Re: Fwd: [jbosnu] fanva le selsanga

["michael helsem" <graywyvern@hotmail.com>]

> From: "A.W. Tueting" <Ti@fa-kuan.muc.de>
    li'o
> Your Cole Porter song's translation is nice (though I do not remember
> its title and text - is it "I love you so much" or so?).

"So in Love" from "Kiss Me Kate" (which i saw in New York last year).

> Yet, I encountered two problems:
>
> 1)   >.i ko ckasu
>       > je xrani
>       > je tcica
>       > je cliva
>
> I'm not sure that you really get what you want, because {je} is to
> create *tanru*, i.e. something like this:
>
> ".i ko (((ckasu je xrani) je tcica) je cliva) mi", don't you?
>
> Maybe you rather mean a construction using "compound bridi" like:
>
> ".i ko ckasu gi'e xrani gi'e tcica gi'e cliva vau mi" or
> ".i fe mi fa ko ckasu gi'e xrani gi'e tcica gi'e cliva"

No doubt, but "gi'e broda" makes a line with two stresses, which is
not what i wanted. "gege ckasu gi xrani gige tcica gi cliva" comes
closer to the sense of the English. Is "ce" any better?

> 2) > poi tifygau
>
> If I understand it correctly, it refers to a {ti} i.e. something you
> should be able to point at with your finger (something caused/created
> etc. by {le traji nunprami}?).

I struggled with constructions like "sanji fa do le rinsa (or "krinu") be 
la'e dei vau .iu cai" (for "you know darling why/ so in love with you am I") 
for awhile. I think in the context of a song & especially one portraying 
intimacy, that a degree of figurativeness can be allowed to "ti" i.e. the 
present speaker & auditor...
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