1 is the justification for event x2
- mukti: event x1 is the (human) motive for event x2
- nibli: event x1 logically entails event x2
-
+
+
+ rinka
+ >event x1 physically causes event x2
+
+
+ krinu
+ >event x1 is the justification for even=
t x2
+
+
+ mukti
+ >event x1 is the (human) motive for eve=
nt x2
+
+
+ nibli
+ >event x1 logically entails event x2
+
+
modal causalsimplication differences causalsmodal modals=
primary>for causal gismu Each of these g=
ismu has a related modal:=20
ri'a,=20
ki'u,=20
=20
mu'i, and=20
=20
ni'i respectively. Using these gismu and these =
modals, we can create various causal sentences with different implications:=
=20
@@ -982,64 +1048,61 @@
with the=20
ri'a changed to=20
seri'a. In addition, there are also symmetrical=
forms:
- le nu do djacu dunda fi le spati cu rinka
- le nu le spati cu banro
- The event-of (you water-give to the plant) causes
- the event-of (the plant grows).
- Your watering the plant causes its growth.
- If you water the plant, then it grows.
+ le nu do djacu dunda fi le spati cu rinka le nu le spati cu b=
anro
+ The event-of (you water-give to the plant) causes the event=
-of (the plant grows).
+ Your watering the plant causes its growth. If you water the pl=
ant, then it grows.
does not claim either event, but asserts only the causal relatio=
nship between them. So in=20
, I am not saying that the p=
lant grows nor that you have in fact watered it. The second colloquial tran=
slation shows a form of=20
if-then
in English quite distinct from the logical conn=
ective=20
if-then
explained in=20
.
Suppose we wish to claim both events as well as their causal rel=
ationship? We can use one of two methods:
le spati cu banro .iri'abo do djacu dunda fi le spati
=20
The plant grows. Because you water-give to the plant.
The plant grows because you water it.
- bo .i .iri'abo modal senten=
ce connection FIXME: TAG SPOT
+ modal sentence con=
nection FIXME: TAG SPOT
do djacu dunda fi le spati .iseri'abo le spati cu banro
You water-give to the plant. Therefore it grows.
You water the plant; therefore, it grows.
The compound cmavo=20
.iri'abo and=20
=20
.iseri'abo serve to connect two bridi, as the i=
nitial=20
.i indicates. The final=20
- bo
is necessary to prevent the modal from=20
+ bo is necessary to prevent the modal from=20
taking over
the following sumti. If the=20
- bo
were omitted from=20
+ bo were omitted from=20
we would have:
le spati cu banro .i ri'a do djacu dunda fi le spati
The plant grows. Because of you, [something] water-gives to=
the plant.
The plant grows. Because of you, water is given to the plant.<=
/en>
@@ -1054,46 +1117,45 @@
and=20
is that the modal,=20
ri'a in this example, no longer modifies an exp=
licit sumti. Instead, the sumti is implicit, the event given by a full brid=
i. Furthermore, there is a second implication: that the first bridi fills t=
he x2 place of the gismu=20
rinka; it specifies an event which is the effec=
t. I am therefore claiming three things: that the plant grows, that you hav=
e watered it, and that there is a cause-and-effect relationship between the=
two.
modal sentence co=
nnectionwith other than causals In principle, any modal tag can appear in a sentence connective of the ty=
pe exemplified by=20
and=20
. However, it makes little s=
ense to use any modals which do not expect events or other abstractions to =
fill the places of the corresponding gismu. The sentence connective=20
.ibaubo is perfectly grammatical, but it is har=
d to imagine any two sentences which could be connected by an=20
in-language
modal. This is because a sentence describes=
an event, and an event can be a cause or an effect, but not a language.
-
+
Other modal connections
Like many Lojban grammatical constructions, sentence modal conne=
ction has both forethought and afterthought forms. (See=20
for a more detailed discussion=
of Lojban connectives.)=20
- exemplifies only afterthough=
t modal connection, illustrated here by:
+ exemplifies only afterthought moda=
l connection, illustrated here by:
mi jgari lei djacu .iri'abo mi jgari le kabri
- =20
I grasp the-mass-of water with-physical-cause I grasp the c=
up.
Causing the mass of water to be grasped by me, I grasped th=
e cup.
I grasp the water because I grasp the cup.
grasp waterexample forethought connectiondefinition aftert=
hought connectiondefinition An=
afterthought connection is one that is signaled only by a cmavo (or a comp=
ound cmavo, in this case) between the two constructs being connected. Foret=
hought connection uses a signal both before the first construct and between=
the two: the use of=20
=20
both
and=20
and
in the first half of this sentence represents a for=
ethought connection (though not a modal one).
=20
=20
- gi<=
/indexterm> modal sentence c=
onnectionforethought forethought modal sentence connection=
To make forethought modal sentence connections in Lo=
jban, place the modal plus=20
- gi
before the first bridi, and=20
- gi
between the two. No=20
+ modal sentence con=
nectionforethought forethought modal sentence connection=
primary> To make forethought modal sentence connections in Lojb=
an, place the modal plus=20
+ gi before the first bridi, and=20
+ gi between the two. No=20
.i is used within the construct. The forethough=
t equivalent of=20
is:
ri'agi mi jgari le kabri gi mi jgari lei djacu
With-physical-cause I grasp the cup, I grasp the-mass-of wa=
ter.
Because I grasp the cup, I grasp the water.
@@ -1101,237 +1163,232 @@
forethought modal=
sentence connectionrelation to modal of second bridi =
in f=
orethought modal sentence connectionrelation to modal =
of first bridi in forethought modal sentence connection for causalsorder of cause and effect Note that the ca=
use, the x1 of=20
rinka is now placed first. To keep the two brid=
i in the original order of=20
, we could say:
seri'agi mi jgari lei djacu gi mi jgari le kabri
- With-physical-effect I grasp the-mass-of water, I grasp the cu=
p.
+ With-physical-effect I grasp the-mass-of water, I grasp the=
cup.
In English, the sentence=20
- *Therefore I grasp the water, I grasp the cup
is ungram=
matical, because=20
+ Therefore I grasp the water, I grasp the cup
is ungramm=
atical, because=20
therefore
is not grammatically equivalent to=20
because
. In Lojban,=20
- seri'agi
can be used just like=20
- ri'agi
.
+ seri'agi can be used just like=20
+ ri'agi.
modal sentence co=
nnectioncondensing When the tw=
o bridi joined by a modal connection have one or more elements (selbri or s=
umti or both) in common, there are various condensed forms that can be used=
in place of full modal sentence connection with both bridi completely stat=
ed.
=20
sumti modal conne=
ction =
modal sumti connection When the bridi are the same ex=
cept for a single sumti, as in Examples 8.1 through 8.3, then a sumti modal=
connection may be employed:
=20
mi jgari ri'agi le kabri gi lei djacu
- I grasp because the cup, the-mass-of water.
+ I grasp because the cup, the-mass-of water.
- means exactly the same as=
=20
- through=20
+ means exactly the same as=
=20
+ through=20
, but there is no idiomatic =
English translation that will distinguish it from them.
termset modal con=
nection modalstermset connection If =
the two connected bridi are different in more than one sumti, then a termse=
t may be employed. Termsets are explained more fully in=20
, but are essentially a mechani=
sm for creating connections between multiple sumti simultaneously.
mi dunda le cukta la djan. .imu'ibo la djan. dunda lei jdini =
mi
I gave the book to John. Motivated-by John gave the-mass-of=
money to-me.
I gave the book to John, because John gave money to me.
means the same as:
- nu'u nu'i=
FIXME: TAG SPOT
+ nu'u nu'i FIXME: TAG SPOT
nu'i mu'igi mi le cukta la djan. gi la djan. lei jdini mi nu'=
u dunda
- [start] because I, the book, John; John, the-mass-of money, me=
[end] gives.
+ [start] because I, the book, John; John, the-mass-of money,=
me [end] gives.
Here there are three sumti in each half of the termset, because =
the two bridi share only their selbri.
bridi-tail modal =
connection modal bridi-tail connection modal connection of selbriu=
sing bridi-tail modal connection There is no modal =
connection between selbri as such: bridi which differ only in the selbri ca=
n be modally connected using bridi-tail modal connection. The bridi-tail co=
nstruct is more fully explained in=20
=20
, but essentially it consists o=
f a selbri with optional sumti following it.=20
is suitable for bridi-tail =
connection, and could be shortened to:
mi mu'igi viska le cukta gi lebna le cukta
- I, because saw the book, took the book.
+ I, because saw the book, took the book.
Again, no straightforward English translation exists. It is even=
possible to shorten=20
further to:
mi mu'igi viska gi lebna vau le cukta
- I because saw, therefore took, the book.
+ I because saw, therefore took, the book.
- vau=
where=20
+ where=20
le cukta is set off by the non-elidable=20
- vau
and is made to belong to both bridi-tails - see=20
+ vau and is made to belong to both bridi-tails -=
see=20
for more explanations.
shared bridi-tail=
sumtiavoiding vau for shared bridi-tail sumtiavoiding Since this is a chapter on rearra=
nging sumti, it is worth pointing out that=20
can be further rearranged t=
o:
mi le cukta mu'igi viska gi lebna
- I, the book, because saw, therefore took.
+ I, the book, because saw, therefore took.
which doesn't require the extra=20
- vau
; all sumti before a conjunction of bridi-tails are =
shared.
+ vau; all sumti before a conjunction of bridi-ta=
ils are shared.
operand modal con=
nection modal operand connection Finally, mathematical oper=
ands can be modally connected.
- li ny. du li vo
- .ini'ibo li ny. du li re su'i re
- the number
+ li ny. du li vo .ini'ibo li ny. du li re su'i re
+ the number n =3D the-number 4. Entailed-by the-number n =3D=
the-number 2 + 2.
can be reduced to:
li ny. du li ni'igi vei re su'i re [ve'o] gi vo
- the-number
-
-
- =3D the-number because ( 2 + 2 ) therefore 4.
+ the-number =3D the-number because ( 2 + 2 ) therefore 4.
- ve'o vei The cmavo=20
- vei
and=20
- ve'o
represent mathematical parentheses, and are requir=
ed so that=20
- ni'igi
affects more than just the immediately following=
operand, namely the first=20
+ The cmavo=20
+ vei and=20
+ ve'o represent mathematical parentheses, and ar=
e required so that=20
+ ni'igi affects more than just the immediately f=
ollowing operand, namely the first=20
re. (The right parenthesis,=20
- ve'o
, is an elidable terminator.) As usual, no English =
translation does=20
+ ve'o, is an elidable terminator.) As usual, no =
English translation does=20
justice.
modal connectives=
fi'o prohibited in fi'orestriction on=
use Note: Due to restrictions on the Lojban parsin=
g algorithm, it is not possible to form modal connectives using the=20
=20
- fi'o
-plus-selbri form of modal. Only the predefined mod=
als of selma'o BAI can be compounded as shown in=20
- and=20
- .
+ fi'o-plus-selbri form of modal. Only the predef=
ined modals of selma'o BAI can be compounded as shown in=20
+ and=20
+ .
-
+
Modal selbri
Consider the example:
mi tavla bau la lojban. bai tu'a la frank.
I speak in-language Lojban with-compeller some-act-by Frank=
.
I speak in Lojban, under compulsion by Frank.
=20
bai=
under compulsio=
nexample modal sumtiunspecified modal sum=
tileaving vague=20
has two modal sumti, using =
the modals=20
=20
=20
bau and=20
bai. Suppose we wanted to specify the language =
explicitly but be vague about who's doing the compelling. We can simplify=
=20
to:
- ku FIXME: TAG SPOT
mi tavla bau la lojban. bai [ku].
- I speak in-language Lojban under-compulsion.
+ I speak in-language Lojban under-compulsion.
In=20
, the elidable terminator=20
- ku
has taken the place of the sumti which would normall=
y follow=20
+ ku has taken the place of the sumti which would=
normally follow=20
bai. Alternatively, we could specify the one wh=
o compels but keep the language vague:
mi tavla bau [ku] bai tu'a la frank.
- I speak in-some-language under-compulsion-by some-act-by Frank=
.
+ I speak in-some-language under-compulsion-by some-act-by Fr=
ank.
We are also free to move the modal-plus-=20
- ku
around the bridi:
+ ku around the bridi:
bau [ku] bai ku mi tavla
- In-some-language under-compulsion I speak.
+ In-some-language under-compulsion I speak.
modal followed by=
selbrieffect on eliding cu An=
alternative to using=20
- ku
is to place the modal cmavo right before the selbri,=
following the=20
+ ku is to place the modal cmavo right before the=
selbri, following the=20
=20
- cu
which often appears there. When a modal is present, =
the=20
- cu
is almost never necessary.
+ cu which often appears there. When a modal is p=
resent, the=20
+ cu is almost never necessary.
mi bai tavla bau la lojban.
- I compelledly speak in-language Lojban.
+ I compelledly speak in-language Lojban.
modal followed by=
selbricontrasted with tanru modification in grammar=
secondary> modal=
followed by selbricompared with tanru modification in=
meaning In this use, the modal is like a tanru mod=
ifier semantically, although grammatically it is quite distinct.=20
is very similar in meaning =
to:
mi se bapli tavla bau la lojban.
- I compelledly-speak in-language Lojban.
+ I compelledly-speak in-language Lojban.
The=20
- se
conversion is needed because=20
+ se conversion is needed because=20
bapli tavla would be a=20
compeller type of speaker
rather than a=20
compelled (by someone) type of speaker
, which is what a=
=20
bai tavla is.
fi'o modal follow=
ed by selbrieffect on eliding fe'u If the modal preceding a selbri is constructed using=20
- fi'o
, then=20
- fe'u
is required to prevent the main selbri and the mod=
al selbri from colliding:
+ fi'o, then=20
+ fe'u is required to prevent the main selbri and=
the modal selbri from colliding:
mi fi'o kanla fe'u viska do
I with-eye see you.
I see you with my eye(s).
@@ -1345,41 +1402,41 @@
mi bai ke ge klama le zarci gi cadzu le bisli [ke'e]
=20
I under-compulsion (both go to-the market and walk on-the i=
ce).
Under compulsion, I both go to the market and walk on the ice.=
Here the=20
bai is spread over both=20
klama le zarci and=20
cadzu le bisli, and the=20
- ge ... gi
represents the logical connection=20
+ ge ... gi represents the logical connection=20
both-and
between the two.
- tu'u tu'e modalsexpanding scope over multiple sentences with tu'e=85tu'u Similarly, a modal can be attached to multiple senten=
ces that have been combined with=20
- tu'e
and=20
- tu'u
, which are explained in more detail in=20
+ modalsexpanding scope over multiple sentences with tu'e=85tu'u Similarly, a modal can be attached to multiple sentences tha=
t have been combined with=20
+ tu'e and=20
+ tu'u, which are explained in more detail in=20
:
bai tu'e mi klama le zarci .i mi cadzu le bisli [tu'u]
- Under-compulsion [start] I go to-the market. I walk on-the ice=
[end].
+ Under-compulsion [start] I go to-the market. I walk on-the =
ice [end].
means the same thing as=20
.
Note: Either BAI modals or=20
- fi'o
-plus-selbri modals may correctly be used in any of=
the constructions discussed in this section.
+ fi'o-plus-selbri modals may correctly be used i=
n any of the constructions discussed in this section.
-
+
Modal relative phrases; Comparison
The following cmavo are discussed in this section:
pe
GOI
restrictive relative phrase
ne
@@ -1400,127 +1457,133 @@
Relative phrases and clauses are explained in much more detail i=
n=20
. However, there is a cons=
truction which combines a modal with a relative phrase which is relevant to=
this chapter. Consider the following examples of relative clauses:
la .apasionatas. poi se cusku la .artr. rubnstain. cu se nelc=
i mi
- The Appassionata which is-expressed-by Arthur Rubinstein is-li=
ked-by me.
+ The Appassionata which is-expressed-by Arthur Rubinstein is=
-liked-by me.
=20
la .apasionatas. noi se finti la betovn. cu se nelci mi
- The Appassionata, which is-created-by Beethoven, is-liked-by m=
e.
+ The Appassionata, which is-created-by Beethoven, is-liked-b=
y me.
=20
=20
- poi=
Beethovenexample Artur Rubensteinexample=
Appassionataexample In=20
+ Beethovenexample Artur Rubensteinexample Appassionataexample In=20
,=20
la .apasionatas. refers to a particular perform=
ance of the sonata, namely the one performed by Rubinstein. Therefore, the =
relative clause=20
poi se cusku uses the cmavo=20
- poi
(of selma'o NOI) to restrict the meaning of=20
+ poi (of selma'o NOI) to restrict the meaning of=
=20
la .apasionatas to the performance in question.=
- noi=
In=20
+ In=20
, however,=20
la .apasionatas. refers to the sonata as a whol=
e, and the information that it was composed by Beethoven is merely incident=
al. The cmavo=20
=20
- noi
(also of selma'o NOI) expresses the incidental natu=
re of this relationship.
- ne<=
/indexterm> pe=
The cmavo=20
- pe
and=20
- ne
(of selma'o GOI) are roughly equivalent to=20
- poi
and=20
- noi
respectively, but are followed by sumti rather than=
full bridi. We can abbreviate=20
+ noi (also of selma'o NOI) expresses the inciden=
tal nature of this relationship.
+ The cmavo=20
+ pe and=20
+ ne (of selma'o GOI) are roughly equivalent to=
=20
+ poi and=20
+ noi respectively, but are followed by sumti rat=
her than full bridi. We can abbreviate=20
and=20
to:
la .apasionatas pe la .artr. rubnstain. se nelci mi
- The Appassionata of Arthur Rubinstein is-liked-by me.
+ The Appassionata of Arthur Rubinstein is-liked-by me.
=20
la .apasionatas ne la betovn. se nelci mi
- The Appassionata, which is of Beethoven, is-liked-by me.
+ The Appassionata, which is of Beethoven, is-liked-by me.
=20
=20
relative phrases<=
/primary>contrasted with relative clauses in preciseness Here the precise selbri of the relative clauses is lost: a=
ll we can tell is that the Appassionata is connected in some way with Rubin=
stein (in=20
=20
) and Beethoven (in=20
=20
), and that the relationship=
s are respectively restrictive and incidental.
- fi'e cu'u It happens that both=20
+ It happens that both=20
cusku and=20
finti have BAI cmavo, namely=20
cu'u and=20
=20
fi'e. We can recast=20
=20
and=20
as:
la .apasionatas pe cu'u la .artr. rubnstain. cu se nelci mi=
jbo>
=20
- The Appassionata expressed-by Arthur Rubinstein is-liked-by me=
.
+ The Appassionata expressed-by Arthur Rubinstein is-liked-by=
me.
=20
la .apasionatas ne fi'e la betovn. cu se nelci mi
=20
- The Appassionata, invented-by Beethoven, is-liked-by me.
+ The Appassionata, invented-by Beethoven, is-liked-by me.
=20
=20
modals<=
secondary>improving relative phrase preciseness with relative phrasesimproving preciseness with modals relative phrases with modalscompared to relative clauses in preciseness=20
and=20
have the full semantic cont=
ent of=20
and=20
respectively.
- me'a mau "less&q=
uot;English wordexpressing with =
relative phrases "more"English wordexpressing with relative phrases Modal relat=
ive phrases are often used with the BAI cmavo=20
+ "less"English=
wordexpressing with relative phrases "more"English wordexpressing with relative=
phrases Modal relative phrases are often used with =
the BAI cmavo=20
mau and=20
=20
me'a, which are based on the comparative gismu=
=20
=20
zmadu (more than) and=20
mleca (less than) respectively. The place struc=
tures are:
-
- zmadu: x1 is more than x2 in property/quantity x3 by amount x4
- mleca: x1 is less than x2 in property/quantity x3 by amount x4
-
+
+
+ zmadu:
+ >x1 is more than x2 in property/quantit=
y x3 by amount x4
+
+
+ mleca:
+ >x1 is less than x2 in property/quantit=
y x3 by amount x4
+
+
Here are some examples:
la frank. nelci la betis. ne semau la meiris.
Frank likes Betty, which-is more-than Mary.
Frank likes Betty more than (he likes) Mary.
@@ -1548,23 +1611,23 @@
=20
semau, and=20
using=20
mau rather than=20
=20
seme'a, but such usage would be unnecessarily c=
onfusing. Like many BAI cmavo,=20
mau and=20
=20
me'a are more useful when converted with=20
=20
- se
.
- "less"<=
/primary>English wordimportance of relativ=
e phrase to "more"English wordimportance of relative phrase to
If the=20
- ne
were omitted in=20
+ se.
+ "less"English=
wordimportance of relative phrase to "more"English wordimportance of relative p=
hrase to If the=20
+ ne were omitted in=20
and=20
, the modal sumti (=20
=20
=20
la meiris. and=20
la betis. respectively) would become attached t=
o the bridi as a whole, producing a very different translation.=20
would become:
@@ -1576,77 +1639,75 @@
which compares a liking with a person, and is therefore nonsense=
.
bridi-based compa=
risoncontrasted with comparison with relative phrase=
secondary>in claims about parts comparison with relative phrasecontrasted with bridi-based comparisoni=
n claims about parts comparisonclaims related to based on f=
orm Pure comparison, which states only the comparat=
ive information but says nothing about whether Frank actually likes either =
Mary or Betty (he may like neither, but dislike Betty less), would be expre=
ssed differently, as:
=20
- le ni la frank. nelci la betis. cu zmadu
- le ni la frank. nelci la meiris.
- The quantity-of Frank's liking Betty is-more-than
- the quantity-of Frank's liking Mary.
+ le ni la frank. nelci la betis. cu zmadu le ni la frank. nelc=
i la meiris.
+ The quantity-of Frank's liking Betty is-more-than the quant=
ity-of Frank's liking Mary.
- du'i de'i ci'u seba=
'i seme'a semau modals often attached with relative phraseslist<=
/secondary> The mechanisms explained in this section are approp=
riate to many modals other than=20
+ modals often attac=
hed with relative phraseslist =
The mechanisms explained in this section are appropriate to many modals oth=
er than=20
semau and=20
seme'a. Some other modals that are often associ=
ated with relative phrases are:=20
seba'i (=20
=20
instead of
),=20
ci'u (=20
=20
on scale
),=20
de'i (=20
=20
dated
),=20
du'i (=20
=20
as much as
). Some BAI tags can be used equally well in =
relative phrases or attached to bridi; others seem useful only attached to =
bridi. But it is also possible that the usefulness of particular BAI modals=
is an English-speaker bias, and that speakers of other languages may find =
other BAIs useful in divergent ways.
fi'o modalsusage in relative phrases Note: The =
uses of modals discussed in this section are applicable both to BAI modals =
and to=20
- fi'o
-plus-selbri modals.
+ fi'o-plus-selbri modals.
-
+
Mixed modal connection
It is possible to mix logical connection (explained in=20
) with modal connection, in a w=
ay that simultaneously asserts the logical connection and the modal relatio=
nship. Consider the sentences:
mi nelci do .ije mi nelci la djein.
- I like you. And I like Jane.
+ I like you. And I like Jane.
which is a logical connection, and
mi nelci do .iki'ubo mi nelci la djein.
- I like you. Justified-by I like Jane.
+ I like you. Justified-by I like Jane.
mixed modal conne=
ctionof sentences modal connectionsim=
ultaneous with logical connectionsimultaneously modal and =
logical The meanings of=20
and=20
can be simultaneously expre=
ssed by combining the two compound cmavo, thus:
mi nelci do .ijeki'ubo mi nelci la djein.
- I like you. And justified-by I like Jane.
+ I like you. And justified-by I like Jane.
mixed modal conne=
ctiondefinition Here the two s=
entences=20
mi nelci do and=20
mi nelci la djein. are simultaneously asserted,=
their logical connection is asserted, and their causal relationship is ass=
erted. The logical connective=20
je comes before the modal=20
ki'u in all such mixed connections.
=20
Since=20
mi nelci do and=20
@@ -1674,69 +1735,62 @@
mi nelci do gi'eki'ubo nelci la djein.
I like you and/because like Jane.
The following three complex examples all mean the same thing.
- mi bevri le dakli
- .ijeseri'abo tu'e mi bevri le gerku .ijadu'ibo mi bevri le =
mlatu [tu'u]
- I carry the sack.
- And [effect] (I carry the dog. And/or [equal] I carry the c=
at.)
- I carry the sack.
- As a result I carry the dog or I carry the cat, equally.
+ mi bevri le dakli .ijeseri'abo tu'e mi bevri le gerku .ijadu'=
ibo mi bevri le mlatu [tu'u]
+ I carry the sack. And [effect] (I carry the dog. And/or [eq=
ual] I carry the cat.)
+ I carry the sack. As a result I carry the dog or I carry the c=
at, equally.
- mi bevri le dakli
- gi'eseri'ake bevri le gerku gi'adu'ibo bevri le mlatu [ke'e=
]
- I carry the sack
- and [effect] (carry the dog and/or [equal] carry the cat).<=
/gloss>
+ mi bevri le dakli gi'eseri'ake bevri le gerku gi'adu'ibo bevr=
i le mlatu [ke'e]
+ I carry the sack and [effect] (carry the dog and/or [equal]=
carry the cat).
I carry the sack and as a result carry the dog or carry the ca=
t equally.
- mi bevri le dakli
- .eseri'ake le gerku .adu'ibo le mlatu [ke'e]
- I carry the sack
- and [effect] (the cat and/or [equal] the dog).
+ mi bevri le dakli .eseri'ake le gerku .adu'ibo le mlatu [ke'e=
]
+ I carry the sack and [effect] (the cat and/or [equal] the d=
og).
I carry the sack, and as a result the cat or the dog equally.<=
/en>
ke'e ke tu'u tu'e=
primary> carry s=
ackexample In=20
, the=20
- tu'e ... tu'u
brackets are the equivalent of the=20
- ke ... ke'e
brackets in=20
+ tu'e ... tu'u brackets are the equivalent of th=
e=20
+ ke ... ke'e brackets in=20
and=20
, because=20
- ke ... ke'e
cannot extend across more than one sentence=
. It would also be possible to change the=20
+ ke ... ke'e cannot extend across more than one =
sentence. It would also be possible to change the=20
.ijeseri'abo to=20
.ije seri'a, which would show that the=20
- tu'e ... tu'u
portion was an effect, but would not pin =
down the=20
+ tu'e ... tu'u portion was an effect, but would =
not pin down the=20
mi bevri le dakli portion as the cause. It is l=
egal for a modal (or a tense; see=20
) to modify the whole of a=20
- tu'e ... tu'u
construct.
+ tu'e ... tu'u construct.
fi'omixed modal connection with Note: The uses =
of modals discussed in this section are applicable both to BAI modals and t=
o=20
- fi'o
-plus-selbri modals.
+ fi'o-plus-selbri modals.
-
+
Modal conversion: JAI
The following cmavo are discussed in this section:
jai
JAI
modal conversion
=20
@@ -1745,188 +1799,178 @@
modal place structure tag
BAI selma'o=
primary> SE =
selma'o conversionswapping with modal place So far, conversion of numbered bridi places with SE and the additio=
n of modal places with BAI have been two entirely separate operations. Howe=
ver, it is possible to convert a selbri in such a way that, rather than exc=
hanging two numbered places, a modal place is made into a numbered place. F=
or example,
mi cusku bau la lojban.
- I express [something] in-language Lojban.
+ I express [something] in-language Lojban.
- FA selma'o fai<=
/primary> JA=
I selma'o <=
primary>jai place structureeffect of modal conversion on convers=
ionmodal modal conversionplace struct=
ure of modal conversiongrammar of =
has an explicit x1 place occupied by=20
+ FA selma'o fai<=
/primary> JA=
I selma'o place structureeffect of modal conversion on conversio=
nmodal modal conversionplace structur=
e of modal conversiongrammar of ha=
s an explicit x1 place occupied by=20
mi and an explicit=20
bau place occupied by=20
la lojban. To exchange these two, we use a moda=
l conversion operator consisting of=20
=20
- jai
(of selma'o JAI) followed by the modal cmavo. Thus,=
the modal conversion of=20
+ jai (of selma'o JAI) followed by the modal cmav=
o. Thus, the modal conversion of=20
=20
=20
is:
la lojban. jai bau cusku fai mi
- Lojban is-the-language-of-expression used-by me.
+ Lojban is-the-language-of-expression used-by me.
faias allowing access to original first place in modal conversion modal con=
versionaccess to original first place with fai In=20
, the modal place=20
la lojban. has become the x1 place of the new s=
elbri=20
jai bau cusku. What has happened to the old x1 =
place? There is no numbered place for it to move to, so it moves to a speci=
al=20
unnumbered place
marked by the tag=20
fai of selma'o FA.
faieffect on numbering of place structure places Note: For the purposes of place numbering,=20
fai behaves like=20
fi'a; it does not affect the numbering of the o=
ther places around it.
=20
modal conversions=
in descriptions Like SE conver=
sions, JAI conversions are especially convenient in descriptions. We may re=
fer to=20
the language of an expression
as=20
le jai bau cusku, for example.
modal conversion<=
/primary>with no modal specified jai without modalmeaning In addition, it is grammatical to use=20
- jai
without a following modal. This usage is not relate=
d to modals, but is explained here for completeness. The effect of=20
- jai
by itself is to send the x1 place, which should be =
an abstraction, into the=20
+ jai without a following modal. This usage is no=
t related to modals, but is explained here for completeness. The effect of=
=20
+ jai by itself is to send the x1 place, which sh=
ould be an abstraction, into the=20
fai position, and to raise one of the sumti fro=
m the abstract sub-bridi into the x1 place of the main bridi. This feature =
is discussed in more detail in=20
. The following two examples m=
ean the same thing:
le nu mi lebna le cukta cu se krinu le nu mi viska le cukta=
jbo>
The event-of (I take the book) is-justified-by the event-of=
(I see the book).
My taking the book is justified by my seeing it.
- mi jai se krinu le nu mi viska le cukta kei
- [fai le nu mi lebna le cukta]
- I am-justified by the event-of (I see the book)
- [namely, the event-of (I take the book)]
+ mi jai se krinu le nu mi viska le cukta kei [fai le nu mi leb=
na le cukta]
+ I am-justified by the event-of (I see the book) [namely, th=
e event-of (I take the book)]
I am justified in taking the book by seeing the book.
modal conversion =
without modalas vague=20
, with the bracketed part om=
itted, allows us to say that=20
I am justified
whereas in fact it is my action that is =
justified. This construction is vague, but useful in representing natural-l=
anguage methods of expression.
fi'oand modal conversion modal conversion with fi'o N=
ote: The uses of modals discussed in this section are applicable both to BA=
I modals and to=20
- fi'o
-plus-selbri modals.
+ fi'o-plus-selbri modals.
-
+
Modal negation
modals<=
secondary>negation of negation of modals Negation is expl=
ained in detail in=20
. There are two forms of negation =
in Lojban: contradictory and scalar negation. Contradictory negation expres=
ses what is false, whereas scalar negation says that some alternative to wh=
at has been stated is true. A simple example is the difference between=20
John didn't go to Paris
(contradictory negation) and=20
John went to (somewhere) other than Paris
(scalar negat=
ion).
- nai=
modalscontradictory negation of negation of modalsco=
ntradictory Contradictory negation involving BAI cm=
avo is performed by appending=20
- -nai
(of selma'o NAI) to the BAI. A common use of modal=
s with=20
- -nai
is to deny a causal relationship:
+ modalscontradictory negation of negation of modalscontr=
adictory Contradictory negation involving BAI cmavo=
is performed by appending=20
+ -nai (of selma'o NAI) to the BAI. A common use =
of modals with=20
+ -nai is to deny a causal relationship:
mi nelci do mu'inai le nu do nelci mi
I like you, but not because you like me.
contradictory neg=
ation of modalsexplanation of meaning=20
denies that the relationshi=
p between my liking you (which is asserted) and your liking me (which is no=
t asserted) is one of motivation. Nothing is said about whether you like me=
or not, merely that that hypothetical liking is not the motivation for my =
liking you.
- na'e modalsscalar negation of negation of modalsscalar=
secondary> Scalar negation is achieved by prefixing=20
- na'e
(of selma'o NAhE), or any of the other cmavo of NA=
hE, to the BAI cmavo.
+ modalsscalar negation of negation of modalsscalar Scalar negation is achieved by prefixing=20
+ na'e (of selma'o NAhE), or any of the other cma=
vo of NAhE, to the BAI cmavo.
- le spati cu banro na'emu'i le nu
- do djacu dunda fi le spati
- The plant grows other-than-motivated-by the event-of
- you water-give to the plant.
+ le spati cu banro na'emu'i le nu do djacu dunda fi le spati=
jbo>
+ The plant grows other-than-motivated-by the event-of you wa=
ter-give to the plant.
plant growsexample scalar negation of modalsexplanatio=
n of meaning=20
says that the relationship =
between the plant's growth and your watering it is not one of motivation: t=
he plant is not motivated to grow, as plants are not something which can ha=
ve motivation as a rule. Implicitly, some other relationship between wateri=
ng and growth exists, but=20
=20
doesn't say what it is (pre=
sumably=20
ri'a).
fi'o modalsnegation of by negating selbri negation of fi'o modals=
by negating selbri Note: Modals made wit=
h=20
- fi'o
plus a selbri cannot be negated directly. The selb=
ri can itself be negated either with contradictory or with scalar negation,=
however.
+ fi'o plus a selbri cannot be negated directly. =
The selbri can itself be negated either with contradictory or with scalar n=
egation, however.
-
+
Sticky modals
The following cmavo is discussed in this section:
ki
KI
stickiness flag
- ki<=
/indexterm> modals=
making sticky modalsmaking long-scope sticky modals=
definition Like tenses, modals=
can be made persistent from the bridi in which they appear to all followin=
g bridi. The effect of this=20
+ modalsmaking sticky modalsmaking long-scope=
sticky modals=
primary>definition Like tenses, modals c=
an be made persistent from the bridi in which they appear to all following =
bridi. The effect of this=20
stickiness
is to make the modal, along with its followi=
ng sumti, act as if it appeared in every successive bridi. Stickiness is pu=
t into effect by following the modal (but not any following sumti) with the=
cmavo=20
ki of selma'o KI. For example,
- mi tavla bau la lojban. bai ki tu'a la frank.
- .ibabo mi tavla bau la gliban.
- I speak in-language Lojban compelled-by some-property-of Fr=
ank.
- Afterward, I speak in-language English.
+ mi tavla bau la lojban. bai ki tu'a la frank. .ibabo mi tavla=
bau la gliban.
+ I speak in-language Lojban compelled-by some-property-of Fr=
ank. Afterward, I speak in-language English.
-
- means the same as:
+ =20
+ means the same as:
- mi tavla bau la lojban. bai tu'a la frank.
- .ibabo mi tavla bau la gliban.
- bai tu'a la frank.
- I speak in-language Lojban compelled-by some-property-of Fr=
ank.
- Afterward, I speak in-language English
- compelled-by some-property-of Frank.
+ mi tavla bau la lojban. bai tu'a la frank. .ibabo mi tavla ba=
u la gliban. bai tu'a la frank.
+ I speak in-language Lojban compelled-by some-property-of Fr=
ank. Afterward, I speak in-language English compelled-by some-property-of F=
rank.
In=20
,=20
bai is made sticky, and so Frank's compelling i=
s made applicable to every following bridi.=20
bau is not sticky, and so the language may vary=
from bridi to bridi, and if not specified in a particular bridi, no assump=
tion can safely be made about its value.
sticky modalscanceling To cancel stickiness, us=
e the form=20
- BAI ki ku
, which stops any modal value for the specifie=
d BAI from being passed to the next bridi. To cancel stickiness for all mod=
als simultaneously, and also for any sticky tenses that exist (=20
+ BAI ki ku, which stops any modal value for the =
specified BAI from being passed to the next bridi. To cancel stickiness for=
all modals simultaneously, and also for any sticky tenses that exist (=20
ki is used for both modals and tenses), use=20
ki by itself, either before the selbri or (in t=
he form=20
ki ku) anywhere in the bridi:
mi ki tavla
I speak (no implication about language or compulsion).
fi'oproscribed for sticky modals sticky modalsfi'o pro=
scribed from Note: Modals made with=20
- fi'o
-plus-selbri cannot be made sticky. This is an unfo=
rtunate, but unavoidable, restriction.
+ fi'o-plus-selbri cannot be made sticky. This is=
an unfortunate, but unavoidable, restriction.
-
+
Logical and non-logical connection of modals
=20
non-logical conne=
ctionof modals logical connectionof m=
odals Logical and non-logical connectives are expla=
ined in detail in=20
. For the purposes of this chap=
ter, it suffices to point out that a logical (or non-logical) connection be=
tween two bridi which differ only in a modal can be reduced to a single bri=
di with a connective between the modals. As a result,=20
and=20
mean the same thing:
@@ -1939,216 +1983,701 @@
la frank. bajra seka'a je teka'a le zdani
Frank runs with-destination and with-origin the house.
Frank runs to and from the house.
- ce'e je Neither example implies whether a single act, or two acts, o=
f running is referred to. To compel the sentence to refer to a single act o=
f running, you can use the form:
+ je=
indexterm> Neither example implies whether a single act, or two acts, of ru=
nning is referred to. To compel the sentence to refer to a single act of ru=
nning, you can use the form:
la frank. bajra seka'a le zdani ce'e teka'a le zdani
- Frank runs with-destination the house [joined-to] with-origin =
the-house.
+ Frank runs with-destination the house [joined-to] with-orig=
in the-house.
The cmavo=20
- ce'e
creates a termset containing two terms (termsets a=
re explained in=20
+ ce'e creates a termset containing two terms (te=
rmsets are explained in=20
and=20
). When a termset contains more=
than one modal tag derived from a single BAI, the convention is that the t=
wo tags are derived from a common event.
-
+
CV'V cmavo of selma'o BAI with irregular forms
modal cmavoregular form for derivation There ar=
e 65 cmavo of selma'o BAI, of which all but one (=20
do'e, discussed in=20
=20
- ), are derived directly from =
selected gismu. Of these 64 cmavo, 36 are entirely regular and have the for=
m CV'V, where C is the first consonant of the corresponding gismu, and the =
Vs are the two vowels of the gismu. The remaining BAI cmavo, which are irre=
gular in one way or another, are listed in the table below. The table is di=
vided into sub-tables according to the nature of the exception; some cmavo =
appear in more than one sub-table, and are so noted.
-
- cmavo gismu comments
-
- Monosyllables of the form CVV:
-
- bai bapli
- bau bangu
- cau claxu
- fau fasnu
- gau gasnu
- kai ckaji uses 2nd consonant of gismu
- mau zmadu uses 2nd consonant of gismu
+ ), are derived directly from selected g=
ismu. Of these 64 cmavo, 36 are entirely regular and have the form CV'V, wh=
ere C is the first consonant of the corresponding gismu, and the Vs are the=
two vowels of the gismu. The remaining BAI cmavo, which are irregular in o=
ne way or another, are listed in the table below. The table is divided into=
sub-tables according to the nature of the exception; some cmavo appear in =
more than one sub-table, and are so noted.
+
+
+
+
+
+
+
+ cmavo
+ gismu
+ comments
+
+
+
+
+
+
+ =20
+
+
+ Monosyllables of the form CVV:
+
+
+
+
+ bai
+ bapli
+
+
+ bau
+ bangu
+
+
+ cau
+ claxu
+
+
+ fau
+ fasnu
+
+
+ gau
+ gasnu
+
+
+ kai
+ ckaji
+ uses 2nd consonant of gismu
+
+
+ mau
+ zmadu
+ uses 2nd consonant of gismu
+
=20
- koi korbi
- rai traji uses 2nd consonant of gismu
- sau sarcu
- tai tamsmi based on lujvo, not gismu
- zau zanru
+
+ koi
+ korbi
+
+
+ rai
+ traji
+ uses 2nd consonant of gismu
+
+
+ sau
+ sarcu
+
+
+ tai
+ tamsmi
+ based on lujvo, not gismu
+
+
+ zau
+ zanru
+
+
+
+
+
+
+ =20
+
+
+ Second consonant of the gismu as the C: (the gismu is a=
lways of the form CCVCV)=20
+
+
+
+
+ ga'a
+ zgana
+
+
+ kai
+ ckaji
+ has CVV form (monosyllable)
+
+
+ ki'i
+ ckini
+
+
+ la'u
+ klani
+ has irregular 2nd V
+
+
+ le'a
+ klesi
+ has irregular 2nd V
+
+
+ mau
+ zmadu
+ has CVV form (monosyllable)
+
=20
- Second consonant of the gismu as the C:
- (the gismu is always of the form CCVCV)
+
+ me'e
+ cmene
+
+
+ ra'a
+ srana
+
+
+ ra'i
+ krasi
+
+
+ rai
+ traji
+ has CVV form (monosyllable)
+
+
+ ti'i
+ stidi
+
+
+ tu'i
+ stuzi
+
+
+
+
+
+
+ =20
+
+
+ Irregular 2nd V:
+
+
+
+
+ fi'e
+ finti
+
=20
- ga'a zgana
- kai ckaji has CVV form (monosyllable)
- ki'i ckini
- la'u klani has irregular 2nd V
- le'a klesi has irregular 2nd V
- mau zmadu has CVV form (monosyllable)
-
- me'e cmene
- ra'a srana
- ra'i krasi
- rai traji has CVV form (monosyllable)
- ti'i stidi
- tu'i stuzi
-
- Irregular 2nd V:
-
- fi'e finti
-
- la'u klani uses 2nd consonant of gismu
- le'a klesi uses 2nd consonant of gismu
- ma'e marji
- mu'u mupli
- ti'u tcika
- va'o vanbi
-
- Special cases:
-
- ri'i lifri uses 3rd consonant of gismu
- tai tamsmi based on lujvo, not gismu
- va'u xamgu CV'V cmavo can't begin with=20
-x
-
+
+ la'u
+ klani
+ uses 2nd consonant of gismu
+
+
+ le'a
+ klesi
+ uses 2nd consonant of gismu
+
+
+ ma'e
+ marji
+
+
+ mu'u
+ mupli
+
+
+ ti'u
+ tcika
+
+
+ va'o
+ vanbi
+
+
+
+
+
+
+ =20
+
+
+ Special cases:
+
+
+
+
+ ri'i
+ lifri
+ uses 3rd consonant of gismu
+
+
+ tai
+ tamsmi
+ based on lujvo, not gismu
+
+
+ va'u
+ xamgu
+ CV'V cmavo can't begin with x
+
+
+
+
-
+
Complete table of BAI cmavo with rough English equivalents
modal cmavo table=
format of modal cmavotable with Engli=
sh equivalents The following table shows all the cm=
avo belonging to selma'o BAI, and has five columns. The first column is the=
cmavo itself; the second column is the gismu linked to it. The third colum=
n gives an English phrase which indicates the meaning of the cmavo; and the=
fourth column indicates its meaning when preceded by=20
- se
.
+ se.
For those cmavo with meaningful=20
- te
,=20
- ve
, and even=20
- xe
conversions (depending on the number of places of th=
e underlying gismu), the meanings of these are shown on one or two extra ro=
ws following the primary row for that cmavo.
+ te,=20
+ ve, and even=20
+ xe conversions (depending on the number of plac=
es of the underlying gismu), the meanings of these are shown on one or two =
extra rows following the primary row for that cmavo.
modal cmavobasis in gismu place structure It sh=
ould be emphasized that the place structures of the gismu control the meani=
ngs of the BAI cmavo. The English phrases shown here are only suggestive, a=
nd are often too broad or too narrow to correctly specify what the acceptab=
le range of uses for the modal tag are.
-
- ba'i basti replaced by instead of=20
-
- bai bapli compelled by compelling
- bau bangu in language in language of
- be'i benji sent by transmitting
- te=3Dsent to ve=3Dwith transmit or=
igin
- xe=3Dtransmitted via
- ca'i catni by authority of with authority over
- cau claxu lacked by without
- ci'e ciste in system with system function
- te=3Dof system components
- ci'o cinmo felt by feeling emotion
- ci'u ckilu on the scale on scale measuring
-
- cu'u cusku as said by expressing
-
- te=3Das told to ve=3Dexpressed in med=
ium
- de'i detri dated on the same date as
-
- di'o diklo at the locus of at specific locus
- do'e ----- vaguely related to
-
- du'i dunli as much as equal to
-
-
- du'o djuno according to knowing facts
- te=3Dknowing about
- ve=3Dunder epistemology
- fa'e fatne reverse of in reversal of
- fau fasnu in the event of
- fi'e finti created by creating work
-
- te=3Dcreated for purpose
- ga'a zgana to observer observing
- te=3Dobserved by means
- ve=3Dobserved under conditions
- gau gasnu with agent as agent in doing
- ja'e jalge resulting in results because of
- ja'i javni by rule by rule prescribing
- ji'e jimte up to limit as a limit of
- ji'o jitro under direction controlling
- ji'u jicmu based on supporting
- ka'a klama gone to by with destination
-
- te=3Dwith origin ve=3Dvia route
- xe=3Dby transport mode
- ka'i krati represented by on behalf of
- kai ckaji characterizing with property
- ki'i ckini as relation of related to
- te=3Dwith relation
- ki'u krinu justified by with justified result
-
- koi korbi bounded by as boundary of
- te=3Dbordering
- ku'u kulnu in culture in culture of
- la'u klani as quantity of in quantity
- le'a klesi in category as category of
- te=3Ddefined by quality
- li'e lidne led by leading
- ma'e marji of material made from material
- te=3Din material form of
- ma'i manri in reference frame as a standard for
-
-
- mau zmadu exceeded by more than
-
- me'a mleca undercut by less than
-
- me'e cmene with name as a name for
- te=3Das a name to
- mu'i mukti motivated by motive therefore
-
- mu'u mupli exemplified by as an example of
- ni'i nibli entailed by entails
-
- pa'a panra in addition to similar to
- te=3Dsimilar in pattern
- ve=3Dsimilar by standard
- pa'u pagbu with component as a part of
- pi'o pilno used by using tool
-
- po'i porsi in the sequence sequenced by rule
- pu'a pluka pleased by in order to please
- pu'e pruce by process processing from
- te=3Dprocessing into
- ve=3Dpassing through stages
- ra'a srana pertained to by concerning
- ra'i krasi from source as an origin of
- rai traji with superlative superlative in
- te=3Dat extreme ve=3Dsuperlative amon=
g
- ri'a rinka caused by causing
- ri'i lifri experienced by experiencing
-
- sau sarcu requiring necessarily for
- te=3Dnecessarily under conditions
- si'u sidju aided by assisting in
- ta'i tadji by method as a method for
- tai tamsmi as a form of in form
- te=3Din form similar to
- ti'i stidi suggested by suggesting
- te=3Dsuggested to
- ti'u tcika with time at the time of
- tu'i stuzi with site as location of
- va'o vanbi under conditions as conditions for
- va'u xamgu benefiting from with beneficiary
- zau zanru approved by approving
- zu'e zukte with actor with means to goal
- te=3Dwith goal
-
+
+
+
+
+
+
+
+
+
+
+
+ ba'i
+ basti
+ replaced by
+ instead of
+
+
+ bai
+ bapli
+ compelled by
+ compelling
+
+
+ bau
+ bangu
+ in language
+ in language of
+
+
+ be'i
+ benji
+ sent by
+ transmitting
+ te=3Dsent to
+ ve=3Dwith transmit origin
+ xe=3Dtransmitted via
+
+
+ ca'i
+ catni
+ by authority of
+ with authority over
+
+
+ cau
+ claxu
+ lacked by
+ without
+
+
+ ci'e
+ ciste
+ in system
+ with system function
+ te=3Dof system components
+
+
+ ci'o
+ cinmo
+ felt by
+ feeling emotion
+
+
+ ci'u
+ ckilu
+ on the scale
+ on scale measuring
+
+
+ cu'u
+ cusku
+ as said by
+ expressing
+ te=3Das told to
+ ve=3Dexpressed in medium
+
+
+ de'i
+ detri
+ dated
+ on the same date
+ as
+
+
+ di'o
+ diklo
+ at the locus of
+ at specific locus
+
+
+ do'e
+ -----
+ vaguely related to
+
+
+ du'i
+ dunli
+ as much as
+ equal to
+
+
+ du'o
+ djuno
+ according to
+ knowing facts
+ te=3Dknowing about
+ ve=3Dunder epistemology
+
+
+ fa'e
+ fatne
+ reverse of
+ in reversal of
+
+
+ fau
+ fasnu
+ in the event of
+
+
+ fi'e
+ finti
+ created by
+ creating work
+ te=3Dcreated for purpose
+
+
+ ga'a
+ zgana
+ to observer
+ observing
+ te=3Dobserved by means
+ ve=3Dobserved under conditions=
entry>
+
+
+ gau
+ gasnu
+ with agent
+ as agent in doing
+
+
+ ja'e
+ jalge
+ resulting in
+ results because of
+
+
+ ja'i
+ javni
+ by rule
+ by rule prescribing
+
+
+ ji'e
+ jimte
+ up to limit
+ as a
+ limit of
+
+
+ ji'o
+ jitro
+ under direction
+ controlling
+
+
+ ji'u
+ jicmu
+ based on
+ supporting
+
+
+ ka'a
+ klama
+ gone to by
+ with destination
+ te=3Dwith origin
+ ve=3Dvia route
+ xe=3Dby transport mode
+
+
+ ka'i
+ krati
+ represented by
+ on behalf of
+
+
+ kai
+ ckaji
+ characterizing
+ with
+ property
+
+
+ ki'i
+ ckini
+ as relation of
+ related to
+ te=3Dwith relation
+
+
+ ki'u
+ krinu
+ justified by
+ with justified result
+
+
+ koi
+ korbi
+ bounded by
+ as boundary of
+ te=3Dbordering
+
+
+ ku'u
+ kulnu
+ in culture
+ in culture of
+
+
+ la'u
+ klani
+ as quantity of
+ in quantity
+
+
+ le'a
+ klesi
+ in category
+ as category of
+ te=3Ddefined by quality
+
+
+ li'e
+ lidne
+ led by
+ leading
+
+
+ ma'e
+ marji
+ of material
+ made from material
+ te=3Din material form of
+
+
+ ma'i
+ manri
+ in reference frame
+ as a
+ standard for
+
+
+ mau
+ zmadu
+ exceeded by
+ more than
+
+
+ me'a
+ mleca
+ undercut by
+ less than
+
+
+ me'e
+ cmene
+ with name
+ as a name for
+ te=3Das a name to
+
+
+ mu'i
+ mukti
+ motivated by
+ motive therefore
+
+
+ mu'u
+ mupli
+ exemplified by
+ as an example of
+
+
+ ni'i
+ nibli
+ entailed by
+ entails
+
+
+ pa'a
+ panra
+ in addition to
+ similar to
+ te=3Dsimilar in pattern
+ ve=3Dsimilar by standard
+
+
+ pa'u
+ pagbu
+ with component
+ as a
+ part of
+
+
+ pi'o
+ pilno
+ used by
+ using tool
+
+
+ po'i
+ porsi
+ in the sequence
+ sequenced by rule
+
+
+ pu'a
+ pluka
+ pleased by
+ in order to please
+
+
+ pu'e
+ pruce
+ by process
+ processing from
+ te=3Dprocessing into
+ ve=3Dpassing through stages
+
+
+ ra'a
+ srana
+ pertained to by concerning
+
+
+ ra'i
+ krasi
+ from source as an origin of
+
+
+ rai
+ traji
+ with superlative
+ superlative in
+ te=3Dat extreme
+ ve=3Dsuperlative among
+
+
+ ri'a
+ rinka
+ caused by
+ causing
+
+
+ ri'i
+ lifri
+ experienced by
+ experiencing
+
+
+ sau
+ sarcu
+ requiring
+ necessarily for
+ te=3Dnecessarily under condition=
s
+
+
+ si'u
+ sidju
+ aided by
+ assisting in
+
+
+ ta'i
+ tadji
+ by method
+ as a
+ method for
+
+
+ tai
+ tamsmi
+ as a form of
+ in form
+ te=3Din form similar to
+
+
+ ti'i
+ stidi
+ suggested by
+ suggesting
+ te=3Dsuggested to
+
+
+ ti'u
+ tcika
+ with time
+ at the time of
+
+
+ tu'i
+ stuzi
+ with site
+ as location of
+
+
+ va'o
+ vanbi
+ under conditions
+ as conditions for
+
+
+ va'u
+ xamgu
+ benefiting from
+ with beneficiary
+
+
+ zau
+ zanru
+ approved by
+ approving
+
+
+ zu'e
+ zukte
+ with actor
+ with means to goal
+ te=3Dwith goal
+
+
+
+ =20
The lujvo=20
tamsmi on which=20
tai is based is derived from the tanru=20
tarmi simsa and has the place structure:
-
- tamsmi: x1 has form x2, similar in form to x3 in property/quality x=
4
-
+
+ tamsmi: x1 has form x2, similar in form to x3 in property/quality x4
+
This lujvo is employed because=20
tarmi does not have a place structure useful fo=
r the modal's purpose.
diff --git a/todocbook/TODO b/todocbook/TODO
index 3abeffc..d974368 100644
--- a/todocbook/TODO
+++ b/todocbook/TODO
@@ -4,22 +4,22 @@
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
=20
Most of the below is intended to be done as needed as you review a
particular chapter/section. It looks like more complexity than it
actually is; you'll get used to it.
=20
SAY HERE WHAT YOU'VE DONE, including parts you haven't completed
(like index work).
=20
Robin Powell: 5.1, 5.2, 5.3
-Zort: Chapters 3 to 8 (they contain FIXMEs though; the typical FIXME
- is regarding index-related stuff)
+Zort: Chapters 3 to 9 (they contain FIXMEs though; the typical FIXME
+ is about index stuff)
=20
------
=20
Ignore Chapter 2 for now.
=20
------
=20
If you have any trouble, add a FIXME comment, like so:
=20
--=20
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