la .asiz. cu cusku di'e
E.g.,
(1) {lo zdŕni cu pu se cintypu'i}
(2) {la nakfŕmti .xčnris. cu no roi cměla}
These two are truly stylistic choices, but there is an advantage to using {cu} before TENSE+selbri. It makes it less likely to accidently say something like the following (at least I assume that's true):
lo nu broda pu cinri
! "The event of brodaing in the past is interesting."
Using {cu} before {pu} is necessary there to prevent the accidental slipping of the {pu} into the abstraction. So maybe that's one reason to use {cu} even when it's not necessary: to be less likely to forget it where it must be used.
On Mon, Jan 6, 2014 at 8:22 PM, selpa'i <seladwa@gmx.de> wrote:
lo nu broda pu cinri
! "The event of brodaing in the past is interesting."Actually it's even worse than that, it's just a sumti: "the brodaing in the past type of interesting thing."
The actual answer to your question is this: What happens when you erase all the spaces from the text? The answer to this question will reveal why there are {cu} in seemingly unnecessary places. To name just one general example ({nu} is by far not the only place where it occurs):
{nu + BY + broda} = lujvo (nuBYbroda}
{nu + BY + cu + broda} = abstraction containing a bridi
In other words, leaving out {cu} will make the text parse differently! I'm very careful with that; one needs to keep in mind that the whole point of my orthography is to have full audio-visual isomorphism - the speech stream should fully correspond to the string of letters. There are no spaces in the speech stream. Everything depends on clusters and stress. Therefore, spaces are to be meaningless in writing, too. And my orthography enables exactly that: to omit all the spaces. You can either use {cu} to prevent the accidental lujvo as in the example above, or you can use a glottal stop, like so:
{nu + BY. + broda}
Then, it also cannot parse as a single word.
You will find both methods used in the text.