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Re: [lojban] srana le'i sucta cmavo
la maikl cusku di'e
I see two reasons to keep the other cmavo. First, the possibility
of conveying event-contours with ZA'I, MU'E & ZU'O. (There are
other ways of course, but these are most succinct.)
Could you be more specific as to how they convey contours?
Do you mean something like this:
le mu'e broda = le nu co'a broda / le nu mo'u broda (a la pc)
le mu'e broda = le nu co'i broda
le zu'o broda =? le nu ca'o broda
le za'i broda =?
They are barely more succint, and it is not even clear to me that
they are equivalent.
To me it
is important sometimes to specify MU'E & not NU because in a
narrative that point will become a reference in the otherwise-
not-closely differentiated continuum of lojbanic temporal
narrative.
But there is nothing in {nu} to prevent it from being a reference,
even a point reference.
Also, (correct me if i'm wrong) aren't these really just sort
of contractions,
Yes, and it is useful to work out what they are contractions of.
KA BRODA for CKAJI LE BRODA,
Well, {ka ce'u broda} would be something like {selkai lo'e broda}.
NU BRODA for FASNU LE BRODA,
{fasnu} doesn't have an x2, and {le broda}, the x1 of broda,
is not particularly singled out by {nu broda}. It's more like:
nu broda = fasnu co se pagbu le broda e le se broda e le
te broda e le ve broda e le xe broda
SI'O BRODA for SIDBO LE BRODA,
Again, {le broda} should not be singled out, but I don't really
know what {si'o} means. Is {si'o broda} maybe something like
{sidbo le nu broda}? It would be horribly vague.
PU'U BRODA for PRUCE LE BRODA,
x2 of pruce is for the inputs of the process. I would go with
the fasnu model:
pu'u broda = pruce co se pagbu le broda e le se broda e le
te broda e le ve broda e le xe broda
or just:
pu'u broda = pruce co nu broda
LI'I BRODA for LIFRI LE BRODA,
li'i broda = selfri co nu broda
NI BRODA for KLANI LE BRODA,
{ni} is complicated. The x2 of klani is a number, so in general
it has nothing to do with {le broda}, which in any case again
should not be singled out. I'm not even certain whether {ni} is
supposed to be a klani or a se klani. The way it is used, it
usually corresponds to an indirect question (how much, to what
extent):
le pixra cu cenba le ni ce'u blanu
which could be rewritten as:
le pixra cu cenba le ka ce'u blanu sela'u makau
Something very similar happens with {jei}. One thing is the
definition and another the actual usage.
& SU'U BRODA for SUCTA LE BRODA?
As with {si'o}, I don't really know what {su'u} is supposed
to mean. {sucta co nu broda} is again horribly vague.
The only example I remember again falls into an indirect
question: See how they run!
(The others are less obvious:
i agree with a prior poster that JEI BRODA equals DU'U XUKAU
BRODA;
Right, that is what usage has determined so far.
DU'U BRODA could be XUSRA or JUFRA LE BRODA;
{sedu'u broda} could be {jufra le nu broda} (not {le broda}!)
{du'u broda} could be {selxu'a co nu broda}.
ZU'O BRODA
& MU'E BRODA probably DIKNI ZUKTE LE BRODA & BRODE CEI FASNU
MOKCA.
zu'o broda =? selzu'e co nu broda
mu'e broda = mokca co nu broda
Do activities always have an actor and a goal?
I'm not sure ZA'I BRODA fits into RANJI LE BRODA so well...)
I can't think of anything better, but it would be
{ranji co nu broda}.
Anyway, my point being that when these distinctions need to be
made, the cmavo should be available & mean things as different as
SIDBO & LIFRI, KLANI & CKAJI, RANJI & MOKCA.
I'm not convinced that using cmavo is the way to go for this,
but in any case, trying to define the meaning of cmavo in Lojban
rather than in English is very helpful and necessary.
co'o mi'e xorxes
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