From pycyn@aol.com Mon Sep 16 01:31:58 2002
Return-Path: <Pycyn@aol.com>
X-Sender: Pycyn@aol.com
X-Apparently-To: lojban@yahoogroups.com
Received: (EGP: mail-8_1_1_3); 16 Sep 2002 08:31:58 -0000
Received: (qmail 4863 invoked from network); 16 Sep 2002 08:31:58 -0000
Received: from unknown (66.218.66.218)
  by m13.grp.scd.yahoo.com with QMQP; 16 Sep 2002 08:31:58 -0000
Received: from unknown (HELO imo-d05.mx.aol.com) (205.188.157.37)
  by mta3.grp.scd.yahoo.com with SMTP; 16 Sep 2002 08:31:58 -0000
Received: from Pycyn@aol.com
  by imo-d05.mx.aol.com (mail_out_v34.10.) id r.187.e2907ac (18707)
  for <lojban@yahoogroups.com>; Mon, 16 Sep 2002 04:31:53 -0400 (EDT)
Message-ID: <187.e2907ac.2ab6f0f8@aol.com>
Date: Mon, 16 Sep 2002 04:31:52 EDT
Subject: Re: [lojban] Re: I like chocolate
To: lojban@yahoogroups.com
MIME-Version: 1.0
Content-Type: multipart/alternative; boundary="part1_187.e2907ac.2ab6f0f8_boundary"
X-Mailer: AOL 7.0 for Windows US sub 10509
From: pycyn@aol.com
X-Yahoo-Group-Post: member; u=2455001
X-Yahoo-Profile: kaliputra

--part1_187.e2907ac.2ab6f0f8_boundary
Content-Type: text/plain; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

In a message dated 9/15/2002 2:42:05 PM Central Daylight Time,=20
jjllambias@hotmail.com writes:

<<
> la pycyn cusku di'e
>=20
> >I have some idea what your boa is like, but I can't paint a reliable=20
> >picture
> >of it yet because too many things I need to know to do a picture I don't=
=20
> >know
> >from knowing only that it is a boa.
>=20
> Then you can't make lo pixra be le mi sincrboa, but you won't
> have any trouble making lo pixra be lo'e sincrboa. There are
> of course many possible pixra be lo'e sincrboa, and they don't
> have to all look alike.
> >>

Sorry, I thought you meant an accurate picture of a generic boa, because,=20
once you get away from that, it gets hard to keep up the claim that it is a=
=20
pictue of a generic boa rather than something else that it is an accurate=20
picture of. But if any old boa picture will do and we call it a picture of=
a=20
generic boa, then, sure, you can picture it. Since (sniggle) the picture i=
s=20
is not accurate, would a picture of a viper do as well -- or almost. (I hop=
e=20
the answer is "No" but I will be interested to hear the reason. And if the=
=20
answer is "Yes" then I throw in the towel, ther is just no talking to some=
=20
people so far from the rules of language).

<<
>Having a delusion is coverd by the usually safe {mi viska li'i sincrboa}

I suppose you mean {se li'i}, "I'm a visual experiencer of
something being a boa".
>>
No, I meant {li'i} though I left out the {le} . Apparently the meaning has=
=20
changed since the word was created by someone who lived primarily in a=20
disembodied experiental mode.

<<
>(this also covers the {lo} case but does not entail it). Why is {lo'e} a
>no-no?

It is certainly not a no-no! {lo'e} is probably a yes-yes
anywhere {lo} is, though neither entails the other.
>>=20
My remark was to your claim that {viska lo'e sincrboa} made no sense, or=20
something along that line and was intended to indicate that, were that true=
,=20
{pixra loe' sincrboa} made no sense and for essentially the same reasons.
When looking up "boa," by the way, I did see a picture of one in the=20
dictionary, presumably meant to be typical, since it had no further specifi=
c=20
identification. I was just a black-and-white sketch, so avoided the issue =
of=20
color (I don't suppose anyone will thaink that the generic boa is white,=20
though boas are in an albino sequence, I think).

<<
>If I can paint it, I can see it surely.

Not always, but in the case of boas yes, certainly.
>>
So {viska lo'e boa} does make sense. Different from {viska lo boa}? (For=
=20
either answer, what is special here, since generally they are different and=
=20
generally generics are too abstract to be seen).

<<
> Either {lo'e cinfo cu xabju le
>frike} means "if anything were a lion, it would live in Africa," which is
>obviously false,

And not what I mean.
>>
So you do keep saying. But aside from your say-so (which is not a negligib=
le=20
bit of evidence, you being right most of the time about things) you have ye=
t=20
to give an explanation of why not, in spite of repeated opportunities and=20
urgings.

<<
>or it means (I have to unpack some more) "In some world
>there is something which is a lion and lives in Africa," which is -- in th=
e
>case of lions, but not of unicorns -- of little practical value over {lo
>cinfo cu xabju le frike}.

This is not what I mean either. I don't make any claim about lions
in particular, neither in this nor in possible worlds. It's a claim
about Africa in particular and lions in general.
>>
Notice that neither of the alternatives offered makes any claims about lion=
s=20
in paticular -- even that some exist. So, what is wrong with them? Would =
it=20
help to replace "is a lion" with "has all the essential properties of a=20
lion"? How do you know that talk about generic lions doesn't involve=20
particular lions, at least hypothetical particular lions, unless you know=20
fairly completely what talk about genric lions does involve? In which case=
,=20
why are you hiding this information in your bosom? It seems self-defeating=
=20
as well as cruel to do this.

<<
>The problem with {pixra} is that boahood pervades too few viusal
>properties to allow a picture to be made, if it is at all representational
>(and if it is not, anything goes and I have to take your word for what it
>represents and by what coding, so almost any visual image will do and the
>whole becomes really uninteresting).

So you probably would not agree that Saint-Exup=E9ry's picture is
lo pixra be lo'e sincrboa poi ba'o tunlo lo xanto. You don't
have to take _my_ word, you have to take the word of the speakers
of the language in question: English in the case of "boa" and
Lojban in the case of {sincrboa}, though for these words there
shouldn't be much deviation from language to language, probably
more variation within English itself.
>>
I don't have Exy's stuff to hand, so I don't know what picture you are=20
talking about. But, since we are now -- in spite of all manner of hazards =
--=20
allowing inaccurate pictures to count, I don't see any reason to deny it --=
=20
unless it is too far off (to a viper, say, or a newt) I would certainly=20
(with the same conditions) be willing to say that it is a picture of a boa=
=20
(if it is, that is) and allow it to do business as a generic (rather than a=
=20
typical) boa (though I would probably like the caveats spelled out -- "mind=
=20
the color and the size and the exact marking pattern and...")

<<
><<
>I never said {le nu lo sfofa cu co'e} deals with particular sofas.
>I did say it deals with particular events.
> >>
>OK -- and how can there be a particular event involving sofas that does no=
t
>invlve a particular sofa?

For example: {le nu mi nitcu lo'e sfofa cu purci}
"My needing a sofa is in the past".
>>
Which (though ill-formed) involves a particular sofa, of course, though not=
=20
one in this world, assuming it makes any sense at all. When did you ever=20
need a generic sofa? You needed a sofa and did not care about the=20
particulars, perhaps, but that is a very different thing. What would you d=
o=20
with a generic sofa -- you can't sit on it or use if for decor (it has no=20
color nor pattern nor cushion density). In short, this seems no different=
=20
from {le nu mi nitcu tu'a lo sfofa cu purci} is it is sensible at all. You=
=20
are, apparently, going to say that it is not right because it involved {lo=
=20
sfofa} byt notice that it does not say anything about an particular sofa(s)=
=20
-- even that there are some (well, it says there are some in another world=
=20
but it is hard to deal with essential properties wihtout other worlds, so=20
that can't be the problem either.) We can do away with {lo sfofa} and talk=
=20
about things with all the essential properties of sofas, satisfying the sen=
se=20
of {sfofa} -- but those are just sofas.=20

<<
le nu mi nitcu lo'e sfofa is a particular event involving sofas
that does not involve a particular sofa.
>>
So is le nu mi nitcu tu'a lo sfofa, unless you mean by "involve a particula=
r=20
sofa" "contains the words {lo sfofa}" (which, note, even as it stands, is n=
ot=20
about a particular sofa -- that is {le sfofa}). But the words occur in an=20
opaque, intensional, whatever context which prescisely cuts them off from a=
ny=20
reference to any particulars -- as witness the lack of quantifier binding. =
=20=20
"But they are particular in some other world" (two moves removed from this=
=20
one). Maybe, but the other world is such an abstraction that it is hard to=
=20
see what they are particular in that world" would mean.=20

<<
I don't see any problem with liking an event. I think
{mi nelci le nu da sfofa} is a perfectly legitimate thing
to say. I just don't agree that {mi nelci lo'e sfofa}
is equivalent to {mi nelci lo nu lo sfofa cu co'e}. They
are both meaningful, but different.
>>
As always, in what way? I don't see it. But then, I don't know what {mi=20
nelci lo'e sfofa} means. The situations the two describe seem to me to be=
=20
exactly the same. At least, I would normally say {mi nelci tu'a lo sfofa}=
=20
for the situation you describe as being what {mi nelci lo'e sfofa} describe=
s,=20
unless you have failed to mention (or cleverly hidden) some detail that mak=
es=20
the difference. But I can't figure out what detail it would be that involv=
ed=20
-- moe than it already is -- the sense of {sfofa}.

<<
I don't feel discomfort with {nelci le nu lo sfofa cu co'e}.
I don't think {nelci tu'a lo sfofa} is wrong.
I prefer {nelci lo'e sfofa} for "liking sofas".
{tu'a sfofa} is much more ambiguous than {lo'e sfofa}.
In some context {tu'a lo sfofa} could mean "doing it on the sofa"
for example, something which {lo'e sfofa} cannot mean.
>>
Why the preference? What does it say that the othere doesn't? The ambiguit=
y=20
of {tu'a lo sfofa} is the ambiguity of {co'e}, but at least whe know what t=
he=20
range is there. But we -- I certainly and you i\by implication from the fa=
ct=20
that you won't tell -- hae no idea what {lo'e sfofa} means . Why does it=20
exclude doing it on the sofa -- we are never told, even by implication, wha=
t=20
you like lo'e sfofa FOR and yet things aren't like in isolation, but for=20
something, even if it is only a rosey glow.

<<
>Using {tu'a} does not literally change the level of abstraction, since
>everything is on the same level in Lojban.

I think {fasnu} and {dacti} are not synonymous. To that extent
at least nu-things are not at the same level as sofa-things.
>>
{mlatu} and {gerku} aren't synonymous either -- which is on the higher leve=
l=20
of abstaction?

<<
>And your case is ultimately
>talking about the properties of a sofa, not about sofas

I guess we will never agree about that.
>>=20
OK, your case is talking about sofas. So why the big insistence that it is=
=20
so different from other ways of talking about sofas. I think it is, mind=20
you, but this suggests that you don't.

--part1_187.e2907ac.2ab6f0f8_boundary
Content-Type: text/html; charset="ISO-8859-1"
Content-Transfer-Encoding: quoted-printable

<HTML><FONT FACE=3Darial,helvetica><BODY BGCOLOR=3D"#ffffff"><FONT style=
=3D"BACKGROUND-COLOR: #ffffff" SIZE=3D2>In a message dated 9/15/2002 2:42:0=
5 PM Central Daylight Time, jjllambias@hotmail.com writes:<BR>
<BR>
&lt;&lt;<BR>
<BLOCKQUOTE TYPE=3DCITE style=3D"BORDER-LEFT: #0000ff 2px solid; MARGIN-LEF=
T: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">la pycyn cusku di'e<BR>
<BR>
&gt;I have some idea what your boa is like, but I can't paint a reliable <B=
R>
&gt;picture<BR>
&gt;of it yet because too many things I need to know to do a picture I don'=
t <BR>
&gt;know<BR>
&gt;from knowing only that it is a boa.<BR>
<BR>
Then you can't make lo pixra be le mi sincrboa, but you won't<BR>
have any trouble making lo pixra be lo'e sincrboa. There are<BR>
of course many possible pixra be lo'e sincrboa, and they don't<BR>
have to all look alike.<BR>
</BLOCKQUOTE>&gt;&gt;<BR>
<BR>
Sorry, I thought you meant an accurate picture of a generic boa, because, o=
nce you get away from that, it gets hard to keep up the claim that it is a =
pictue of a generic boa rather than something else that it is an accurate p=
icture of.&nbsp; But if any old boa picture will do and we call it a pictur=
e of a generic boa, then, sure, you can picture it.&nbsp; Since (sniggle) t=
he picture is is not accurate, would a picture of a viper do as well -- or =
almost. (I hope the answer is "No" but I will be interested to hear the rea=
son.&nbsp; And if the answer is "Yes" then I throw in the towel, ther is ju=
st no talking to some people so far from the rules of language).<BR>
<BR>
&lt;&lt;<BR>
&gt;Having a delusion is coverd by the usually safe {mi viska li'i sincrboa=
}<BR>
<BR>
I suppose you mean {se li'i}, "I'm a visual experiencer of<BR>
something being a boa".<BR>
&gt;&gt;<BR>
No, I meant {li'i} though I left out the {le} .&nbsp; Apparently the meanin=
g has changed since the word was created by someone who lived primarily in =
a disembodied experiental mode.<BR>
<BR>
&lt;&lt;<BR>
&gt;(this also covers the {lo} case but does not entail it).&nbsp; Why is {=
lo'e} a<BR>
&gt;no-no?<BR>
<BR>
It is certainly not a no-no! {lo'e} is probably a yes-yes<BR>
anywhere {lo} is, though neither entails the other.<BR>
&gt;&gt; <BR>
My remark was to your claim that {viska lo'e sincrboa} made no sense, or so=
mething along that line and was intended to indicate that, were that true, =
{pixra loe' sincrboa} made no sense and for essentially the same reasons.<B=
R>
When looking up "boa," by the way, I did see a picture of one in the dictio=
nary, presumably meant to be typical, since it had no further specific iden=
tification.&nbsp; I was just a black-and-white sketch, so avoided the issue=
of color (I don't suppose anyone will thaink that the generic boa is white=
, though boas are in an albino sequence, I think).<BR>
<BR>
&lt;&lt;<BR>
&gt;If I can paint it, I can see it surely.<BR>
<BR>
Not always, but in the case of boas yes, certainly.<BR>
&gt;&gt;<BR>
So {viska lo'e boa} does make sense.&nbsp; Different from {viska lo boa}?&n=
bsp; (For either answer, what is special here, since generally they are dif=
ferent and generally generics are too abstract to be seen).<BR>
<BR>
&lt;&lt;<BR>
&gt;&nbsp; Either {lo'e cinfo cu xabju le<BR>
&gt;frike} means "if anything were a lion, it would live in Africa," which =
is<BR>
&gt;obviously false,<BR>
<BR>
And not what I mean.<BR>
&gt;&gt;<BR>
So you do keep saying.&nbsp; But aside from your say-so (which is not a neg=
ligible bit of evidence, you being right most of the time about things) you=
have yet to give an explanation of why not, in spite of repeated opportuni=
ties and urgings.<BR>
<BR>
&lt;&lt;<BR>
&gt;or it means (I have to unpack some more) "In some world<BR>
&gt;there is something which is a lion and lives in Africa," which is -- in=
the<BR>
&gt;case of lions, but not of unicorns -- of little practical value over {l=
o<BR>
&gt;cinfo cu xabju le frike}.<BR>
<BR>
This is not what I mean either. I don't make any claim about lions<BR>
in particular, neither in this nor in possible worlds. It's a claim<BR>
about Africa in particular and lions in general.<BR>
&gt;&gt;<BR>
Notice that neither of the alternatives offered makes any claims about lion=
s in paticular -- even that some exist.&nbsp; So, what is wrong with them?&=
nbsp; Would it help to replace "is a lion" with "has all the essential prop=
erties of a lion"?&nbsp; How do you know that talk about generic lions does=
n't involve particular lions, at least hypothetical particular lions, unles=
s you know fairly completely what talk about genric lions does involve?&nbs=
p; In which case, why are you hiding this information in your bosom?&nbsp; =
It seems self-defeating as well as cruel to do this.<BR>
<BR>
&lt;&lt;<BR>
&gt;The problem with {pixra} is that boahood pervades too few viusal<BR>
&gt;properties to allow a picture to be made, if it is at all representatio=
nal<BR>
&gt;(and if it is not, anything goes and I have to take your word for what =
it<BR>
&gt;represents and by what coding, so almost any visual image will do and t=
he<BR>
&gt;whole becomes really uninteresting).<BR>
<BR>
So you probably would not agree that Saint-Exup=E9ry's picture is<BR>
lo pixra be lo'e sincrboa poi ba'o tunlo lo xanto. You don't<BR>
have to take _my_ word, you have to take the word of the speakers<BR>
of the language in question: English in the case of "boa" and<BR>
Lojban in the case of {sincrboa}, though for these words there<BR>
shouldn't be much deviation from language to language, probably<BR>
more variation within English itself.<BR>
&gt;&gt;<BR>
I don't have Exy's stuff to hand, so I don't know what picture you are talk=
ing about.&nbsp; But, since we are now -- in spite of all manner of hazards=
-- allowing inaccurate pictures to count, I don't see any reason to deny i=
t -- unless it is too far off (to a viper, say, or a newt)&nbsp; I would ce=
rtainly (with the same conditions) be willing to say that it is a picture o=
f a boa (if it is, that is) and allow it to do business as a generic (rathe=
r than a typical) boa (though I would probably like the caveats spelled out=
-- "mind the color and the size and the exact marking pattern and...")<BR>
<BR>
&lt;&lt;<BR>
&gt;&lt;&lt;<BR>
&gt;I never said {le nu lo sfofa cu co'e} deals with particular sofas.<BR>
&gt;I did say it deals with particular events.<BR>
&gt; &gt;&gt;<BR>
&gt;OK -- and how can there be a particular event involving sofas that does=
not<BR>
&gt;invlve a particular sofa?<BR>
<BR>
For example: {le nu mi nitcu lo'e sfofa cu purci}<BR>
"My needing a sofa is in the past".<BR>
&gt;&gt;<BR>
Which (though ill-formed) involves a particular sofa, of course, though not=
one in this world, assuming it makes any sense at all.&nbsp; When did you =
ever need a generic sofa? You needed a sofa and did not care about the part=
iculars, perhaps, but that is a very different thing.&nbsp; What would you =
do with a generic sofa -- you can't sit on it or use if for decor (it has n=
o color nor pattern nor cushion density).&nbsp; In short, this seems no dif=
ferent from {le nu mi nitcu tu'a lo sfofa cu purci} is it is sensible at al=
l. You are, apparently, going to say that it is not right because it involv=
ed {lo sfofa} byt notice that it does not say anything about an particular =
sofa(s) -- even that there are some (well, it says there are some in anothe=
r world but it is hard to deal with essential properties wihtout other worl=
ds, so that can't be the problem either.)&nbsp; We can do away with {lo sfo=
fa} and talk about things with all the essential properties of sofas, satis=
fying the sense of {sfofa} -- but those are just sofas. <BR>
<BR>
&lt;&lt;<BR>
le nu mi nitcu lo'e sfofa is a particular event involving sofas<BR>
that does not involve a particular sofa.<BR>
&gt;&gt;<BR>
So is le nu mi nitcu tu'a lo sfofa, unless you mean by "involve a particula=
r sofa" "contains the words {lo sfofa}" (which, note, even as it stands, is=
not about a particular sofa -- that is {le sfofa}). But the words occur in=
an opaque, intensional, whatever context which prescisely cuts them off fr=
om any reference to any particulars -- as witness the lack of quantifier bi=
nding.&nbsp;&nbsp; "But they are particular in some other world" (two moves=
removed from this one).&nbsp; Maybe, but the other world is such an abstra=
ction that it is hard to see what they are particular in that world" would =
mean. <BR>
<BR>
&lt;&lt;<BR>
I don't see any problem with liking an event. I think<BR>
{mi nelci le nu da sfofa} is a perfectly legitimate thing<BR>
to say. I just don't agree that {mi nelci lo'e sfofa}<BR>
is equivalent to {mi nelci lo nu lo sfofa cu co'e}. They<BR>
are both meaningful, but different.<BR>
&gt;&gt;<BR>
As always, in what way?&nbsp; I don't see it. But then, I don't know what {=
mi nelci lo'e sfofa} means.&nbsp; The situations the two describe seem to m=
e to be exactly the same.&nbsp; At least, I would normally say {mi nelci tu=
'a lo sfofa} for the situation you describe as being what {mi nelci lo'e sf=
ofa} describes, unless you have failed to mention (or cleverly hidden) some=
detail that makes the difference.&nbsp; But I can't figure out what detail=
it would be that involved -- moe than it already is -- the sense of {sfofa=
}.<BR>
<BR>
&lt;&lt;<BR>
I don't feel discomfort with {nelci le nu lo sfofa cu co'e}.<BR>
I don't think {nelci tu'a lo sfofa} is wrong.<BR>
I prefer {nelci lo'e sfofa} for "liking sofas".<BR>
{tu'a sfofa} is much more ambiguous than {lo'e sfofa}.<BR>
In some context {tu'a lo sfofa} could mean "doing it on the sofa"<BR>
for example, something which {lo'e sfofa} cannot mean.<BR>
&gt;&gt;<BR>
Why the preference? What does it say that the othere doesn't?&nbsp; The amb=
iguity of {tu'a lo sfofa} is the ambiguity of {co'e}, but at least whe know=
what the range is there.&nbsp; But we -- I certainly and you i\by implicat=
ion from the fact that you won't tell -- hae no idea what {lo'e sfofa} mean=
s .&nbsp; Why does it exclude doing it on the sofa -- we are never told, ev=
en by implication, what you like lo'e sfofa FOR and yet things aren't like =
in isolation, but for something, even if it is only a rosey glow.<BR>
<BR>
&lt;&lt;<BR>
&gt;Using {tu'a} does not literally change the level of abstraction, since<=
BR>
&gt;everything is on the same level in Lojban.<BR>
<BR>
I think {fasnu} and {dacti} are not synonymous. To that extent<BR>
at least nu-things are not at the same level as sofa-things.<BR>
&gt;&gt;<BR>
{mlatu} and {gerku} aren't synonymous either -- which is on the higher leve=
l of abstaction?<BR>
<BR>
&lt;&lt;<BR>
&gt;And your case is ultimately<BR>
&gt;talking about the properties of a sofa, not about sofas<BR>
<BR>
I guess we will never agree about that.<BR>
&gt;&gt; <BR>
OK, your case is talking about sofas.&nbsp; So why the big insistence that =
it is so different from other ways of talking about sofas.&nbsp; I think it=
is, mind you, but this suggests that you don't.</FONT></HTML>

--part1_187.e2907ac.2ab6f0f8_boundary--

